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    Sports Q&A

    Volleying questions to tennis star Frances Tiafoe during the 2023 Dallas Open

    Ken Hoffman
    Feb 6, 2023 | 10:00 am
    Frances Tiafoe

    Frances Tiafoe is playing in the 2023 Dallas Open.

    Photo by Lintao Zhang/Getty Images

    The Dallas Open, the only indoor tournament on the men’s pro tennis tour in America, runs February 5-12 at the Styslinger/Altec Tennis Complex on the SMU campus. The event features 60 international players headed by top seeds Taylor Fritz and Frances Tiafoe from the U.S. in singles action.

    Fritz is ranked No. 8 in the world, Tiafoe No. 15. Among the other top players scheduled to appear: Denis Shapovalov of Canada, Miomir Kecmanovic of Serbia, John Isner of the U.S., Adrian Mannarino of France, Ilya Ivashka of Belarus, and Taro Daniel of Japan. Reilly Opelka, winner of 2022’s inaugural Dallas Open, had to withdraw this year due to injury.

    Although Tiafoe is considered one of the fastest players on the pro tour, CultureMap managed to catch up with him on his way to Dallas.

    CultureMap: You caused a major fashion ruckus with the mega-decibel outfit you wore during the recent Australian Open. How did that happen? Was it your idea or Nike’s and will you be wearing it during the Dallas Open?

    Frances Tiafoe: I’m not in a position where I can sit with Nike and tell them what I want to wear and they’ll make it happen. It definitely wasn’t coming from me. All they told me was, I was going to wear something sleeveless and it’s going to be loud. I said alright, cool.

    When I got there and saw it, I said, well, it’s definitely loud. I thought, I’ll rock it. I think I can pull this off. They gave me an alternative outfit but I thought it was kind of bland. Let’s go with the loud one. In Round One, the outfit was going everywhere. Round Two, yeah, all the attention was really cool. I don’t know if I’ll be bringing it out for the next tournament. Maybe I’ll have some different cool ones coming. We’ll see.

    CM: Speaking of unusual, your forehand doesn’t resemble anything in a tennis instruction manual. Same question, how did that happen?

    FT: I used to have a normal forehand, technique-wise. Everything I do is unorthodox. I have a certain flavor with everything I do. I just tried something different and it felt good, it felt loose. Obviously I’ve had coaches try to change it when I was struggling. I was told that it wouldn’t work at this level or that level. Now I’m sitting close to the top of the game and it’s proved to work at every level. It is what it is. I just hope that kids don’t want to copy it because it’s not ideal.

    CM: Unlike many players, you seem to have fun on the court. Is that something that comes naturally or did you have to work at letting yourself enjoy tennis?

    FT: No, no, no, it’s not a pre-meditated thing. Who I am on the court is just who I am as a person. I’m a genuine dude. I like to have fun. I’m blessed to be out here playing tennis and playing at a high level in front of people who want to watch me play. I like when people scream my name. I have little kids mimicking some of my celebrations and stuff. It’s already an atmosphere before I even do anything. This is fun.

    CM: You beat the great Rafael Nadal at the U.S. Open last year. It was one of the most exciting matches ever at the Open. My heart was pounding watching at home as you drew closer to match point. How did you keep your cool down the stretch? Was your heart pounding, too?

    FT: Absolutely! My legs were like cement close to the end of the match. It was partly because I was tired, also because I was so nervous. Yeah, the first time you beat a GOAT, those wins are hard to come by. It’s not easy at all, it’s one of those things you don’t know what to expect because you’ve never been there before. I was trying to stay in the moment, stay locked in, not worrying too much about the score line. I thought I did a good job.

    CM: You and Jack Sock defeated Roger Federer and Rafael Nadal at last year’s Laver Cup. It was Federer’s final match of his career. Did any part of you think, maybe this isn’t such a good idea? Maybe I should let Federer win?

    FT: I knew what time it was when I got out there. I knew I was going to be behind the 8 ball. Not that everybody was going to be against me, but they would be for Roger. I wasn’t going to lie down. I’m a competitor. It was interesting. I hit him and the crowd booed me. I had never been in a situation like that. Hey, it’s kind of cool to say that I beat Roger Federer in his last match. I don’t think he was apologizing for beating everybody for 20-plus years. I think he’s sleeping perfectly fine at night.

    CM: What was the first extravagant or crazy thing you bought when you started cashing big tournament paychecks?

    FT: I like to buy nice clothes and stuff. I’m not really a crazy spender. I like knowing I can take care of my family, stuff like that. I got my brother a car, a C-class Mercedes, for his birthday. He’s my twin brother and we turned 25. Seeing other people happy from what I’m able to do for them means more to me.

    CM: You seemed heartbroken and practically in tears after you lost to Carlos Alcaraz in the U.S. Open semifinals last year. How do you get over a defeat like that?

    FT: Every loss hurts but the Slams hurt a little harder. The Alcaraz match was devastating. The love I felt from the fans was something. I was close to something really special, something I really wasn’t planning when I got to New York. Time helps you get over it. With tennis, there are so many events, there’s always the next thing. I wanted to attack the next thing, which happened to be the Laver Cup. If you go there and clinch the Laver Cup and beat Roger Federer, that helps you.

    CM: You’re wearing a necklace that says “Big Foe.” When are you getting your own signature tennis shoe?

    FT: I rock the “Big Foe,” man, the lifestyle. I love my nickname. The fans call me that and it’s pretty cool. It’s about being me and enjoying my life. About my own shoe, you’ll have to ask Nike about that. Maybe if I win a Slam that will change. I’m just happy to have some shoes on my feet so I can go out and play this sport.

    . ---

    The Dallas Open runs daily through February 12 at Styslinger / Altec Tennis Complex (at SMU), with sessions at 12 and 7 pm. Tickets and more information at dallasopen.com.

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    Movie Review

    Jessica Chastain drama Dreams stumbles through steamy romance

    Alex Bentley
    Feb 27, 2026 | 1:30 pm
    Isaac Hernández and Jessica Chastain in Dreams
    Photo courtesy of Teorema
    Isaac Hernández and Jessica Chastain in Dreams.

    The opening scenes of the new drama Dreams are bracing, fictional sequences that call to mind real-life scenarios. In them, a young Mexican man named Fernando (Isaac Hernández) goes through a somewhat harrowing journey from the back of a semi truck in South Texas all the way to San Francisco. It’s a familiar immigrant story that seems to set the stage for a film with something interesting to say.

    It turns out, however, that Fernando has not made the long and arduous trek for a job. Instead, it’s to be with Jennifer McCarthy (Jessica Chastain), a rich woman who helps lead a foundation dedicated to multiple things, including funding dance academies. Fernando, a talented dancer, and Jennifer have been in an off-and-on affair for years, with Jennifer wanting to keep their relationship a secret.

    Although both are drawn to each other in an inexplicable, lustful way, their bond is tenuous, with each of them dissatisfied for different reasons. Fernando clearly sacrifices much more of himself than Jennifer, who wants for nothing except maybe more affection from her father, Michael (Marshall Bell), and brother, Jake (Rupert Friend).

    Writer/director Michel Franco seems to try to inject tension into Fernando and Jennifer’s relationship from the start, an attempt that is only halfway successful. It’s clear from the way they greet each other - not to mention a steamy sex scene shortly thereafter - that they have known each other for a good length of time. Franco is able to get across this familiarity with an economy of scenes, and the intensity of their bond holds for a while.

    But as the film progresses and both of them grow disenchanted with their arrangement, Franco starts taking the story in some odd directions. The biggest issue is that it’s never clear at what point in time the story is taking place. Fernando ends up making multiple trips back and forth across the border, with Jennifer doing the same at one point, and Franco’s use of flashbacks muddies the waters, wrong-footing the audience when he should be trying to draw them further into Fernando and Jennifer’s complications.

    Revelations in the final act make the story even more confusing, as both main characters start saying and doing harsh things that seem to come out of nowhere. That would be all well and good if Franco actually committed to their changes of heart, but he keeps things wishy-washy for most of the final 15 minutes, resulting in an ending that makes little sense for either character.

    Despite the story issues, both Chastain and Hernández give compelling performances. Chastain has been a little under the radar since winning an Oscar for The Eyes of Tammy Faye, but she keeps this character interesting longer than it should have been. Hernández has limited credits and appears to have been cast for his dancing ability, but he goes toe-to-toe with Chastain on more than one occasion and acquits himself well.

    Dreams had all of the ideas to explore a more in-depth story about the complicated immigration policies between Mexico and the U.S., or how wealthy people take advantage of those less fortunate. But Franco never finds the right footing, settling instead for a titillating and somewhat mystifying relationship story that feels half-baked.

    ---

    Dreams is now playing in select theaters.

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