Sports Q&A

Volleying questions to tennis star Frances Tiafoe during the 2023 Dallas Open

Frances Tiafoe is playing in the 2023 Dallas Open.

Photo by Lintao Zhang/Getty Images

The Dallas Open, the only indoor tournament on the men’s pro tennis tour in America, runs February 5-12 at the Styslinger/Altec Tennis Complex on the SMU campus. The event features 60 international players headed by top seeds Taylor Fritz and Frances Tiafoe from the U.S. in singles action.

Fritz is ranked No. 8 in the world, Tiafoe No. 15. Among the other top players scheduled to appear: Denis Shapovalov of Canada, Miomir Kecmanovic of Serbia, John Isner of the U.S., Adrian Mannarino of France, Ilya Ivashka of Belarus, and Taro Daniel of Japan. Reilly Opelka, winner of 2022’s inaugural Dallas Open, had to withdraw this year due to injury.

Although Tiafoe is considered one of the fastest players on the pro tour, CultureMap managed to catch up with him on his way to Dallas.

CultureMap: You caused a major fashion ruckus with the mega-decibel outfit you wore during the recent Australian Open. How did that happen? Was it your idea or Nike’s and will you be wearing it during the Dallas Open?

Frances Tiafoe: I’m not in a position where I can sit with Nike and tell them what I want to wear and they’ll make it happen. It definitely wasn’t coming from me. All they told me was, I was going to wear something sleeveless and it’s going to be loud. I said alright, cool.

When I got there and saw it, I said, well, it’s definitely loud. I thought, I’ll rock it. I think I can pull this off. They gave me an alternative outfit but I thought it was kind of bland. Let’s go with the loud one. In Round One, the outfit was going everywhere. Round Two, yeah, all the attention was really cool. I don’t know if I’ll be bringing it out for the next tournament. Maybe I’ll have some different cool ones coming. We’ll see.

CM: Speaking of unusual, your forehand doesn’t resemble anything in a tennis instruction manual. Same question, how did that happen?

FT: I used to have a normal forehand, technique-wise. Everything I do is unorthodox. I have a certain flavor with everything I do. I just tried something different and it felt good, it felt loose. Obviously I’ve had coaches try to change it when I was struggling. I was told that it wouldn’t work at this level or that level. Now I’m sitting close to the top of the game and it’s proved to work at every level. It is what it is. I just hope that kids don’t want to copy it because it’s not ideal.

CM: Unlike many players, you seem to have fun on the court. Is that something that comes naturally or did you have to work at letting yourself enjoy tennis?

FT: No, no, no, it’s not a pre-meditated thing. Who I am on the court is just who I am as a person. I’m a genuine dude. I like to have fun. I’m blessed to be out here playing tennis and playing at a high level in front of people who want to watch me play. I like when people scream my name. I have little kids mimicking some of my celebrations and stuff. It’s already an atmosphere before I even do anything. This is fun.

CM: You beat the great Rafael Nadal at the U.S. Open last year. It was one of the most exciting matches ever at the Open. My heart was pounding watching at home as you drew closer to match point. How did you keep your cool down the stretch? Was your heart pounding, too?

FT: Absolutely! My legs were like cement close to the end of the match. It was partly because I was tired, also because I was so nervous. Yeah, the first time you beat a GOAT, those wins are hard to come by. It’s not easy at all, it’s one of those things you don’t know what to expect because you’ve never been there before. I was trying to stay in the moment, stay locked in, not worrying too much about the score line. I thought I did a good job.

CM: You and Jack Sock defeated Roger Federer and Rafael Nadal at last year’s Laver Cup. It was Federer’s final match of his career. Did any part of you think, maybe this isn’t such a good idea? Maybe I should let Federer win?

FT: I knew what time it was when I got out there. I knew I was going to be behind the 8 ball. Not that everybody was going to be against me, but they would be for Roger. I wasn’t going to lie down. I’m a competitor. It was interesting. I hit him and the crowd booed me. I had never been in a situation like that. Hey, it’s kind of cool to say that I beat Roger Federer in his last match. I don’t think he was apologizing for beating everybody for 20-plus years. I think he’s sleeping perfectly fine at night.

CM: What was the first extravagant or crazy thing you bought when you started cashing big tournament paychecks?

FT: I like to buy nice clothes and stuff. I’m not really a crazy spender. I like knowing I can take care of my family, stuff like that. I got my brother a car, a C-class Mercedes, for his birthday. He’s my twin brother and we turned 25. Seeing other people happy from what I’m able to do for them means more to me.

CM: You seemed heartbroken and practically in tears after you lost to Carlos Alcaraz in the U.S. Open semifinals last year. How do you get over a defeat like that?

FT: Every loss hurts but the Slams hurt a little harder. The Alcaraz match was devastating. The love I felt from the fans was something. I was close to something really special, something I really wasn’t planning when I got to New York. Time helps you get over it. With tennis, there are so many events, there’s always the next thing. I wanted to attack the next thing, which happened to be the Laver Cup. If you go there and clinch the Laver Cup and beat Roger Federer, that helps you.

CM: You’re wearing a necklace that says “Big Foe.” When are you getting your own signature tennis shoe?

FT: I rock the “Big Foe,” man, the lifestyle. I love my nickname. The fans call me that and it’s pretty cool. It’s about being me and enjoying my life. About my own shoe, you’ll have to ask Nike about that. Maybe if I win a Slam that will change. I’m just happy to have some shoes on my feet so I can go out and play this sport.

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The Dallas Open runs daily through February 12 at Styslinger / Altec Tennis Complex (at SMU), with sessions at 12 and 7 pm. Tickets and more information at dallasopen.com.

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Movie Review

Faces of Death returns with modern twist on cult horror film

Photo courtesy of of IFC Films

Dacre Montgomery in Faces of Death.

True horror fans will likely be familiar with the 1978 cult film Faces of Death, which purported to be a documentary showing real-life killings in gory detail. It didn’t, of course, but that didn’t stop rumors from continuing to spread for decades. Now, almost 50 years and multiple sequels later, comes a new version of Faces of Death, an actual movie that pays homage to the original in interesting ways.

Margot (Barbie Ferreira) works at a YouTube-like company called Kino as a content moderator, flagging videos that violate the company’s policies. This means her job often involves seeing some truly despicable things from all manner of depraved people. One day, though, she comes across a video that seems a little too real, and after seeing more similar videos, she starts to believe they’re genuine murders.

Going against her company NDA, she starts to investigate the videos on her own, which puts her on the radar of Arthur (Dacre Montgomery), who is actually kidnapping people and killing them on camera through methods seen in the original Faces of Death film. It’s not long before Arthur tracks her down, with a plan to make her one of his next victims.

Written and directed by Daniel Goldhaber (How to Blow Up a Pipeline) and co-written by Isa Mazzei, the film is not so much scary as it is creepy, with the occasional gross-out sequence. The idea of having someone emulate the killings in the cult film is a good idea, and pairing it with the modern-day attention economy - in which content creators go to increasing lengths for clicks - is a clever twist on a concept that other films have done.

The film as a whole is a commentary on how social media and video sharing sites have often decided to prioritize profits over the well-being of their users. Margot is shown allowing videos involving violence and sexual assault to stay on the site while nixing ones depicting how to use Narcan or demonstrating putting on a condom on a banana. Josh (Jermaine Fowler), Margot’s boss, is even explicit in the company mandate that outrageous videos drive views.

While Arthur has the makings of a good villain, there are few attempts to make him seem truly diabolical. His kidnappings often seem more spur-of-the-moment than calculated, and even though he has a well thought-out dungeon at home, the house’s location in the suburbs seems to make him vulnerable to easy discovery. Goldhaber and Mazzei leave more than a few unanswered questions along the way that take away from the intensity of the story.

Ferreira is yet another actor from Euphoria who’s capitalizing on her exposure from that show. She plays Margot’s increasing anxiety well, and when the action ratchets up in the final act, she meets the moment in a satisfying way. Montgomery returns to the vibe he had while playing the evil Billy on Stranger Things, and even though his character doesn’t fully live up to his potential, Montgomery sells his evil for all it’s worth.

The new Faces of Death may not be what some are expecting given the reputation of the previous films, but it’s a solid horror/thriller that uses the brand as a launching pad into something different. It doesn’t make much of a dent in the scare department, but it does give its violence and gore a degree of relevance in today’s often desensitized world.

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Faces of Death is now playing in theaters.

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