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Basketball news

Dallas signs deal to lure WNBA's Dallas Wings to relocate from Arlington

Cecilia Lenzen
Apr 24, 2024 | 3:16 pm
WNBA Dallas Wings

WNBA Dallas Wings

scontent-dfw5-2.xx.fbcdn.net

The Dallas City Council has approved an agreement for the WNBA's Dallas Wings to relocate from their current headquarters in Arlington and move to Kay Bailey Hutchison Convention Center Dallas Memorial Arena.

The Dallas Wings are a professional basketball team based in Arlington, who play in the Western Conference in the Women's National Basketball Association.

According to a release, the city council approved an agreement on April 24 that would pay the team $19 million in incentives. The 15-year agreement is still pending WNBA league approval and wouldn’t take effect until after the 2025 season.

“This deal has been a top priority for us because we know the Dallas Wings will soar in the city they represent,” Mayor Eric Johnson says in the release. “We will be thrilled to welcome the Wings to the heart of our city – and we are even more excited to see this franchise anchor our new convention center district that will transform downtown Dallas for decades to come. Now is the right time to provide our world class athletes with a world class venue to train and play and our fans with a best-of-class arena to call home.”

The Wings have played at the College Park Center arena on UT-Arlington’s campus since 2016. The arena seats about 7,000, compared to the 10,000-seat capacity at the Downtown Dallas auditorium.

The proposed deal comes as women’s basketball has grown exponentially in popularity, thanks in part to star players like Caitlin Clark and Angel Reese, who have now entered the WNBA after rising to super stardom as collegiate players. A record 2.45 million viewers watched the WNBA draft (headlined by No. 1 pick Clark), shattering the previous record of 600,000 viewers.

Following the surge in popularity, the Wings recently announced that their season tickets have sold out, for the first time in franchise history.

“This proposed deal comes at a time when interest in women’s sports, the WNBA, and the Wings is at record levels, bringing a valuable community asset to a historic city venue,” Wings President & CEO Greg Bibb says. “The Wings saw record attendance in 2023, and virtually every business metric record has been, or will soon be, broken during the 2024 season.”

Once the deal is approved, the auditorium will be renovated as part of a larger development/expansion plan for the convention center.

The auditorium, which was designed by Dallas architect George Dahl, has hosted acts such as The Beatles, Elvis Presley, the Rolling Stones, and Led Zeppelin.

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Movie Review

Shaun the Sheep gets PG-spooky in new movie for the Halloween season

Alex Bentley
Sep 18, 2026 | 11:50 am
Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom
Photo courtesy of Aardman / Sky UK LTD / StudioCanal 2026
Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom.

Since his introduction over 30 years ago, the Aardman Animations character Shaun the Sheep has been almost as popular as the studio’s flagship characters, Wallace and Gromit. There is never a shortage of trouble Shaun can get into as he leads his flock and proves to be a thorn in the side of his farmer and Bitzer, the farmer’s loyal sheepdog.

His antics lead everyone down some slightly spooky roads in the new film, Shaun the Sheep: The Beast of Mossy Bottom. At first, things are only slightly awry as Shaun and the flock are growing a secret pumpkin patch to have their own jack-o-lanterns. But when the farmer accidentally destroys the pumpkin patch, Shaun tries to regrow it quickly with a Frankenstein-esque experiment.

However, disaster looms when Shaun uses an old bottle of Hair-Gro as the container for the serum he creates. Naturally, the balding farmer uses it on his head, and everyone soon discovers how truly successful it is, with pumpkins growing out of control and the farmer sprouting hair all over his body. Through a series of mishaps, the farmer becomes the titular beast, creating mayhem while Shaun and others try to stop him.

Directed by Steve Cox and Matthew Walker, and written by Mark Burton and Giles Pilbrow, the film goes down just as easy as every other Aardman project has. They get the Halloween vibes started from the opening credits, with things like the sheep doing the “Thriller” dance, and continue the fun throughout, referencing everything from Psycho to Friday the 13th in a nice, PG way.

With no script — every character is mute save for reaction noises — the movie relies on sight gags for its humor, and the Aardman team is endlessly inventive in that respect. Sometimes it’s small things like a sheep using toilet paper rolls as binoculars, and sometimes it’s something like forcing the Bigfoot-like farmer to be shaped into a rectangle as he escapes through a window. But there’s a never-ending stream of such moments, so even if one doesn’t tickle your funny bone, chances are the next one will.

The biggest benefit of the characters not talking is that there’s no need for deep character development. The filmmakers do a great job of giving the basic traits of each character, and then use those attributes to color everyone’s actions for the rest of the film. Shaun is the troublemaker, the farmer is a bumbling fool, Bitzer is preternaturally smart, and the town’s vet is empathetic, and the combination of those characters and others makes for a highly entertaining blend.

Like all Aardman creations, Shaun the Sheep: The Beast of Mossy Bottom is a fun lark that doesn’t make its audience think too hard. With just enough references to keep viewers engaged but not so many as to be overbearing, the film puts its well-worn characters to good use once again, delivering a Halloween season story that can be enjoyed by people of all ages.

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Shaun the Sheep: The Beast of Mossy Bottom is now playing in theaters.

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