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    Eclipse News

    9 perfect songs for your Total Solar Eclipse soundtrack in Dallas

    Teresa Gubbins
    Mar 20, 2024 | 3:41 pm
    Pink Floyd

    Pink Floyd Dark Side of the Moon

    thepigeonpress.org

    In case you missed it, the Total Solar Eclipse is coming on April 8, and the fervor is rising. Texas is going to be one of the best places in the U.S. to see it, with dark skies set to besiege cities such as Dallas for up to four minutes. Everyone's getting ready, from venues across Texas to Dallas-Fort Worth restaurants and bars, to hotels and campgrounds offering a place to stay.

    The only missing link is the soundtrack. What kind of celestial music will provide the most fitting backdrop for this once-in-a-lifetime event? You need the right kind of themed songs, which can be grouped into two categories:

    • Songs with clever titles that reference the sun or the moon
    • Songs with a sweeping atmospheric nature that can imbue four minutes of darkness in the middle of the day with the proper degree of gravitas

    Beyond the opportunity to make another pioneering list, a feat for which CultureMap has become known, this exercise provides a chance to get acquainted with music you may not have heard of, which is more than likely since some of these songs are o-l-d.

    Here's our list of suggested songs to play during the Total Solar Eclipse, in alphabetical order:

    Ain't No Sunshine, Bill Withers, 1971
    Singer-songwriter Withers was famously working in a factory making bathrooms for 747s when he wrote this song, which became a huge hit. It's cool the way it starts out simple, just Withers' voice and guitar, then strings come in to give it a celestial, eclipse-worthy sweep. The lyrics are basic, but peak with the passage where he repeats "I know I know I know" 26 times in a 10-second span without pause.

    All The Stars, Kendrick Lamar with SZA, 2018
    Collaboration between rapper Kendrick Lamar and singer SZA is a breathtaking back-and-forth between Lamar's cool treated vocals and SZA's soulful, soaring tones, set over a jittery beat with little sci-fi pops that fit the eclipse milieu to a T. The lyrics seem to be about a severed romance but all you need to know is that they chant the line "All the stars are closer" 18 times, and it's impossible not to chime in.

    Bad Moon Rising, Creedence Clearwater Revival, 1969
    This song was one of CCR's biggest hits, and it has a funny disconnect: The music is chipper and upbeat, but the lyrics are apocalyptic, predicting doom and gloom. Ancient civlizations used to view eclipses with fear and awe, before astronomers discovered they were predictable. So there's your very loose eclipse tie-in, but this song makes the list mostly for the song title.

    Black Hole Sun, Soundgarden, 1994
    One of the Seattle rock band's best songs, "Black Hole Sun" was a departure from their usual grunge sound. Singer-songwriter Chris Cornell said that it was "grasping for some kind of hope out of depression or feeling sort of lost or sad." The moody, psychedelic quality of the music and the "impressionistic" lyrics - IE they don't need to make sense - make it a perfect song for an eclipse.

    Total Eclipse of the Heart, Bonnie Tyler, 1983
    This 80s staple may be corny and melodramatic but you can't leave it out on any eclipse list, not with that dead-on title. Here's a fun fact: The song sees a spike in interest during every eclipse, most recently 2021 when Tyler observed it on Twitter, saying, ""Notifications are blowing up.*checks news* Ah. There's an eclipse." She even sang it on a cruise ship during an eclipse in 2017.

    Total Eclipse of the Sun, Don McLean, 2018
    Kinda drippy song which seems to be about being dumbstruck by a girl is a sweet effort by Don McLean, most famous for his 1971 song, "American Pie." The old dude is still writing songs. That said, it's on this list for the title and the title alone.

    Also Sprach Zarathustra, Richard Strauss, 1896
    Classical music piece written by composer Richard Strauss in 1896 became hugely famous after it was used masterfully in the 1968 Stanley Kubrick film 2001: A Space Odyssey. It's since become a common go-to soundtrack in popular culture when you want to tease a momentous event and has been used for space-related scenes. If there's any music associated with outer space, this is it.

    Watcher of the Skies, Genesis, 1972
    Song by British prog-rock band Genesis came out during their prime era, when they still had singer Peter Gabriel and drummer Phil Collins. It wasn't their best-known, but it is nontheless a sprawling 7-minute-plus masterpiece with abrupt shifts in tempo, classic prog-rock instrumentation like Mellotron and flute, and Collins' killer drums. It makes the list both because of the pertinent title and also, it's just a great song.

    Dark Side of the Moon, Pink Floyd, 1973
    This concept album with universal themes by rock band Pink Floyd was the fourth-best selling album in history, and has also spent more time on the charts than any other album in history. There's the name of the album. The prism album cover. The final track called "Eclipse." Really, just play this album.

    musicmedianature
    news/entertainment

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    Movie Review

    Faces of Death returns with modern twist on cult horror film

    Alex Bentley
    Apr 10, 2026 | 10:30 am
    Dacre Montgomery in Faces of Death
    Photo courtesy of of IFC Films
    Dacre Montgomery in Faces of Death.

    True horror fans will likely be familiar with the 1978 cult film Faces of Death, which purported to be a documentary showing real-life killings in gory detail. It didn’t, of course, but that didn’t stop rumors from continuing to spread for decades. Now, almost 50 years and multiple sequels later, comes a new version of Faces of Death, an actual movie that pays homage to the original in interesting ways.

    Margot (Barbie Ferreira) works at a YouTube-like company called Kino as a content moderator, flagging videos that violate the company’s policies. This means her job often involves seeing some truly despicable things from all manner of depraved people. One day, though, she comes across a video that seems a little too real, and after seeing more similar videos, she starts to believe they’re genuine murders.

    Going against her company NDA, she starts to investigate the videos on her own, which puts her on the radar of Arthur (Dacre Montgomery), who is actually kidnapping people and killing them on camera through methods seen in the original Faces of Death film. It’s not long before Arthur tracks her down, with a plan to make her one of his next victims.

    Written and directed by Daniel Goldhaber (How to Blow Up a Pipeline) and co-written by Isa Mazzei, the film is not so much scary as it is creepy, with the occasional gross-out sequence. The idea of having someone emulate the killings in the cult film is a good idea, and pairing it with the modern-day attention economy - in which content creators go to increasing lengths for clicks - is a clever twist on a concept that other films have done.

    The film as a whole is a commentary on how social media and video sharing sites have often decided to prioritize profits over the well-being of their users. Margot is shown allowing videos involving violence and sexual assault to stay on the site while nixing ones depicting how to use Narcan or demonstrating putting on a condom on a banana. Josh (Jermaine Fowler), Margot’s boss, is even explicit in the company mandate that outrageous videos drive views.

    While Arthur has the makings of a good villain, there are few attempts to make him seem truly diabolical. His kidnappings often seem more spur-of-the-moment than calculated, and even though he has a well thought-out dungeon at home, the house’s location in the suburbs seems to make him vulnerable to easy discovery. Goldhaber and Mazzei leave more than a few unanswered questions along the way that take away from the intensity of the story.

    Ferreira is yet another actor from Euphoria who’s capitalizing on her exposure from that show. She plays Margot’s increasing anxiety well, and when the action ratchets up in the final act, she meets the moment in a satisfying way. Montgomery returns to the vibe he had while playing the evil Billy on Stranger Things, and even though his character doesn’t fully live up to his potential, Montgomery sells his evil for all it’s worth.

    The new Faces of Death may not be what some are expecting given the reputation of the previous films, but it’s a solid horror/thriller that uses the brand as a launching pad into something different. It doesn’t make much of a dent in the scare department, but it does give its violence and gore a degree of relevance in today’s often desensitized world.

    ---

    Faces of Death is now playing in theaters.

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