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Movie Review

Family of ducks takes flight in whimsical animated film Migration

Alex Bentley
Dec 22, 2023 | 9:15 am

The rise of animation studio Illumination as a power in the industry has been fascinating to watch, as they have had three big animated franchises – Despicable Me (with Minions as an offshoot), Sing, and The Secret Life of Pets – in just 14 years. With two Dr. Seuss movies and now The Super Mario Bros. Movie also in their stable, they have become as powerful as Disney in the family movie sphere.

They have moved away from the tried-and-true with their latest, Migration, which follows a family of ducks – dad Mack (Kumail Nanjiani), mom Pam (Elizabeth Banks), teen son Dax (Caspar Jennings), daughter Gwen (Tresi Gazal), and Uncle Dan (Danny DeVito). Mack is overly protective of the family, never letting them venture far from their home pond in New England.

When another group of migrating ducks passes through, Mack finally gives in to the pleas of the rest of the family to let them travel, with the aim to make it to Jamaica. Naturally, their trip south is full of unexpected adventures, including run-ins with Erin (Carol Kane), a scary heron; Chump (Awkwafina), a tough pigeon; Delroy (Keegan-Michael Key), a caged parrot; and Goo Goo (David Mitchell), the leader of another flock of ducks whose home may not be as serene as they thought.

Directed by Benjamin Renner and Guylo Homsy and written by Mike White, the film is full of whimsy that has its share of silliness, but never stupidity. The trap that many animated films fall into is playing to people who love base humor, but the jokes on display in Migration almost always feel well-earned thanks to the level of characterization provided.

The road trip aspect of the movie is fun, with the curmudgeonly dad balanced out by the practical mom, adventurous kids, and zany uncle. The other characters they run into along with the way are each the center of comic set pieces, and all of the sequences find a way to exaggerate their humor without going too over-the top.

Illumination films have typically featured non-realistic characters and settings, but the animators stepped up their game for this film in their depictions of the main family and their environments, especially the water. They also take full advantage of the ducks’ ability to fly, putting the action up in the air on several occasions, giving the audience a sensation not often felt in animated films.

While the voicework in the film is great for the most part, the decision to have actors of four different nationalities play the family members is slightly jarring. Nanjiani (Pakistani) and Banks (American) are experienced comic actors who bring the most out of their characters, while Jennings (English) and Gazal (Australian) acquit themselves well, even if they got their parts because they are children of Illumination filmmakers.

Migration will have to duke it out with Wonka for families looking to go to the movies over the holidays, but Illumination has proven once again that they are a powerhouse in the animation field. With a relatively grounded story and some stellar animation, they may have started yet another popular franchise.

Pam (Elizabeth Banks), Mack (Kumail Nanjiani), and Dax (Caspar Jennings) in Migration
Photo courtesy of Illumination Entertainment and Universal Studios
Pam (Elizabeth Banks), Mack (Kumail Nanjiani), and Dax (Caspar Jennings) in Migration.

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Migration is now playing in theaters.

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Movie Review

Shaun the Sheep gets PG-spooky in new movie for the Halloween season

Alex Bentley
Sep 18, 2026 | 11:50 am
Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom
Photo courtesy of Aardman / Sky UK LTD / StudioCanal 2026
Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom.

Since his introduction over 30 years ago, the Aardman Animations character Shaun the Sheep has been almost as popular as the studio’s flagship characters, Wallace and Gromit. There is never a shortage of trouble Shaun can get into as he leads his flock and proves to be a thorn in the side of his farmer and Bitzer, the farmer’s loyal sheepdog.

His antics lead everyone down some slightly spooky roads in the new film, Shaun the Sheep: The Beast of Mossy Bottom. At first, things are only slightly awry as Shaun and the flock are growing a secret pumpkin patch to have their own jack-o-lanterns. But when the farmer accidentally destroys the pumpkin patch, Shaun tries to regrow it quickly with a Frankenstein-esque experiment.

However, disaster looms when Shaun uses an old bottle of Hair-Gro as the container for the serum he creates. Naturally, the balding farmer uses it on his head, and everyone soon discovers how truly successful it is, with pumpkins growing out of control and the farmer sprouting hair all over his body. Through a series of mishaps, the farmer becomes the titular beast, creating mayhem while Shaun and others try to stop him.

Directed by Steve Cox and Matthew Walker, and written by Mark Burton and Giles Pilbrow, the film goes down just as easy as every other Aardman project has. They get the Halloween vibes started from the opening credits, with things like the sheep doing the “Thriller” dance, and continue the fun throughout, referencing everything from Psycho to Friday the 13th in a nice, PG way.

With no script — every character is mute save for reaction noises — the movie relies on sight gags for its humor, and the Aardman team is endlessly inventive in that respect. Sometimes it’s small things like a sheep using toilet paper rolls as binoculars, and sometimes it’s something like forcing the Bigfoot-like farmer to be shaped into a rectangle as he escapes through a window. But there’s a never-ending stream of such moments, so even if one doesn’t tickle your funny bone, chances are the next one will.

The biggest benefit of the characters not talking is that there’s no need for deep character development. The filmmakers do a great job of giving the basic traits of each character, and then use those attributes to color everyone’s actions for the rest of the film. Shaun is the troublemaker, the farmer is a bumbling fool, Bitzer is preternaturally smart, and the town’s vet is empathetic, and the combination of those characters and others makes for a highly entertaining blend.

Like all Aardman creations, Shaun the Sheep: The Beast of Mossy Bottom is a fun lark that doesn’t make its audience think too hard. With just enough references to keep viewers engaged but not so many as to be overbearing, the film puts its well-worn characters to good use once again, delivering a Halloween season story that can be enjoyed by people of all ages.

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Shaun the Sheep: The Beast of Mossy Bottom is now playing in theaters.

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