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    Movie Review

    Family of ducks takes flight in whimsical animated film Migration

    Alex Bentley
    Dec 22, 2023 | 9:15 am

    The rise of animation studio Illumination as a power in the industry has been fascinating to watch, as they have had three big animated franchises – Despicable Me (with Minions as an offshoot), Sing, and The Secret Life of Pets – in just 14 years. With two Dr. Seuss movies and now The Super Mario Bros. Movie also in their stable, they have become as powerful as Disney in the family movie sphere.

    They have moved away from the tried-and-true with their latest, Migration, which follows a family of ducks – dad Mack (Kumail Nanjiani), mom Pam (Elizabeth Banks), teen son Dax (Caspar Jennings), daughter Gwen (Tresi Gazal), and Uncle Dan (Danny DeVito). Mack is overly protective of the family, never letting them venture far from their home pond in New England.

    When another group of migrating ducks passes through, Mack finally gives in to the pleas of the rest of the family to let them travel, with the aim to make it to Jamaica. Naturally, their trip south is full of unexpected adventures, including run-ins with Erin (Carol Kane), a scary heron; Chump (Awkwafina), a tough pigeon; Delroy (Keegan-Michael Key), a caged parrot; and Goo Goo (David Mitchell), the leader of another flock of ducks whose home may not be as serene as they thought.

    Directed by Benjamin Renner and Guylo Homsy and written by Mike White, the film is full of whimsy that has its share of silliness, but never stupidity. The trap that many animated films fall into is playing to people who love base humor, but the jokes on display in Migration almost always feel well-earned thanks to the level of characterization provided.

    The road trip aspect of the movie is fun, with the curmudgeonly dad balanced out by the practical mom, adventurous kids, and zany uncle. The other characters they run into along with the way are each the center of comic set pieces, and all of the sequences find a way to exaggerate their humor without going too over-the top.

    Illumination films have typically featured non-realistic characters and settings, but the animators stepped up their game for this film in their depictions of the main family and their environments, especially the water. They also take full advantage of the ducks’ ability to fly, putting the action up in the air on several occasions, giving the audience a sensation not often felt in animated films.

    While the voicework in the film is great for the most part, the decision to have actors of four different nationalities play the family members is slightly jarring. Nanjiani (Pakistani) and Banks (American) are experienced comic actors who bring the most out of their characters, while Jennings (English) and Gazal (Australian) acquit themselves well, even if they got their parts because they are children of Illumination filmmakers.

    Migration will have to duke it out with Wonka for families looking to go to the movies over the holidays, but Illumination has proven once again that they are a powerhouse in the animation field. With a relatively grounded story and some stellar animation, they may have started yet another popular franchise.

    Pam (Elizabeth Banks), Mack (Kumail Nanjiani), and Dax (Caspar Jennings) in Migration
    Photo courtesy of Illumination Entertainment and Universal Studios
    Pam (Elizabeth Banks), Mack (Kumail Nanjiani), and Dax (Caspar Jennings) in Migration.

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    Migration is now playing in theaters.

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    Movie review

    Nick Jonas steals song from Paul Rudd in music-heavy Power Ballad

    Alex Bentley
    Jun 5, 2026 | 1:30 pm
    Nick Jonas and Paul Rudd in Power Ballad
    Photo by David Cleary for Lionsgate
    Nick Jonas and Paul Rudd in Power Ballad.

    Writer/director John Carney is one of the great purveyors of movies featuring music (as opposed to musicals) in the 21st century. Starting with Once in 2007 (which was turned into a Broadway musical several years later), he has made music-themed stories like Begin Again, Sing Street, Flora and Son, and now Power Ballad.

    Rick Power (Paul Rudd) is a former wannabe rock star who is now the lead singer of “Ireland’s #1 Wedding Band,” The Bride & Grooves. While they mostly play smaller weddings, a gig at a country estate leads to an encounter with Danny Wilson (Nick Jonas), a former boy band member struggling to make it as a solo artist. Rick and Danny wind up bonding in a booze- and pot-filled jam session, sharing various song ideas.

    After returning to Los Angeles and desperate for a hit, Danny steals one of Rick’s songs, which miraculously turns into the No. 1 “How to Write a Song (Without You).” Rick, initially overjoyed that something he wrote has become big, is crushed when he finds out Danny didn’t give him credit. His quest to find a way to prove his worth sends him into a spiral, upending the ordinary life he had built.

    Co-written by Peter McDonald, the film is a nice exploration of two men trying to hold on to their music dreams. Their individual circumstances could not be more different, but each of them knows the ups and downs of the business as well as the other, as well as the ineffable magic of creating that one great song. While the music scenes are hit-and-miss because of a reliance on lip synching, the scene featuring Rick and Danny trading ideas is electric with creativity.

    Oddly, though, the film could have used a bit less music and more of a focus on the two men’s personal lives. Rick wound up living in Ireland after falling in love with his future wife, Rachel (Marcella Plunkett), while on tour with his former American band. He spends a decent amount of time with her and his daughter, Aja (Beth Fallon), but his story needed a few more family scenes to drive the point home. Danny’s personal life is all but nonexistent, giving his arc less impact than it could have had.

    Instead of loved ones, Carney and McDonald try to give Rick and Danny more depth through friends and business associates. Rick’s bandmate Sandy (McDonald) is a ride-or-die kind of guy for him, but his presence is only good for a few humorous distractions. Danny’s manager Mac (Jack Reynor) is difficult to parse, as he goes to bat for Danny on multiple occasions, but also seems to keep him at arm’s length.

    It’s long been joked that Rudd never ages, and that youthfulness serves him well in this role, in which his character is supposed to be much younger than his actual age of 57. His energy and enthusiasm make his character appealing throughout, even when Rick starts to go off the deep end. Jonas is decent in his role, selling the music side well, but there might be a reason his character doesn’t have many scenes requiring him to show emotions.

    While Power Ballad has all the hallmarks of another great Carney music movie, it’s missing a few pieces that could have put it over the top. It’s still a fun film with an insanely catchy song at its center, but it’s not quite as memorable as most of the filmmaker’s previous efforts.

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    Power Ballad is now playing in theaters.

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