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    Gymnastics news

    Simone Biles' U.S. gymnastics crown passed to Plano champ Hezly Rivera

    Associated Press
    Aug 11, 2025 | 12:01 pm
    2025 Xfinity U.S. Gymnastics Championships

    Silver medalist Leanne Wong, Gold medalist Hezly Rivera, and Bronze medalist Joscelyn Roberson at 2025 Xfinity US Gymnastics Championships.

    Photo by Alicia Malnati/Getty Images

    NEW ORLEANS (AP) — Hezly Rivera was the fresh face a year ago. The newcomer. The teenager on a team of 20-something Olympic gymnasts, doing her best to absorb what she could from Simone Biles, Sunisa Lee, Jade Carey, and Jordan Chiles.

    The one thing that stood out, even more than the sometimes otherworldly gymnastics, is the way her fellow gold-medal-winning teammates went about their business.

    “They looked so confident,” Rivera said. “They're like, ‘I’m going to go out and I'm going to hit.' It gave me that confidence as well.”

    Looks like it.

    The now 17-year-old who says she's paying no attention to the idea that she's the leader of the women's program in the early stages of the run-up to the 2028 Olympics certainly looks the part.

    Buoyed by a polished steadiness — and a beam routine that finally looked the way it does back home at her home gym, the World Olympic Gymnastics Academy in Plano — Rivera captured her first national title Sunday, August 10 at the U.S. Championships. Her two-day total of 112.000 was good enough to fend off a challenge from Leanne Wong and put her in excellent position to lead the four-woman American delegation at the world championships in Jakarta, Indonesia, in October.

    The U.S. title was passed to Rivera from the legendary Biles, who won her historic ninth U.S. Championship in Fort Worth in 2024. She is not currently competing.

    Simone Biles, Skye Blakely, Kayla DiCello Gold medalist Simone Biles (center), silver medalist Skye Blakely (left), and Kayla DiCello at 2024 U.S. Championships in Fort Worth's Dickies Arena. Photo by Elsa/Getty Images

    Rivera, by far the youngest member of the five-woman team that finished atop the podium in Paris a year ago, bounced back from a shaky performance at the U.S. Classic last month with the kind of measured, refined gymnastics that she attributed to simply “letting go” of whatever pressure she might feel as the lone Olympic gold medalist in a remarkably young field.

    “No matter how rough the competition is, I still can get back into the gym and work hard because all those months previously that I’ve been working hard, I know it’s going to show up eventually,” she said. “So it kind of just took a weight off my shoulders.”

    Rivera, at the very least, locked up a spot in the world championship selection camp next month. So did Wong, a four-time world championship medalist, budding entrepreneur and pre-med student who shows no signs of slowing down despite years of competing collegiately and at the elite level simultaneously.

    Asked how she juggles it all, the 21-year-old who insists she doesn't keep a planner said she lives by the motto “there's time for everything.”

    Joscelyn Roberson, a native of Texarkana and an Olympic alternate last summer, shook off an ankle injury suffered at the end of her floor routine to finish third as the three most internationally experienced athletes in the field looked ready to lead after spending most of the last Olympic quad learning from Biles and company.

    “You go from, ‘Oh you’re so young, you’re so young,’ to, ‘Oh, you are the older kid,’” the 19-year-old Roberson said. “People say, ‘How are you feeling?’ Like, I honestly don’t feel that different.”

    Two summers ago, Roberson was Biles' bouncy sidekick. Now she's among the leaders of the next wave.

    “I felt like more responsible to let the little, smaller, less experienced kids know it’s not the end of the day if you have a bad day or if you had one fall,” Roberson said. “I want to help them grow instead of think ‘I have to be perfect.’”

    Roberson then walked the walk. Or maybe limped the limp. She appeared ready to make it a three-woman race for first until she turned an ankle on the final tumbling pass of her floor routine.

    The rising sophomore at Arkansas gingerly continued on anyway. She gritted her way through her vault dismount, though the five-tenths (0.5) deduction for using an additional pad for her protection took her out of contention for the all-around.

    Hezly Rivera Plano's Hezly Rivera was the youngest member of the U.S. Olympic team in Paris in 2024. Photo by Elsa/Getty Images

    Still, the victory hardly came easy for Rivera. She was pushed through four rotations by Wong, who started Sunday with a stuck Cheng vault and didn't relent over the course of two hours.

    Rivera responded each time — she posted the top scores on three of the four events — but it wasn't until she walked off the podium following her floor routine with victory in hand that she could relax.

    “Everything fell into place,” Rivera said. “I tried not to get too overwhelmed because nerves obviously can be there, especially when you know you’re in a spot to win a national title, but I just took all pressure off myself.”

    Skye Blakely of Dallas, a fellow WOGA gym trainee who was injured at the Olympic Trials in both 2021 and 2024, was sublime on both uneven bars and balance beam to put herself in consideration to make the world team.

    gymnasticssimone bilesawardshezly riveraplanoolympic coverageolympic trialssports
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    Movie Review

    Jessica Chastain drama Dreams stumbles through steamy romance

    Alex Bentley
    Feb 27, 2026 | 1:30 pm
    Isaac Hernández and Jessica Chastain in Dreams
    Photo courtesy of Teorema
    Isaac Hernández and Jessica Chastain in Dreams.

    The opening scenes of the new drama Dreams are bracing, fictional sequences that call to mind real-life scenarios. In them, a young Mexican man named Fernando (Isaac Hernández) goes through a somewhat harrowing journey from the back of a semi truck in South Texas all the way to San Francisco. It’s a familiar immigrant story that seems to set the stage for a film with something interesting to say.

    It turns out, however, that Fernando has not made the long and arduous trek for a job. Instead, it’s to be with Jennifer McCarthy (Jessica Chastain), a rich woman who helps lead a foundation dedicated to multiple things, including funding dance academies. Fernando, a talented dancer, and Jennifer have been in an off-and-on affair for years, with Jennifer wanting to keep their relationship a secret.

    Although both are drawn to each other in an inexplicable, lustful way, their bond is tenuous, with each of them dissatisfied for different reasons. Fernando clearly sacrifices much more of himself than Jennifer, who wants for nothing except maybe more affection from her father, Michael (Marshall Bell), and brother, Jake (Rupert Friend).

    Writer/director Michel Franco seems to try to inject tension into Fernando and Jennifer’s relationship from the start, an attempt that is only halfway successful. It’s clear from the way they greet each other - not to mention a steamy sex scene shortly thereafter - that they have known each other for a good length of time. Franco is able to get across this familiarity with an economy of scenes, and the intensity of their bond holds for a while.

    But as the film progresses and both of them grow disenchanted with their arrangement, Franco starts taking the story in some odd directions. The biggest issue is that it’s never clear at what point in time the story is taking place. Fernando ends up making multiple trips back and forth across the border, with Jennifer doing the same at one point, and Franco’s use of flashbacks muddies the waters, wrong-footing the audience when he should be trying to draw them further into Fernando and Jennifer’s complications.

    Revelations in the final act make the story even more confusing, as both main characters start saying and doing harsh things that seem to come out of nowhere. That would be all well and good if Franco actually committed to their changes of heart, but he keeps things wishy-washy for most of the final 15 minutes, resulting in an ending that makes little sense for either character.

    Despite the story issues, both Chastain and Hernández give compelling performances. Chastain has been a little under the radar since winning an Oscar for The Eyes of Tammy Faye, but she keeps this character interesting longer than it should have been. Hernández has limited credits and appears to have been cast for his dancing ability, but he goes toe-to-toe with Chastain on more than one occasion and acquits himself well.

    Dreams had all of the ideas to explore a more in-depth story about the complicated immigration policies between Mexico and the U.S., or how wealthy people take advantage of those less fortunate. But Franco never finds the right footing, settling instead for a titillating and somewhat mystifying relationship story that feels half-baked.

    ---

    Dreams is now playing in select theaters.

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