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Music News

Dreamy Austin rock band Holy Wave launches tour at North Texas club

Teresa Gubbins
Aug 8, 2023 | 10:42 am
Holy Wave

Holy Wave from left to right: Kyle Hager, Joey Cook, Ryan Fuson, Julian Ruiz.

scontent-dfw5-1.xx.fbcdn.net

An incredible Austin band has a new record out on one of the coolest labels: The band is Holy Wave, a quartet who make beautiful dreamy pop music with all sorts of textures, and layers, and harmonies, and minor chords.

The record is called Five of Cups, released on August 4, and it's their sixth full-length release — but it's their first on Suicide Squeeze Records, a Seattle label that's home to stellar garage and rock bands such as L.A. Witch and Death Valley Girls.

With its combination of retro California Dreamin'-era innocence, '90s English shoegaze, and bits of Texas and garage rock, Five of Cups makes life seem better, more epic when it's playing, a soundtrack for lying in the sun or driving late at night, or when you meet someone for the first time. If Five of Cups is playing when you meet someone for the first time, there is a distinct possibility that you and that person may fall in love.

The quartet is launching a regional tour in support of the record, and it'll start in North Texas at Andy's in Denton, with opening acts Psychic Love Child and Maestro Maya. Doors are at 7 pm. Tickets are $15 and can be purchased here.

About the songs
Recorded by their longtime engineer/producer/collaborator Charles Godfrey, and mastered by recording whiz Erik Wofford, Five of Cups has guest appearances including Estrella del Sol of shoegaze band Mint Field. She sings on "Happier," a song that changes midstream; It begins with an upbeat tempo that makes the heart race a little to keep up, before switching to a fabulously goopy ethereal haze with the ribbons of del Sol's lilting voice.

" The Darkest Timeline" features Lorena Quintanilla and Alberto Gonzalez from psych duo Lorelle Meets the Obsolete. Starting with outer spacey sounds, followed by Quintanilla's breathy vocals and some crazy chord progressions, the song is anchored by a comfortingly steady bass beat. It sounds familiar at first, before turning completely unpredictable.

" Nothing in the Dark" offsets its steady percussion, reminiscent of hands clapping, with wistful, moaning notes and the thickest vocal harmonies. It fades out with a chunk of feedback that makes it feel like you're listening to the radio and just drove through a bad patch.

Holy Wave excels at juxtaposing dissimilar elements that a listener wouldn't expect to mesh — and yet they do.

Words from the band
Holy Wave — Ryan Fuson (vocals/guitar), Kyle Hager (synthesizer, guitar), Joseph Cook (bass), Julian Ruiz (drums) — is originally from El Paso, and they've been around for a while, since 2008. They're part of a Texas tradition of psychedelic bands, but not really.

"There's been a resurgence of psych music and coming up as a band, we've played in that realm and appreciate the community," Ryan says. "But over the years we’ve grown in ways that are outside of that spectrum, and we don’t consider ourselves a psych band."

One amazing thing is their approach to lyrics, where what they say isn't always as important as how they say it.

"Phonetics are sometimes more important than the meaning of a word," says Kyle.

"We view ourselves almost an instrumental band that uses vocals an an instrument — but also appreciate the opportunity to say things," Ryan says.

They have other jobs besides playing in the band, such as graphic arts and construction. Prior to making Five of Cups, during the depths of the pandemic and a plummeting music industry, they had a moment where they wondered if they wanted to go on.

"It takes a lot to barely scrape by," Ryan says. "I was working at a restaurant and a coworker who is really into tarot cards did a reading. In tarot cards, the Five of Cups signifies loss and grief. I felt like it was saying, 'You're not focusing on the positive.''"

The label
Suicide Squeeze Records was founded in 1996 in Seattle by owner David Dickenson, and boasts an impressive catalog of releases by popular names such as Modest Mouse as well as Texas-born acts such as This Will Destroy You.

"David messaged our band account on Instagram," Ryan says. "He asked if we were interested in doing a digital single. We got super excited because we were transitioning away from our previous label. We made it out to Seattle on tour later in the year, and he took us out to lunch and met for the first time. We're good friends with LA Witch and they would talk about how beautiful a person David was."

"Signing with Suicide Squeeze ended up being a breath of fresh air — it invigorated us a little bit," he says.

2023 tour dates
The tour begins in Denton, dates as follows:

Aug 8 – Andy’s – Denton, TX
Aug 9 – Opolis – Norman, OK
Aug 11 – Back Alley Ballyhoo – Indianapolis, IN
Aug 12 – JJs Bohemia – Chattanooga, TN
Aug 13 – Upstairs at Avondale – Birmingham, AL
Aug 15 – Alabama Music Box – Mobile, AL
Aug 16 – Continental Club – Houston, TX
Aug 17 – Paper Tiger – San Antonio, TX

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Movie Review

New biopic 'Jimmy' salutes Jimmy Stewart's service in World War II

Alex Bentley
Nov 6, 2026 | 11:41 am
KJ Apa in Jimmy
Photo courtesy of Papaian Studios
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Actor Jimmy Stewart, thanks to movies such as Mr. Smith Goes to Washington, The Shop Around the Corner, and The Philadelphia Story, had the reputation early in his career as the everyman in Hollywood, someone to whom most audiences could relate. That became even more true when Stewart entered the military during World War II, a period that is explored in the new biopic, Jimmy.

The film was co-produced with Fort Worth-based Papaian Studios and received a red-carpet premiere as part of the Lone Star Film Festival on Wednesday, November 4. Stewart had several ties to Fort Worth, which were celebrated at the event.

Stewart (KJ Apa) was riding high in 1941, coming off his first (and only) Oscar win for The Philadelphia Story. As depicted in the film, his life is upended when he receives a military draft notice as the U.S. prepares for war. He’s determined to serve, but people like studio head Louis B. Mayer (Jason Alexander) try to talk him out of it. Already an experienced pilot, he eventually joins the war in Europe, flying the B-24 bomber.

Despite his celebrity status, Stewart requests to be treated the same as any other soldier, which means flying multiple missions over enemy territory. He moves up the ranks, becoming a leader tasked with, among other things, reporting the deaths of service members to their families. He also starts a friendship that develops into a romance with Lady Julia (Kara Killmer), giving him a distraction from the horrors of war.

Directed by Aaron Burns and written by Justin Strawhand, the film has the clear goal of being a hagiography for Stewart, showing all of his good qualities and few of his bad ones. In fact, the character of Stewart is harder on himself than the actual movie is, chastising himself over the deaths of fellow soldiers that he likely could not have prevented. The filmmakers go to great lengths to show how good and well-respected Stewart was, something that may well be true, but doesn’t make for great drama.

The bulk of the film features Stewart at war, following him and others as they fly multiple missions and commiserate over the price of combat. The sequences are fine, but the film’s budget does not appear to be high, and so the CGI needed to recreate the scenes is noticeably subpar. Because Burns and Strawhand usually keep to surface-level storytelling and don’t go deep on any character besides Stewart, his time at war is engaging but slight.

The film is bookended by Stewart and Frank Capra (Max Casella) making It’s a Wonderful Life, Stewart’s first film after coming back from war. It’s here where the movie becomes most interesting as Stewart, still affected by his war experience, struggles to bring the character of George Bailey to life. The behind-the-scenes look at the film-within-the-film and the recreations of its iconic scenes are catnip for anyone who knows/loves the Christmas classic.

Apa, best known for starring as Archie on the TV show Riverdale, does extremely well as Stewart. He nails Stewart’s quavering voice and the way he ambles about plays right into the actor’s established persona. Casella and Killmer get the most play in supporting roles, and each does solid work as characters trying to understand Stewart. Alexander, Sarah Drew as Hedda Hopper, and Rob Riggle as a colonel each go a little too big in their respective parts.

Jimmy is probably best watched as an approximation of the man Stewart was in the 1940s, not as something that’s completely true to life. The film elides or stretches the truth on multiple occasions, which is par for the course in biopics. It could have used some stronger storytelling to make Stewart feel like a real person, not merely a replica of the famous actor.

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Jimmy is now playing in theaters.

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