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    Car News

    Post Malone's truck is parked at Raising Cane's Dallas for photo-ops

    Raven Jordan
    Aug 26, 2024 | 6:01 pm
    Post Malone truck Raising Cane's

    Post Malone's pretty blue pickup truck. Don't look at the flat tire or smashed-in grill.

    Courtesy

    Chicken finger lovers and music fans unite: Post Malone will have the blue 1971 F-150 truck featured on his latest album's cover art available for a photo pop-up at a Raising Cane's in Dallas.

    The pop-up is located at the Post Malone x Dallas Cowboys restaurant at 2255 W. Northwest Hwy. Though fans won't have a chance to meet Posty in person during the pop-up, they can at least see his truck and get a chance to see him live.

    It's part of the singer's “F-1 Trillion” truck and album tour and lasts until Thursday, August 29. After that, the truck featured on the cover art of Post Malone’s sixth studio album will be on-display during regular business hours in Dallas, before continuing to the Post Malone restaurant in Midvale, Utah starting Sunday, September 1.

    Customers and “F-1 Trillion” fans visiting Raising Cane's will have the opportunity to win Post Malone concert tickets by posting a photo with #CanesF1TrillionDallas on social media for a chance to win two tickets to one of four “F-1 Trillion” Texas shows, including Houston on October 22 and 23 and Austin on October 26 and 27.

    The album cover artwork by Gonzalo Lebrija shot in Presa Salto del Nogal in Jalisco, Mexico features the F-150 suspended on its nose above water and debuted ahead of the album release on the album’s official X account. Post Malone has a substantial car collection, showing off his love of Fords by getting a Ford F-150 Raptor tattooed on his neck last summer and by featuring a Velocity F-250 and Bronco in his new “Devil I’ve Been” music video.

    The Texas-raised, Grammy-nominated artist partnered with Raising Cane’s last year to open both Post Malone-themed restaurants in Dallas and Midvale, which feature one-of-a-kind custom exterior and interior designs, vending machines with exclusive merch, and personal items from Post himself.

    At these restaurants only, customers can order their box combos “The Posty Way,” with four chicken fingers, fries, two Cane’s sauces, two Texas Toasts, served with a half unsweet tea/lemonade in a collector’s cup, which is what Post gets anytime he stops by Cane’s.

    Raising Cane’s is one of the fastest-growing restaurant brands, with over 800 restaurants in more than 40 states and plans to open 100 new restaurants across several new markets in 2024. The company recently announced plans to be one of the top 10 restaurant brands in the United States.

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    Critics' choice

    DFW film critics name One Battle After Another best movie of 2025

    Alex Bentley
    Dec 17, 2025 | 9:32 am
    Leonardo DiCaprio in One Battle After Another
    Photo courtesy of Warner Bros. Pictures
    Leonardo DiCaprio in One Battle After Another.

    The Dallas-Fort Worth Film Critics Association has voted Paul Thomas Anderson's action thriller One Battle After Another the best film of 2025, according to the results of its 32nd annual critics’ poll released on Wednesday, December 17.

    The top award was one of five wins for the film in the poll, including Leonardo DiCaprio as Best Actor, Teyana Taylor as Best Supporting Actress, and Anderson for both Best Director and Best Screenplay.

    After One Battle After Another, the rest of the top 10 films in the poll were, in order, Sinners, Marty Supreme, Hamnet, Sentimental Value, Train Dreams, Frankenstein, Jay Kelly, Bugonia, and It Was Just an Accident.

    In addition to DiCaprio and Taylor, other acting awards included Rose Byrne as Best Actress for If I Had Legs, I'd Kick You and Stellan Skarsgård as Best Supporting Actor for Sentimental Value.

    The two other behind-the-scenes awards both went to Sinners, including Best Cinematography for Autumn Durald Arkapaw and Best Score for Ludwig Göransson.

    Sentimental Value also took home the award for Best Foreign Language Film, while Netflix got double wins with The Perfect Neighbor for Best Documentary and KPop Demon Hunters for Best Animated Film.

    The Russell Smith Award, given annually by the DFWFCA to the best low-budget or cutting-edge independent film, went to It Was Just an Accident.

    The Dallas-Fort Worth Film Critics Association consists of 26 broadcast, print, and online journalists from throughout North Texas. For more information, visit dfwcritics.com.
    ---

    Author Alex Bentley is a member of the Dallas-Fort Worth Film Critics Association.

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