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    Comedy News

    Rising star comedian Ralph Barbosa sells out 6 Dallas shows for Netflix special

    Teresa Gubbins
    Aug 3, 2023 | 4:16 pm
    Ralph Barbosa

    Dallas comedian Ralph Barbosa

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    A Dallas comedian who's a rising star has landed his own NetFlix special: Ralph Barbosa, whose laid-back yet hilarious style has won him multiple awards and national TV appearances, is playing six sold-out shows this week at the Kessler Theater in Oak Cliff, where the special is being filmed.

    The first two shows were on August 2, and the run ends on August 4.

    Barbosa was the 2019 winner of the Funniest Comic in Texas competition, and the 2021 winner of the New York Latino Film Festival Stand-Up. His shows sell out at comedy clubs across the U.S.

    His "Don’t Tell Comedy" set on YouTube, showcasing his delightfully droll delivery, has surpassed 4.4 million views. He's appeared on Comedy Central, HBO (HBO Max’s special "Entre Nos: The Winners 3," directed by Latina comic Aida Rodriguez), and made his late-night debut on "The Tonight Show" with Jimmy Fallon in January 2023.

    "Young Texas boy made it to the Tonight show," he posted on Instagram with a photo of himself on stage, and in June, he opened for Dave Chappelle at American Airlines Center.

    (He also got an unintentional boost thanks to comedian George Lopez, who inadvertently helped elevate his profile further in February by stating on a podcast that no one had heard of him — a comment for which Lopez has since apologized.)

    Barbosa, who graduated from Mesquite High School and currently resides in Oak Cliff, deliberately chose the Kessler as the site for the Netflix taping.

    Kessler Theater artistic director and talent buyer Jeff Liles describes Barbosa as "awesome, really different. Not a typical set-up/punchline guy."

    "Ralph was a barber at the shop right across the street from the theater," Liles says. "When he got the deal to do the Netflix special, he wanted to do it here in his neighborhood. He has even done a couple of pop-up shows at the barber shop."

    Kessler booking agent Curtis McCary originally slotted Barbosa in for two nights, but had to keep adding more shows, because all the shows kept selling out.

    "When his tickets went on sale for this Netflix night, both shows sold out in less than an hour," Liles says. "Then we added another two shows the night before, and they both sold quick, too. So we added two more the night before that, and they also sold out in an hour, too."

    Liles says they've never seen anything like it, and it's not like the Kessler has not hosted comedy shows.

    "It's actually a great room for comedy," Liles says. "In the past we’ve done shows with Sandra Bernhard, Tig Notaro, Pete Holmes, the Broad City girls, Amy Sedaris, John Waters, Elayne Boosler, Harland Williams, Paul Varghese and Linda Stogner."

    "But in 13 years, no performer has ever sold out six shows in a row here. It's insane," he says.

    NetFlix has a big commitment to comedy including a series dedicated to Latin stand-up comedy. When they film a special, they typically film a few nights at the same venue so they can choose the best reaction shots.

    A few words from Ralph Barbosa on social media:

    "I'm not very big on the whole social media thing. People don't do strange things on there often, but sometimes they get a little too social and I'm out. I'll pull the plug on Instagram. And it'll be normal stuff, but it'll just be a little too weird for me. Like this guy messages me and says, 'Hey man I saw you posted some pizza and I wanted to ask you where'd you get that pizza at.' I didn't say anything right away, so he sent a follow-up message. He was like, 'Hey man, I hope you're not planning on ignoring me.' I was like, 'I wasn't, but ...now that you sent the creepiest message, I'm deleting my Instagram.'"

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    Movie Review

    New Spike Lee film Highest 2 Lowest is good for New York sightseeing

    Alex Bentley
    Aug 14, 2025 | 4:37 pm
    Denzel Washington in Highest 2 Lowest
    Photo courtesy of A24 and Apple TV+
    Denzel Washington in Highest 2 Lowest.

    For most of his career, moviegoers could count on a new Spike Lee film every 1-2 years. But somehow it’s been five years since his last joint, Da 5 Bloods in 2020, which arrived when his take on racial politics and injustices collided with real world events. Now he’s back for a fifth go-around with Denzel Washington, Highest 2 Lowest, a reimagining of the 1963 Akira Kurosawa film, High and Low.

    Washington stars as music executive David King, who’s looking to save the record label he started from a corporate takeover. His leveraging of his assets to buy out a partner gets upended when Kyle (Elijah Wright), the son of his friend and chauffeur, Paul Christopher (Jeffrey Wright), is mistakenly kidnapped by someone who thought he was King’s son, Trey (Aubrey Joseph).

    King is forced to wrestle with his conscience over whether to use ransom money for Kyle, money that was supposed to rescue Trey before the mistake is discovered. The pressure from the police, Paul, and his family is one thing, but the fact that he would also potentially be giving away the money that would save his company makes the decision all that much more difficult.

    Lee, working from a script by first-time screenwriter Alan Fox, once again showcases New York City for all it’s worth. King and his family live in a lavish high-rise apartment with a balcony that faces Manhattan, allowing for views of the Brooklyn Bridge, the Financial District, and more. The story takes the action all over the city, with Lee making sure to include scenes set in the Bronx to feature boisterous Yankees fans.

    Unfortunately, the sightseeing winds up being the best part of the movie. Lee and Fox deliver some clunky storytelling, with the flow from scene to scene rarely feeling natural. The drama of certain situations never reaches its potential because Lee seems to be focused on things like showing small moments from different angles instead of getting to the heart of the matter.

    It’s also never clear what kind of story Lee is trying to tell. The most obvious topic would seem to be the current state of the music business and the place of Black artists within it, but the kidnapping plot mostly pushes that to the side. The push-and-pull of the ransom drama, as well as the perpetrator of the kidnapping, tries to be a commentary on the corrosive influence of wealth, but it fails to hit home.

    And then we get to the acting. Washington and Wright are each Oscar nominees who usually garner respect just with their presence, but both give subpar performances that are indicative of the poor acting from many other cast members. Stilted line deliveries abound throughout the film, almost as if Lee was limited to just one take with every scene and just decided to leave them as is. The more bad lines pile up, the more baffling it becomes that they were allowed to show up in the final product.

    Lee is responsible for some truly great films over the past 30-40 years, but Highest 2 Lowest will not be joining that list. It has flashes of the director’s trademark stylish moves, but the storytelling and acting blunt any deeper meaning that Lee might have been trying to impart.

    ---

    Highest 2 Lowest opens in theaters on August 15.

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