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    Movie Review

    Talk to Me hands the horror genre a creepy new entry

    Alex Bentley
    Jul 26, 2023 | 4:07 pm

    Coming up with a new and inventive horror story has got to be extremely difficult given the plethora of terrifying films that have filled the genre for the past 100 years. Instead of trying to reinvent the wheel, the filmmakers behind the new Australian film Talk to Me went back to basics, relying on gruesome imagery and great editing to get the job done.

    Sophia Wilde in Talk to Me

    Photo courtesy of A24

    Sophia Wilde in Talk to Me.

    The story centers on Mia (Sophie Wilde), a teenager still mourning the recent (accidental?) death of her mother. A group of friends, including best friend Jade (Alexandra Jensen), Jade’s brother Riley (Joe Bird), and former boyfriend Daniel (Otis Dhanji), invite her to a party where the main attraction is a ceramic hand, which willing participants grab and say “Talk to me” to be transported into an in-between world where they can interact with dead people.

    The “high” they get from the experience makes it similar to doing drugs, and Mia and others return to it multiple times. The only problem is that staying in over a certain amount of time allows the participant to stay connected to that nether world, leading to real-life harm. Mia’s fascination with the process and her grief combine into a situation that proves difficult to escape.

    Directed by brothers Danny and Michael Phillippou, and written by Bill Hinzman, Daley Pearson, and Danny Phillippou, the film hits some high highs but can’t always keep the momentum it’s built up. A brutal opening sequence sets the tone right away, and the various scenes of people entering the dead world are full of fantastically off-putting imagery that are enough to satisfy any big horror fan.

    As the film goes along, though, it’s not exactly clear what kind of story the filmmakers are trying to tell. There is no overarching villain – it’s just the hand itself – and so the film has to rely on the ups-and-downs of the relationships between Mia and her friends, as well as her dad, Max (Marcus Johnson), and Jade’s mom, Sue (Miranda Otto). Sometimes this works and sometimes it doesn’t, which makes for a disjointed viewing experience.

    Still, there is a constant undercurrent of dread in the film that keeps things relatively suspenseful while waiting for the next big moment. The performances of the actors, especially Wilde and Bird, really sell the intensity of what they’re facing. Since this is an Australian production, none of the teenage actors will likely be familiar to American audiences, but they announce themselves in a big way here.

    Talk to Me is a solid new entry into the horror genre, one that uses familiar tricks to great effect even if the spell doesn’t last all the way through. With A24 giving these Aussie filmmakers and actors a platform in the U.S., don’t be surprised to see more of them in the future.

    ---

    Talk to Me opens in theaters on July 28.

    moviesfilm
    news/entertainment

    Movie Review

    Five Nights at Freddy’s 2 is better than the first but not by much

    Alex Bentley
    Dec 4, 2025 | 1:24 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films likeM3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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