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    Weekend Event Planner

    These are the 10 best things to do in Dallas this weekend

    Alex Bentley
    Jul 13, 2023 | 6:00 am

    Theater and music make up the majority of events across Dallas this weekend, but the biggest one is the opening of an art experience unlike anything in the area. There will also be a film festival, four new local theater productions, a trio of concerts, and a chance to win fun playhouses.

    Below are the best ways to spend your precious free time this weekend. Want more options? Lucky for you, we have a much longer list of the city's best events.

    Thursday, July 13

    Asian Film Festival of Dallas
    The 2023 Asian Film Festival of Dallas will feature 18 feature films and five short films over four days, including opening night selection The Night Owl from Tae-Jim Ahn, closing night selection Drive from Park Dong-hee, and special screenings with filmmaker Q&As like Linh Tran’s Waiting for the Light to Change and Sing J Lee’s The Accidental Getaway Driver. Screenings take place through Sunday at Angelika Film Center Dallas.

    The Watering Hole Collective presents Spring Awakening
    The Watering Hole Collective will present its inaugural production, the Tony Award-winning musical, Spring Awakening. Based on the groundbreaking and controversial 1891 German play by Frank Wedekind, the musical tells the story of teenagers discovering the inner and outer tumult of adolescent sexuality set to a contemporary pop-rock score. Reimagining the 2006 hit for 2023, the Watering Hole Collective invites audiences to dive into the deeper messages of sexual awakening, youthful rebellion, and self discovery. The production runs through July 22 at Arts Mission Oak Cliff.

    Friday, July 14

    Meow Wolf: The Real Unreal
    Friday is the long-anticipated grand opening of Meow Wolf: The Real Unreal, where visitors embark on a journey through a technicolor wonderland that blends storytelling, technology, and immersive art. The experience encourages visitors to explore different dimensions of perspective and creativity through more than 30 rooms of multidimensional art. Visitors can choose to engage with a story about a family who has unknowingly unlocked portals to a different existence, or they can just enjoy the fun and weird art all on its own. Meow Wolf will be a permanent entertainment experience at Grapevine Mills.

    Dallas CASA presents Parade of Playhouses
    Dallas CASA's annual Parade of Playhouses features custom-designed and built children's playhouses on display and available to win by raffle. Playhouses run the gamut of style and design, from pop culture-inspired castles to modern, abstract designs and from tiny versions of North Dallas new construction to play-based climbing structures. All funds raised from the event, running at NorthPark Center through July 30, benefit the child victims of abuse or neglect served by Dallas CASA's volunteer advocates.

    MainStage Irving-Las Colinas presents The Underpants
    In the riotously funny farce, The Underpants, Louise and Theo Maske are a couple whose conservative existence is shattered when Louise's bloomers fall down in public. While her momentary display does not result in all-out scandal, it does attract two infatuated men, each of whom wants to rent the spare room in the Markes' home. Written by Steve Martin, the production runs through July 29 at Mainstage Irving-Las Colinas.

    Samantha Fish in concert with Jesse Dayton
    Singer/guitarist Samantha Fish has been playing her style of blues rock for almost 15 years, releasing her debut album, 2009's Live Bait, at the tender age of 20. She's gone on to release 10 more solo and collaborative albums, including the new Death Wish Blues with Jesse Dayton, with whom she will be co-headlining this special concert. They will play at Longhorn Ballroom, with Carolyn Wonderland as the opening act.

    Theatre Coppell presents Young Frankenstein
    Young Frankenstein is a musical stage adaptation of Mel Brooks’ brilliantly funny film. Frederick Frankenstein, grandson of the infamous inventor Doctor Frankenstein, reluctantly inherits the family estate in Transylvania. With the help of a hunchbacked sidekick named Igor and lab assistant Inga, Frederick finds himself following in the mad-scientist tradition of his ancestor, creating a monster for this century. When the monster escapes, hilarity abounds. The production runs through July 30 at Coppell Arts Center.

    Richardson Theatre Centre presents Boeing, Boeing
    A hit comedy similar in vein to Shakespeare’s comedies of merry misadventures and mistaken identities, Boeing Boeing tells the exploits of French bachelor Bernard and his lovely female flight attendants. In the past, Bernard has been able to juggle these women, but when the situation changes and all of the women end up at his apartment on the same day, Bernard struggles to keep them from learning the truth. The production runs through July 30 at Richardson Theatre Centre.

    Saturday, July 15

    The Polyphonic Spree 23rd Birthday Celebration
    The Polyphonic Spree, which was started by lead singer Tim Delaughter in 2000, will celebrate its 23rd year in existence by releasing its latest album, Salvage Enterprise. This performance at Longhorn Ballroom will feature the live debut of new material as well as past favorites to celebrate the band’s birthday.

    Ace Frehley in concert
    For people of a certain age, Ace Frehley will always be Spaceman from the rock band Kiss. But he left that band in 1982, so the majority of his career has been as a solo artist, even though he's never truly been able to leave his early days behind. Almost all of his seven solo albums, including 2020's Origins Vol. 2, have involved members of Kiss or been influenced by their music. He'll play at The Echo Lounge & Music Hall.

    Jesse Dayton and Samantha Fish
    Photo courtesy of Jesse Dayton and Samantha Fish

    Samantha Fish and Jesse Dayton will play at Longhorn Ballroom on July 14.

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    Movie Review

    Five Nights at Freddy’s 2 is better than the first but not by much

    Alex Bentley
    Dec 4, 2025 | 1:24 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films likeM3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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