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    Two x Two First Look

    Costumed partiers get first look at Dallas’ most fabulous arts gala and auction

    Kendall Morgan
    Oct 23, 2015 | 1:09 pm

    With a theme like “Calling All Curious,” Two x Two’s annual gala and contemporary auction’s kickoff party was bound to be full of surprises. The unseasonable rain, however, wasn’t high on anyone’s list of expectations.

    But you can’t keep a good soiree down, particularly when it benefits the Dallas Museum of Art and amFAR. A crowd of curators and collectors descended en masse through the downpour to the Rachofsky House, conveniently tented and staffed by umbrella’d attendants for the occasion. Telephones on stands at the entrance jangled merrily, and if a guest happened to answer, a voice on the other end inquired, “Are you coming in or what, and are you going to eat a cheeseburger?”

    Mini cheeseburgers there were, along with a sushi bar and other delectables from Lombardi Family Concepts, plus plenty of Belvedere cocktails. Presented by Fossil, the “curious” theme was further developed by the décor, which included a wooden wall full of keyholes where brave revelers could stick their hands to be tickled, grasped, or shook. DJ Lucy Wrubel acknowledged the lousy weather by spinning “Singin’ in the Rain” and “It’s Raining Men” between hits by the Weeknd and Taylor Swift.

    Because carefully curated art is the engine of Two x Two, the partygoers who did take the “masquerade” dress code to heart chose artistic legends for their ensembles. There were three Warhols, one Lichtenstein, four Magrittes, and a Frida Kahlo (Fossil’s curious chief Jill Elliott-Sones) onsite. One of the best — and funniest — was curator and art advisor John Runyon, who came as TV star and painter Bob Ross (he of the “little happy trees” fame), complete with a painter’s palette.

    There was plenty to get excited about on the walls as well. This year’s selection of artworks is particularly stellar, with a mix of local and international talent. Smart bidders on October 24 could snag an Ellsworth Kelly (this year’s artist honoree), an Alex Israel, an Alex Prager, or a Karen Kilimnick. Forty Five Ten’s Brian Bolke was seen coveting a marble bowl by Piero Golia, creator of the Nasher’s Chalet installation.

    “We have the world’s coolest entryway, and I would make a little pedestal for it,” he said. “People would probably use it as a big ashtray. Actually, the artist would love that!”

    Besides Cindy and Howard Rachofsky, who came dressed as Raggedy Ann and Andy, the star of the evening was undoubtedly co-chairman Elaine Agather, who helmed the event with her daughter, Bradley Agather Means. Clad in a dead-on imitation of style icon Iris Apfel, Elaine admitted, “I’m a big fan! This is all from my closet, so we might have some similarities.”

    She said she loves Two x Two for multiple reasons: “For one, the art. It gives back to the community, it gives to the museum, it gives to AIDS. And it just brings this eclectic, wonderful group to Dallas. It’s just one of the best events we have.”

    We concur. Two x Two has raised more than $52 million for the DMA and amFAR to date, and we’re even more curious to discover the final tally raised on Saturday.

    Also onsite and ready to revel: Brooke Hortenstine, Dan and Joseph, Sabrina Dee, Ceron, Todd Fiscus, Michael Flores, Rajan Patel, Jeffrey Lee, Nancy Rogers, Sam Saladino, and Anna-Sophia van Zweden.

    Co-chair Elaine Agather (center) dressed as Iris Apfel, with Brandon Little and Cindi Rose.

    Brandon, Little, Elaine Agather, Cindi Rose
    Photo by Desiree Espada
    Co-chair Elaine Agather (center) dressed as Iris Apfel, with Brandon Little and Cindi Rose.
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    Centerstage spotlight

    Showstopping Dallas Theater Center gala raises the curtain on a new era

    Stephanie Allmon Merry
    May 22, 2026 | 12:59 pm
    DTC Centerstage Gala 2026
    Photo by Tamytha Cameron
    Zeke Williams, Grace Cook, Jeff Netzer, Lynn McBee, Kristina Kirkenaer-Hart

    On a picture-perfect Saturday night, more than 250 of Dallas’ most devoted arts patrons gathered at the Dee and Charles Wyly Theatre for CENTERSTAGE 42, the annual gala benefiting Dallas Theater Center. The elegant evening on May 2 proved to be both a celebration of Dallas theater’s past and a curtain-raising for its future.

    As the sun began to set across the Diane and Hal Brierley Esplanade in the Dallas Arts District, guests descended the outdoor staircase for an al fresco cocktail reception. One popular stop was just inside the doors of the lobby: A "Ziya" digital photo booth from local company Make Life Sweeter that turned patrons' posed photos into stylized watercolor portraits.

    Throughout the venue, installations highlighting Dallas Theater Center’s Public Works initiative reminded attendees that the organization’s impact stretches from the stage to the neighborhoods of North Texas.

    A multicourse dinner was served on the stage inside the Potter Rose Performance Hall, making attendees feel like the stars of the show in the intimate, theatrical atmosphere.

    One of the night’s most meaningful moments came with the presentation of the prestigious Linda and Bill Custard Award to Larry Angelilli, recognized for more than three decades of leadership and advocacy that helped shape Dallas’ cultural landscape. The gala also paused to honor the memories of two beloved arts patrons, Linda Custard and Sarah Warnecke, both longtime champions of Dallas Theater Center and the broader arts community.

    Inspired by their example, guests bid high for fabulous live auction items, including trips to Palm Springs and Hawaii and a private dinner with actor Michael Urie at a home on White Rock Lake. A paddle raise followed, with patrons giving generously all around the room.

    Every $100 counted - from upstage, downstage, and closer to the wings - as the sold-out fundraiser's earnings totaled an impressive $545,000 in support of the Tony Award-winning theater company and its education and community engagement programs, including Project Discovery, Summer Stage, Saturday Sessions, and Community Workshops.

    It wouldn't have been a theater benefit without a showstopping performer. When scheduled headliner Michael Urie was called away for filming commitments tied to Shrinking, Dallas Theater Center called on homegrown talent — and the result brought the crowd to its feet. Broadway performer Tiffany Mann, a DFW native with credits including Be More Chill and Waitress, delivered a powerhouse performance - and a few sparkly outfit changes.

    The entire program was emceed by Bri Woods and Akron Watson, both fresh off Dallas Theater Center’s acclaimed production of Ragtime. Woods, an SMU Meadows graduate and Linda and Bill Custard Meadows Actor in the Diane and Hal Brierley Resident Acting Company, represented the next generation of Dallas theater talent, while Tony-, Grammy-, and Emmy-winning Watson brought Broadway pedigree and star power to the gala stage.

    This year’s gala leadership reflected the milestone spirit of the evening. Rather than appointing a single chair, Dallas Theater Center reunited gala chairs from the past decade to lead CENTERSTAGE 42 collectively. Leadership included Jennifer and Peter Altabef, Mickie and Jeff Bragalone, Stephanie Byrd, Scott Davis, Melinda Johnson, Brett Levy, Michelle Lockhart, Ann Mahowald, Deborah McMurray, Scott Moore, Scott Orr, Andy Smith, Paul Von Wupperfeld, Hamilton Sneed, and Krista Farber Weinstein.

    The evening also marked an exciting turning point for Dallas Theater Center as it prepares to enter a new era under incoming Enloe/Rose Artistic Director Jaime Castañeda, a TCU grad who is making his return to DFW. The affable leader introduced himself to the audience with a few fun personal anecdotes (including one involving an Easter bunny suit) and expressed his enthusiasm for the vision and direction of DTC.

    Cheers went up as Castañeda made a surprise announcement: That The Lehman Trilogy would be the final show in DTC's 2026-27 season.

    Upon retrieving their cars from valet, guests departed with an ingenious gift on their front seat: A thank-you note and invitation for two tickets to the DTC's next production, the world premiere of Jonathan Norton's play Malcolm X and Redd Foxx Washing Dishes at Jimmy’s Chicken Shack in Harlem -on stage now through June 7. "We look forward to welcoming you back to the theater!" read the note.

    Spotted in the crowd, enjoying the evening, were DTC patrons and supporters including Zeke Williams, Grace Cook, Jeff Netzer, Lynn McBee, Kristina Kirkenaer-Hart, Ann Mahowald, Michelle Lockhart, Hamilton A Sneed, Krista Farber Weinstein, Caroline Hamilton, Brandi Willis, Paul von Wupperfeld, Andy Smith, Mickie Bragalone, Jeff Bragalone, Deborah McMurray, Glen Davison, Cynthia Smoot, Jeff Netzer, Jeremy Lock, D'Andra Simmons Lock, Lynn Richardson, Elvenn Richardson, Michelle Lockhart, Krista Weinstein, Paul von Wupperfeld, Sarah Jackson, Andy Smith, and many more. (Scroll through the photos, above, to see highlights of the night.)

    DTC Centerstage Gala 2026

    Photo by Tamytha Cameron

    Zeke Williams, Grace Cook, Jeff Netzer, Lynn McBee, Kristina Kirkenaer-Hart

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