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    Onstage Love

    10 lusty Dallas shows that bring on the showmance

    Lindsey Wilson
    Jan 30, 2014 | 1:59 pm

    Stages across Dallas-Fort Worth are feeling a little twitterpated. From saucy sex comedies to epic romances to unions that might, um, raise a few eyebrows, the plays and musicals onstage during Valentine's Day are showing us that love, actually, is all around.

    Ghost the Musical
    Dallas Summer Musicals, through February 9
    Performing Arts Fort Worth, February 11-16

    A love so great it can't die, but instead finds a sassy medium to serve as a conduit for all the things left unsaid. The beloved film, starring Patrick Swayze, Demi Moore and Whoopi Goldberg, receives the stage treatment, using special effects by Paul Kieve that are scary good. (The man has received the magic world's version of the Oscar, for goodness' sake.)

    Don't worry, "Unchained Melody" is in there, as is the pottery scene. We can all breathe easy now.

    I Love You, You're Perfect, Now Change
    Theatre Too, through February 16

    The only thing that's been changing about Theatre Three's annual hit is the cast, which year after year gives some of the most talented local performers a fun exhibition for their skills. This year we're presented with Max Swarner, Sonny Franks, Kim Borge and Amy Mills. The musical revue touches on all the different stages of love, from new infatuation to comfortable married life to death do us part (literally).

    On the Eve
    Theatre Three, through February 16

    Huzzah! It extended! This critically acclaimed original musical can do no wrong as far as the critics are concerned, and audiences should take advantage of this fortuitous extension to see what all the fuss is about. Go for the toe-tapping tunes, the electric performances, the wholly original story and the feeling of euphoria. Space and time can't stop Chase Spacegrove, and they can't stop true love, either.

    Cock
    Second Thought Theatre, through February 22

    John is dating a man before he breaks up with him and then finds himself attracted to a woman. Now John is confused. Dating suddenly gets a lot more difficult when you're note even sure which gender you want to pursue.

    Mike Bartlett's provocative play received the Second Thought treatment with a remarkably insightful staged reading during the last Uptown Players Pride Festival. Now it's exploring a full-length production under the direction of Alex Organ.

    Her Song
    Echo Theatre, through February 22

    The Bath House Cultural Center gets transformed into a 1930s-style supper club for Her Song, a collection of tunes by female composers and songwriters from the first part of the 20th century. Danielle Georgiou Dance Group and members of Matt Tolentino’s Big Band help create this immersive (truly, there's a dance floor just waiting for you to cut a rug on it) and multidisciplinary bit of nostalgia.

    Oedipus el Rey
    Dallas Theater Center, through March 2
    One of drama's greatest tragedies is built around a surprisingly tender — albeit gross — love story. Luis Alfaro updates Sophocles' Greek myth to modern-day LA, turning gangs and prison into the fate the characters cannot escape.

    Sabina Zuniga Varela and Philippe Bowgen impress as the doomed lovers, exhibiting a commendable amount of vulnerability in addition to flesh. In case you find their connection just a little too icky, wait a bit and things will turn violent and bloody. This is Greek tragedy, after all.

    Venus in Fur
    Circle Theatre, through March 8

    Thank Fifty Shades of Grey for making domination acceptable dinner conversation. In David Ives' dark sex comedy, a writer-director laments the lack of actresses suitable to play the lead in his new play, based on an Austrian novel from the late 1800s.

    Enter Vanda, a desperate, crude actress who exhibits an almost preternatural understanding of the role. As the action gathers steam, things get steamy. Top-notch actors Chris Hury and Allison Pistorius portray the pair, who engage in a mysterious dance of control and power that quickly veers into erotic territory.

    The Little Mermaid
    Dallas Summer Musicals, February 13-March 2

    The girl. Gives up. Her fins. I mean, really, that's about as sacrificial as one can get for love, no? Some might argue that the message — a girl should change to win her man — is antiquated and a bit dangerous, but then the Academy Award-winning songs start up and the crab is singing and I dare you not to love it at least a little bit.

    Rumor has it that this national tour will include flying effects instead of the Heelys (wheeled shoes) used in the original Broadway production.

    Vanya and Sonia and Masha and Spike
    Uptown Players, February 14-March 9

    Off-kilter playwright Christopher Durang mashes together Chekhov's tragi-comic characters and themes of existential loss and longing. The result is this winner of the 2013 Tony Award for best play.

    Although the plot mainly centers on three siblings and their damaged relationships with each other, there is the introduction of a vapid boy toy named Spike, who's been towed along to Bucks Country, Pennsylvania, by the glamorous if slightly fading movie star Masha. Because it's Uptown Players, expect bawdy hilarity without the slightest hint of self-consciousness.

    The Motherfucker With the Hat
    Kitchen Dog Theater, February 14-March 15

    Jealousy is often an unfortunate side effect of love. In Stephen Adly Guirgis' 2011 play, it's the driving force that convinces Jackie, a former drug dealer recently sprung from prison, to suspect his girlfriend is cheating on him.

    His proof? He finds an unrecognizable hat in her apartment. KDT company members Christopher Carlos, Christie Vela, Michael Federico and Liza Marie Gonzalez are directed by Jaime Castañeda.

    I Love You, You're Perfect, Now Change

    Theatre Three presents I Love You, You're Perfect, Now Change
    Photo by Jeffrey Schmidt
    I Love You, You're Perfect, Now Change
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    Season announcement

    Mystic Pizza's Dallas premiere leads new AT&T PAC Broadway season

    Alex Bentley
    Apr 10, 2026 | 1:28 pm
    Mystic Pizza: A New Musical
    Photo courtesy of Lively McCabe Entertainment
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    The 2026-2027 Broadway at the Center season at Dallas' AT&T Performing Arts Center will feature a mixture of new and returning shows, including several recent Tony Award-nominated productions.

    According to a release, the main season will consist of five musicals: Mystic Pizza: A New Musical, Shucked, Beetlejuice, The Who’s Tommy, and The Wiz. All productions take place at Winspear Opera House in downtown Dallas.

    They will be joined by two previously-announced co-productions with Broadway Dallas - The Notebook and Hadestown - as well as TITAS/Dance Unbound co-production, Dance Me - The Music of Leonard Cohen.

    First up will be Dance Me - The Music of Leonard Cohen, a creation inspired by the work of famed Montreal-based poet, artist, and songwriter Leonard Cohen, performed by Ballet Jazz Montreal.

    The homage to the iconic artist evokes the grand cycles of existence in five seasons, as described in Cohen’s deeply reflective music and poems. There will be performances on September 18 and 19, 2026.

    The first theater production will be Mystic Pizza: A New Musical, making its Dallas premiere. It is based on the 1988 rom-com that tells the story of three working-class girls who navigate the complexities of life, love, and family in a small-town pizza joint.

    The score features megahits of the '80s and '90s, including songs originally recorded by Melissa Etheridge, Cyndi Lauper, John Cougar Mellencamp, and more. It will run November 20-22, 2026.

    After the Broadway Dallas co-production of The Notebook, running January 12-24, 2027, the season picks up again with the return of Shucked, which played at the Music Hall at Fair Park in December 2024.

    In the Tony Award-winning comedy, the corn that protects a small community starts to die. The town needs answers. But who will dare to venture beyond the borders of Cob County?

    The Broadway hit, running March 19-21, 2027 is about an unlikely hero, an unscrupulous con artist, and a battle for the heart and soil of a small town.

    Hadestown will follow shortly thereafter, running March 30-April 4, 2027, before the third Broadway Dallas co-production of the season, Beetlejuice, running April 28-May 2, 2027.

    The musical, which previously came to Dallas in early 2024, is based on Tim Burton’s 1988 film and tells the story of Lydia Deetz, a strange and unusual teenager whose whole life changes when she meets a recently deceased couple and a demon with a thing for stripes.

    June 2027 will bring the final two productions of the season, The Who’s Tommy (running June 3-5) and The Wiz (running June 10-13).

    The Who's 1969 rock opera is about the young Tommy Walker whose innate knack for pinball catapults him from reticent adolescent to celebrity savior. It features the anthems “I’m Free,” “See Me, Feel Me,” “Sensation,” and “Pinball Wizard.”

    The Wiz, which just came to Dallas in September 2025, is a groundbreaking twist on The Wizard of Oz that features soul, gospel, rock, and '70s funk that puts Dorothy’s journey to find her place in a contemporary world.

    “This season is designed to welcome both longtime subscribers and new audiences with a lineup that celebrates the full range of Broadway - from high-energy crowd pleasers and reimagined classics to bold contemporary storytelling,” said Warren Tranquada, CEO and President of the AT&T Performing Arts Center, in a statement.

    For the first time in their partnership with Broadway Dallas, Broadway at the Center subscribers will enjoy early access and full subscriber benefits for Beetlejuice through May 1.

    After May 1, all ticket purchases, customer service questions, and support for Beetlejuice will be handled directly by Broadway Dallas.

    The Center offers a flexible subscription package that allows patrons to choose four or five shows from the season lineup, with the option to add or remove shows by contacting the box office directly.

    Subscription package prices range from $150-$660, and sales begin on Monday, April 13, 2026. Packages may be purchased by phone at 214-880-0202, or online at attpac.org/broadway.

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