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    Movie Review

    Early Man comes up short of its goal as an animated film for the ages

    Alex Bentley
    Feb 16, 2018 | 3:50 pm
    Early Man comes up short of its goal as an animated film for the ages
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    As a British animation company, Aardman Animations naturally makes films that skew toward the mindset and aesthetics of that side of the pond. Some are subtle, some are more overt, but the ones that have been more successful have attempted to make the experience universal.

    You would think that their latest offering, Early Man, wouldn't be that provincial, as it promised to tell a story about how people of the Stone Age ran into trouble when the Bronze Age started. Director Nick Park and his team could have mined the anachronistic clash for all sorts of funny moments and interactions, with perhaps a few nods toward more modern jokes.

    Instead, the film is almost entirely about … football (aka soccer). There are plenty of gags about issues that early man might face (giant carnivorous ducks, anyone?). However, the bulk of the narrative involves Dug (Eddie Redmayne) attempting to whip his ragtag group of Stone Age people into proper football shape to take on the highly skilled Bronze Age team put together by Lord Nooth (Tom Hiddleston).

    It's clear in the way the film focuses on certain aspects of the game — prima donna players, erudite announcers, etc. — that it is aiming at a very specific, European audience. Soccer may be the most popular sport on the planet, but only certain people will be able to relate to the finer points of the movie.

    Unfortunately, this single-mindedness has a dulling effect on Aardman's normally reliable general humor. It's still possible to enjoy the dimwitted characters with their signature gap-toothed overbites, and the non-sequiturs that randomly pop up are a delight. But since they're in service of a plot that's less interesting than usual, it takes away from the overall product.

    The level of skill it takes to make Aardman's stop-motion animated films remains highly impressive, but the story of Early Man will likely prevent that artistry from reaching as broad an audience as possible.

    Lord Nooth (Tom Hiddleston) in Early Man.

    Lord Nooth (Tom Hiddleston) in Early Man
    Photo courtesy of Aardman Animations
    Lord Nooth (Tom Hiddleston) in Early Man.
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    RELIVE THE ALAMO

    Taylor Sheridan takes on epic event in Texas history for next project

    John Egan
    Apr 28, 2026 | 3:40 pm
    Yellowstone Season 5 premiere, Taylor Sheridan
    Photo by Richard Rodriguez/Getty Images for Paramount
    Taylor Sheridan is taking on one of the most epic events in Texas history.

    North Texas producer, director, and screenwriter Taylor Sheridan — whose growing catalog of entertainment projects includes Yellowstone, Landman, Tulsa King, and the soon-to-be-released Frisco King — wants everyone to remember the Alamo.

    At the invitation of Texas Lt. Gov. Dan Patrick, Sheridan will tell the story of the Battle of the Alamo for an immersive 4D movie to be shown at the Alamo Visitor Center and Museum, which is set to open in 2028.

    “The Alamo is the very bedrock Texas was founded upon. To chronicle the sacrifice made by the brave men and women who sacrificed their lives defending the Alamo is an honor I eagerly accept,” Sheridan says in a news release issued by Patrick’s office.

    Sheridan’s Battle of the Alamo project promises to be epic simply because the battle itself was epic.

    The 13-day conflict in 1836 was a pivotal event in the Texas Revolution. In a one-sided defeat, the Mexican army prevailed, killing the roughly 200 Alamo defenders and one-third of the roughly 1,800 Mexican soldiers. Much of the mission was destroyed as well.

    The sacrifice of Alamo defenders like James Bowie, Davy Crockett, and William Travis helped fuel the Texas resistance, leading to the “Remember the Alamo!” rallying cry and helping to pave the way for Texas independence.

    Sheridan, who grew up in North Texas, lives at the 600-acre Bosque Ranch in Weatherford. Sheridan has shot many of his TV shows in the Fort Worth area, such as Landman; Special Ops: Lioness; 1883; and The Madison. A new series, Frisco King, is filming in Fort Worth this spring.

    Sheridan founded SGS Studios, which recently partnered on a new 450,000-square foot production campus at Fort Worth’s 27,000-acre AllianceTexas development.

    "Over the last decade, Taylor has told the story of the American West — the people, the land, the depth, and the history — in a way no other filmmaker has,” Patrick said. “In addition to his amazing film portfolio, Taylor is a native Texan who knows and loves our state and its history.”

    Sheridan’s re-creation of the Battle of the Alamo will be a key attraction for visitors to the $185 million Alamo Visitor Center and Museum. Nearly 160,000 square feet will be taken up by the 4D theater and more than 5,000 artifacts, including over 400 from the Phil Collins Texana Collection.

    Today, the Alamo draws more than 1.6 million visitors a year, making it the state’s No. 1 tourist attraction.

    Over the years, the Alamo has been the star of several films and TV shows. Most notably, John Wayne portrayed Davy Crockett in the 1960 movie The Alamo. A 2004 reboot of the same name featured Billy Bob Thornton as Crockett and Dennis Quaid as Sam Houston.

    Other projects paying tribute to the Alamo include The Alamo: 13 Days to Glory, a 1987 TV movie, and Alamo: The Price of Freedom, a 1988 documentary-style IMAX film.

    historymoviestaylor sheridantexas historyalamo
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