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Weekend Event Planner

These are the 9 best things to do in Dallas this weekend

Alex Bentley
Feb 25, 2021 | 6:00 am

While many events in and around Dallas have either been postponed or canceled during the coronavirus pandemic, organizations have pivoted to virtual or socially distanced events to continue offering the masses some entertainment while we need it the most.

Below are the best ways to spend your free time. While not every event is out of the house, they all promise to provide a nice distraction from the everyday life.

Thursday, February 25

Junior Brown in concert
Country singer Junior Brown is a true original, best known for his signature instrument, the "guit-steel" double neck guitar that is a hybrid of an electric guitar and lap steel guitar. Active since the early '80s, Brown has released 11 albums in his career, including 2018's Deep in the Heart of Me. He'll play two shows on Thursday at The Kessler.

Dallas Symphony Orchestra presents The Concert Truck
The Dallas Symphony Orchestra will present the residency of The Concert Truck, collaborative community concerts across the city featuring musicians of the DSO and other arts organizations. Concerts will be held outdoors at various locations through March 14, with audiences and performers able to maintain a safe distance while enjoying live performances. Locations this weekend include Medical City Medical Center – Children’s Hospital on Thursday, Nasher Sculpture Center on Friday, and Klyde Warren Park and The Sound at Cypress Waters on Saturday.

Kitchen Dog Theater presents CRAFT: Art of the Hooch & Pooch
After a false start due to weather last week, Kitchen Dog Theater will celebrate their 30th Anniversary with this series that looks back at a few of the world premiere plays they’ve produced over the years written by Artistic Company Members. The series starts with Pompeii!! with creators Cameron Cobb, Michael Federico, and Max Hartman. Virtual episodes will begin with a mixologist walking viewers through the creation of an original craft cocktail, followed by a deep dive conversation into the craft behind the creation with artists from the productions. There will be other episodes monthly through June.

Cirque Italia presents Paranormal Cirque
After two other stops in the area, Cirque Italia's Paranormal Cirque heads north to Denton. Under the black and red big top tent of Paranormal Cirque exists a crazy yet fun fusion between circus, theater, and cabaret in perfect harmony with the evolution of a show that brings audiences back to when they dream ... and when they had nightmares and fantasies. The show, continuing through March 7 at the North Texas Fairgrounds, is only for teenagers and above; no kids under 13 will be admitted.

Friday, February 26

The Dallas Opera presents Tosca
Since the Dallas Opera is still unable to present live productions, they are going back into their archives again to stream the company’s 2015 production of Giacomo Puccini’s Tosca. The passionate, star-studded production was originally presented in 2015, including a live simulcast at Klyde Warren Park. The stream will be available to view at any time through March 27.

Improv Addison presents DeRay Davis
Comedian DeRay Davis has been killing it on stage, in movies, and on TV for years. His film credits include Semi-Pro, both Barbershop movies, and Johnson Family Vacation. On the small screen, Davis has appeared in HBO's Entourage, Comedy Central's Reno 911, and provided numerous voices on The Boondocks. He'll perform five times through Sunday at Improv Addison.

Saturday, February 27

Jonathan Tyler in concert with Desure
Jonathan Tyler is a Dallas-based musician who has received national attention, opening for major acts like Erykah Badu, Leon Russell, Deep Purple, The Black Crowes, Kool and the Gang, and more. Tyler and his band, the Northern Lights, have released three studio albums in their career, including 2015's Holy Smokes. He'll perform at The Kessler, with Desure as the opening act.

Sunday, February 28

New exhibitions at Dallas Museum of Art (UPDATE: The opening of these exhibits is being postponed one week to March 7.)
The Dallas Museum of Art will open two new exhibitions on Sunday, most notably "Frida Kahlo: Five Works," which gives visitors the rare opportunity to see five exquisite works by the acclaimed Mexican painter Frida Kahlo. Also opening is "Devoted: Art and Spirituality in Mexico and New Mexico," which features devotional works drawn from the DMA’s Latin American collection, exploring interrelated artistic traditions in the two regions. The Frida Kahlo exhibition will run through June 20, while "Devoted" will remain on display through January 2, 2022.

Bruce Wood Dance presents WOOD/SHOP
Bruce Wood Dance presents the first installment of the virtual series WOOD/SHOP. The first event will feature two premieres: Gabriel Speiller's Roses in December, an emotive trio of dancers winding through the twisting terrain of loss, grief, and hope; and Megan Storey's The Silence That Wakes Us, a riveting rush of movement with a compelling play of sound and silence inspired by reflections of her personal experiences with loss. It also includes a unique film project made by Cole Vernon.

Cirque Italia's Paranormal Cirque will run at North Texas Fairgrounds in Denton through March 7.

Paranormal Cirque
Photo courtesy of Cirque Italia
Cirque Italia's Paranormal Cirque will run at North Texas Fairgrounds in Denton through March 7.
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Movie Review

Film sequel Avatar: Fire and Ash is a technical and visual feast

Alex Bentley
Dec 18, 2025 | 3:15 pm
Oona Chaplin in Avatar: Fire and Ash
Photo courtesy of 20th Century Studios
Oona Chaplin in Avatar: Fire and Ash.

For a series whose first two films made over $5 billion combined worldwide, Avatar has a curious lack of widespread cultural impact. The films seem to exist in a sort of vacuum, popping up for their run in theaters and then almost as quickly disappearing from the larger movie landscape. The third of five planned movies, Avatar: Fire and Ash, is finally being released three years after its predecessor, Avatar: The Way of Water.

The new film finds the main duo, human-turned-Na’vi Jake Sully (Sam Worthington) and his native Na’vi wife, Neytiri (Zoë Saldaña), still living with the water-loving Metkayina clan led by Ronal (Kate Winslet) and Tonowari (Cliff Curtis). While Jake and Neytiri still play a big part, the focus shifts significantly to their two surviving children, Lo’ak (Britain Dalton) and Tuk (Trinity Jo-Li Bliss), as well as two they’ve essentially adopted, Kiri (Sigourney Weaver) and Spider (Jack Champion).

Miles Quaritch (Stephen Lang), who lives on in a fabricated Na’vi body, is still looking for revenge on Jake, and he finds help in the form of the Mangkwan Clan (aka the Ash People), led by Varang (Oona Chaplin). Quaritch’s access to human weapons and the Mangkwan’s desire for more power on the moon known as Pandora make them a nice match, and they team up to try to dominate the other tribes.

Aside from the story, the main point of making the films for writer/director James Cameron is showing off his considerable technical filmmaking prowess, and that is on full display right from the start. The characters zoom around both the air and sea on various creatures with which they’ve bonded, providing Cameron and his team with plenty of opportunities to put the audience right there with them. Cameron’s preferred viewing method of 3D makes the experience even more immersive, even if the high frame rate he uses makes some scenes look too realistic for their own good.

The story, as it has been in the first two films, is a mixed bag. Cameron and co-writers Rick Jaffa and Amanda Silver start off well, having Jake, Neytiri, and their kids continue mourning the death of Neteyam (Jamie Flatters) in the previous film. The struggle for power provides an interesting setup, but Cameron and his team seem to drag out the conflict for much too long. This is the longest Avatar film yet, and you really start to feel it in the back half as the filmmakers add on a bunch of unnecessary elements.

Worse than the elongated story, though, is the hackneyed dialogue that Cameron, Jaffa, and Silver have come up with. Almost every main character is forced to spout lines that diminish the importance of the events around them. The writers seemingly couldn’t resist trying to throw in jokes despite them clashing with the tone of the scenes in which they’re said. Combined with the somewhat goofy nature of the Na’vi themselves (not to mention talking whales), the eye-rolling words detract from any excitement or emotion the story builds up.

A pre-movie behind-the-scenes short film shows how the actors act out every scene in performance capture suits, lending an authenticity to their performances. Still, some performers are better than others, with Saldaña, Worthington, and Lang standing out. It’s more than a little weird having Weaver play a 14-year-old girl, but it works relatively well. Those who actually get to show their real faces are collectively fine, but none of them elevate the film overall.

There are undoubtedly some Avatar superfans for which Fire and Ash will move the larger story forward in significant ways. For anyone else, though, the film is a demonstration of both the good and bad sides of Cameron. As he’s proven for 40 years, his visuals are (almost) beyond reproach, but the lack of a story that sticks with you long after you’ve left the theater keeps the film from being truly memorable.

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Avatar: Fire and Ash opens in theaters on December 19.

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