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    Broadway On the Road

    AT&T's 2018-19 Dallas season is stocked with sizable Broadway and West End hits

    Lindsey Wilson
    Mar 11, 2018 | 8:00 am

    Recent and enduring Broadway hits, along with some West End showstoppers, are on the bill for AT&T Performing Arts Center's 2018-19 season. Between them are 19 Tony Awards, two Grammys, two Olivier Awards, and one Meat Loaf, along with a first-ever co-production between ATTPAC and Dallas Theater Center.

    "This season is our biggest yet," says ATTPAC president and CEO Doug Curtis. "It's interesting, diverse, and combines Broadway favorites, unexpected new shows, and an exciting collaboration, all in the stunning Winspear Opera House."

    First up is Hairspray, the stage musical version of John Waters' film about a plus-size white girl in 1962 Baltimore who tries to integrate the local TV station through its popular teen dance show. A score by Marc Shaiman and Scott Wittman is matched with a book by Mark O'Donnell and Thomas Meehan. This is the collaboration with Dallas Theater Center, running July 7-15, 2018.

    The next two shows are season add-ons, and each has played Dallas before. A Christmas Story, another movie brought to musical life onstage, stops by for a quick holiday run December 12-16, 2018. Set in 1940s Indiana, a young and bespectacled Ralphie Parker schemes his way toward the holiday gift of his dreams, surrounded by an infamous leg lamp, outrageous pink bunny pajamas, a maniacal department store Santa, and a triple-dog-dare to lick a freezing flagpole.

    Chicago, the longest-running musical in American Broadway history, slinks in right after, from December 18-23, 2018. Wannabe starlet Roxie Hart may or may not have committed murder, but why let facts get in the way when it becomes clear that scandal is the ticket to fame? A sly commentary on celebrity culture with knockout choreography inspired by Bob Fosse, this razzle-dazzle show is one of America's most iconic.

    Still currently running on Broadway, A Bronx Tale is the musical version of the play and movie — are you sensing a theme here? — originally written by Chazz Palminteri. Directed by Robert De Niro and Jerry Zaks, with songs by eight-time Academy Award winner Alan Menken and three-time Tony Award nominee Glenn Slater, the show brings audiences to 1960s New York, where a young man is caught between the father he loves and the mob boss he'd love to be. It runs December 26, 2018-January 6, 2019.

    Last summer, a live-filmed versin of the acclaimed Broadway revival of Falsettos was shown in movie theaters, selling out screenings across the country and introducing many to William Finn and James Lapine's groundbreaking musical. If you missed it, February 12-17, 2019, is your chance. The show revolves around Marvin, his ex-wife Trina, his psychiatrist Mendel, his son Jason, his gay lover Whizzer, and Cordelia and Dr. Charlotte, the lesbians next door.

    Still selling strong in London and New York, The Play That Goes Wrong has been described as the illegitimate Broadway baby of Sherlock Holmes and Monty Python. A classic murder mystery that's chock-full of mishaps and madcap mania, the play takes place during opening night for The Murder at Haversham Manor, where things are quickly going from bad to utterly disastrous. It runs June 11-16, 2019.

    Another Broadway box-office titan that's returning to Dallas is Beautiful — The Carole King Musical. From being part of a hit songwriting team with her husband Gerry Goffin, to her relationship with fellow writers and best friends Cynthia Weil and Barry Mann, to becoming one of the most successful solo acts in popular music history, King's story is accompanied by several of her biggest hits:"I Feel The Earth Move," "One Fine Day," "(You Make Me Feel Like) A Natural Woman," "You've Got A Friend" and the title song. It plays June 18-23, 2019, and is a season add-on.

    There isn't much info out there on the next show, but most audiences will only need to know one thing: the music of Meat Loaf. Bat Out of Hell is an "exhilarating tale of star-crossed lovers, with boundary-pushing spectacle, thrilling performances, and Jim Steinman and Meat Loaf's legendary hits." It begins performances in London's West End in April 2018, but Dallas gets to experience it June 27-July 7, 2019.

    The season comes full circle with another of Marc Shaiman and Scott Wittman's musicals, this one a snazzy Broadway version of a children's classic. Roald Dahl's Charlie and the Chocolate Factory combines new songs with ones from the beloved original film version, as Charlie Bucket and other Golden Ticket-holders venture inside the mysterious candy man's factory. Expect Oompa-Loompas, incredible inventions, the great glass elevator, and much more when this confection hits Dallas August 22-September 1, 2019.

    Six-show subscription packages range from $149 to $546, with the option to order A Christmas Story for $27 to $85, Chicago for $27 to $96, and Beautiful — The Carole King Musical for $27 to $96. Subscriptions are available online at www.attpac.org/broadway, by phone at 214-880-0202, or in person at the box office at 2403 Flora St.

    The groundbreaking musical Falsettos is going on tour.

    The Broadway cast of Falsettos
    Photo by Joan Marcus
    The groundbreaking musical Falsettos is going on tour.
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    Lawsuit news

    Artist sues FIFA for $25 million over painted-over Dallas whale mural

    Associated Press
    Jun 3, 2026 | 11:54 am
    Wyland Whaling Wall
    Facebook/Wyland
    Artist Wyland's Whaling Wall mural being painted over for a FIFA World Cup-related mural in Dallas.

    The artist who painted a giant mural on a building in downtown Dallas of life-sized swimming whales has filed a $25 million lawsuit against soccer's international governing body and others, saying they illegally painted over his work to promote the city's upcoming World Cup matches.

    The artist Wyland says he hand-painted the sprawling mural that covered roughly 17,000 square feet (1,580 square meters) across two of the building's walls.

    The mural stood for nearly three decades before workers began painting over it last month, causing an uproar among residents who admired the mural's grand scale and message of ocean conservation.

    The area’s World Cup organizing committee said in a statement that, in place of Wyland's mural, new artwork is planned "that captures this current historical moment and reflects the energy, unity, and global spirit surrounding the World Cup 2026.” It said a portion of Wyland's mural would be preserved.

    Wyland filed suit Monday, June 1 in U.S District Court in Dallas saying that World Cup organizers, along with the building's owner and management company, painted over his mural without his consent or even notifying him. He says their actions violated a 1990 federal law passed to protect visual artists from destruction of publicly displayed works.

    Wyland is seeking at least $25 million in damages. His lawsuit says world soccer's governing body, FIFA, and other defendants “hastily and irrevocably destroyed a civic landmark” to promote the World Cup.

    “Though FIFA claims they were working to develop art for the host city, in truth, they defaced an historic fixture of the host city,” the artist's lawsuit says.

    A FIFA spokesperson said Tuesday the federation “has no involvement in this whatsoever” and referred a reporter to the tournament's local organizing committee.

    A spokesperson for the North Texas FWC Organizing Committee declined to comment. The committee isn't named as a defendant in the lawsuit.

    A spokesperson for Slate Asset Management, which manages the building where the mural was painted over, said in a statement that local World Cup organizers asked Slate in March to donate the mural space for “a new public art installation.”

    “Slate is not being compensated in any way for the use of the wall space and was told by the local groups that Mr. Wyland had been notified,” the management company's spokesperson said in an email.

    Dallas is hosting more World Cup matches than any of the other sites in the event co-hosted by the U.S., Canada and Mexico, with nine matches set to be played at AT&T Stadium in suburban Arlington, home of the Dallas Cowboys.

    Wyland's Dallas mural, titled “Whaling Wall 82,” was finished in 1999 and is among more than 100 similar murals known as Whaling Walls the artist painted around the world to promote the conservation of ocean life.

    An online petition protesting the mural's destruction and calling for protecting of public artwork in Dallas has received more than 2,600 signatures.

    Wyland's lawsuit alleges violations of the Visual Artists Rights Act, a 1990 federal law that protects artwork of “recognized stature” even if someone else owns the physical artwork.

    A judge cited that law in 2018 when he ordered a property owner to pay a group of New York graffiti artists $6.7 million for whitewashing dozens of their spray-painted murals on buildings that once housed a factory in Queens. The ruling was upheld on appeal.

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