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Movie Review

All Day and a Night tells familiar story with little unique flair

Alex Bentley
May 1, 2020 | 3:20 pm
All Day and a Night tells familiar story with little unique flair
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Although there are always exceptions to the rule, one’s circumstances growing up often dictate where he or she will end up in life. We are all products of the neighborhoods we grew up in, how wealthy or poor our families were, and the types of jobs our parents had, among many other factors.

The new Netflix film All Day and a Night explores the upbringing of one particular African American boy, Jahkor (Ashton Sanders), and the impact it had on him. The film starts with Jahkor murdering a drug dealer over an unknown past slight, and proceeds to go back and forth in time to show various moments in his younger years and his time in prison after being convicted for the killing.

Written and directed by Joe Robert Cole (co-writer of Black Panther), the film posits that Jahkor essentially never had a chance at escaping his current fate. His father (Jeffrey Wright) was a drug user and never missed an opportunity to teach a lesson to Jahkor through violence. His only role model was a drug dealer named Big Stunna (Yahya Abdul-Mateen II), and his best friend, TQ (Isaiah John), became an underling for another dealer.

But Jahkor has a constant struggle between the angry man he has become and the type of person he wants to be. He has a baby with Shantaye (Shakira Ja’Nai Paye), and most of his moments with her show a different side than he puts on display with everyone else. He also has dreams of becoming a rapper, but he has limited resources for pursuing that goal.

It’s difficult to tell the overall point that Cole is trying to make with the film. It’s certainly not news that many African Americans are susceptible to violence and drugs because of innumerable historical factors. Cole never seems to find a way to distinguish the story from other similar ones that have come before.

Jahkor’s tale, while tragic on its own, doesn’t resonate in a way that would make it seem worth telling over that of any other similar character. Save for a few small moments, Jahkor has a one-note personality and rarely displays anything that would make him worthy of redemption.

Sanders, who impressed as Chiron in the Oscar-winning Moonlight, certainly has a presence to him, but his performance seems to be in service of very little. Wright is a great actor, but he seems miscast both in age and temperament for his role. The most magnetic persona is Abdul-Mateen II, but he has relatively few scenes in which to show his talent.

All Day and a Night takes place in a part of society that many of us will never know. While Cole does a great job of showing how dark and depressing that way of life can be, the film fails to give any true insight on why it’s that way or how it can be changed.

Ashton Sanders and Jeffrey Wright in All Day and a Night.

Ashton Sanders and Jeffrey Wright in All Day and a Night
Photo by Matt Kennedy
Ashton Sanders and Jeffrey Wright in All Day and a Night.
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Rivers wild

Ethan Hawke narrates new documentary that deep-dives into Texas rivers

Brianna Caleri
Aug 7, 2026 | 12:08 pm
Cropped still from Deep in the Heart 2: Texas Rivers
Cropped still from Deep in the Heart 2: Texas Rivers
The Rio Grande is one of the stunning subjects of Deep in the Heart 2: Texas Rivers.

One Texas film icon passes the torch to another for a deep dive on Texas' river ecosystems in the upcoming documentary Deep in the Heart 2: Texas Rivers. Matthew McConaughey narrated the original 2022 film, Deep in the Heart: A Texas Wildlife Story. Now Ethan Hawke narrates the follow-up, which will be in theaters September 25.

Deep in the Heart 2 is directed by Ben Masters, a nature-obsessed Texan who was born and raised in Amarillo and has followed wildlife around the state and beyond. Working with his crew at Fin & Fur Films, Masters explores the Rio Grande, the Sabine River, and the Neches River, a press release says, coming across otters, turkeys, alligator snapping turtles, and more.

Still from Deep in the Heart 2: Texas Rivers This underwater shot was taken in San Marcos.Still from Deep in the Heart 2: Texas Rivers

The original Deep in the Heart took a broad view of Texas — both its landscapes and their inhabitants — while the "sequel," as the release calls it, specifically highlights water. Conservation is an important angle, and viewers will get a chance to consider how they could connect with and protect the ecosystems on their screens.

"Most of my favorite memories are on Texas Rivers," said Masters in the release. "I grew up on the Canadian, fell in love on the Brazos, got married on the Guadalupe, found adventure on the Rio Grande, and am raising my kids on the Colorado."

The filmmaker says that spending three years filming his natural subjects gave him "a newfound appreciation" for rivers and how distinct they are from one another.

Deep in the Heart 2: Texas Rivers Amazing cinematography was a hallmark of the original film, and the sequel offers more beautiful shots.Still from Deep in the Heart 2: Texas Rivers

"We spent months filming mountain lions on the Pecos, snapping turtles on the Neches, otters on the Sabine, fatmuckets on the Llano, and whooping cranes in the Guadalupe's Estuary," Masters said. "Editing the majesty of Texas Rivers into 80 minutes was a huge challenge, and I'm just incredibly grateful to work with such a talented team of cinematographers, editors, producers, and musicians."

Hawke, born in Austin and raised in Fort Worth, is known for acting in the Dead Poets Society, Gattaca, the Richard Linklater films Boyhood and Blue Moon, and more. He has taken up causes in environmental advocacy for years and appeared in other ecology-focused films, including the intense fictional First Reformed (2018) and a goofy anti-littering PSA with TxDOT (2023).

Deep in the Heart 2: Texas Rivers Some unexpected guests in the Rio Grande.Still from Deep in the Heart 2: Texas Rivers

The film was made in association with H-E-B, a regular supporter of ecological documentaries and initiatives, and conservation organization Texan by Nature. Other collaborators include producer Josh Winkler, editor Sam Klatt, assistant editor Chet Stefan, and composer Noah Sorota. The musical score is performed by Dallas Chamber Symphony.

animals documentaries ecology ethan hawke film matthew mcconaughey movies nature texas wildlife
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