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    The Power of Light

    Artist James Turrell to unveil hidden skyspace at University of Texas at Austin

    Tyler Rudick
    Jun 30, 2013 | 9:09 am

    As James Turrell continues his three-pronged attack on the art world this summer — with simultaneous retrospectives at the Solomon R. Guggenheim, Los Angeles County Museum of Art (LACMA) and the Museum of Fine Arts, Houston — construction is quietly underway at the University of Texas at Austin, where the acclaimed light artist is finishing up his next Lone Star skyspace.

    With a fall opening date looming just on the horizon, the Austin project has flown under the radar in recent months as Turrell enjoys an unprecedented level of national media attention, including a New York Times Magazine cover story and a piece on CBS This Morning, which both highlighted the Houston project.

    But perched high atop the roof of the university's recently constructed Student Activity Center, Turrell’s relatively small-scale UT skyspace almost seems to revel in its low profile.

    “This is a far different project than the huge Twilight Epiphany space at Rice University,” says Andrée Bober, director of the university’s Landmarks public art program. “I think ours is a very intimate and immersive piece, more like Turrell’s work at the Live Oak Meeting House in Houston.”

    The as-of-yet-unnamed project at UT will seat just under 30 guests and, like Twilight Epiphany, will feature light shows for both sunrise and sunset. As of June, the skyspace’s benches, walls and unique elliptical oculus are complete. Turrell — who has worked on the project for nearly a decade and received $600,000 to design the space — is expected to program the lighting sequences at the end of the summer.

    Helping to see both the University of Texas and Rice projects to fruition has been Austin-based arts supporter Suzanne Deal Booth, a former protege of Houston arts legend Dominique de Menil, who worked as an assistant for Turrell during his last major retrospective at the Whitney Museum in 1980.

    Booth's decades-long friendship with the artist has helped to realize other Texas commissions in private collections as well as a large piece at Austin's Dimensional Fund Advisors, an investment firm founded by her husband, noted businessman David G. Booth. (Sadly, Dallas lost its Turrell skyspace when the artist declared his Tending, Blue at the Nasher Sculpture Center “destroyed,” due to imposing neighbor Museum Tower.)

    “This piece James has created for UT is almost like a hidden treasure,” Booth says. “Students won’t just happen upon it but will have to seek it out on their own. It’s a truly marvelous piece.”

    James Turrell will have a new skyspace opening at UT Austin this fall.

    James Turrell rooftop Skyspace University of Texas at Austin at night
    Rendering by Overland Partners|Architects
    James Turrell will have a new skyspace opening at UT Austin this fall.
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    Museum News

    2 Dallas museums partner on landmark Roy Lichtenstein acquisition

    Teresa Gubbins
    Nov 12, 2025 | 12:51 pm
    Roy Lichtenstein
    Courtesy
    Roy Lichtenstein

    The Dallas Museum of Art (DMA) and the Nasher Sculpture Center will present works from the joint acquisition of more than 50 artworks generously gifted by the Roy Lichtenstein Foundation in 2024, showing prints, drawings, and sculptures by the groundbreaking American artist at the two neighboring institutions in the Dallas Arts District.

    According to a release, the installations will be on view from January 31 to August 16, 2026 at the Nasher and from January 1 to July 5, 2026 at the DMA.

    The joint gift made by the Roy Lichtenstein Foundation to the DMA and the Nasher in Celebration of the Centennial of Roy Lichtenstein is comprised of a selection of prints, drawings, maquettes, and sculptures by Roy Lichtenstein (1923–1997), a leading figure in twentieth-century American art and a pioneer of the Pop Art movement.

    The works were specifically selected by the curatorial staff of both institutions and relate to objects already in their respective collections including sculptures, works on paper, and maquettes, along with tools and study objects.

    Organized by the Nasher Sculpture Center’s Senior Curator Dr. Catherine Craft, The Nancy and Tim Hanley Assistant Curator of Contemporary Art at the DMA Ade Omotosho, and The Allen and Kelli Questrom Assistant Curator of Prints and Drawings at the DMA Dr. Emily Friedman, the presentation is divided according to each institution’s strengths and will be shown in combination with objects by Lichtenstein already in their respective permanent collections.

    At the Nasher, works relating to three sculptures from the Raymond and Patsy Nasher Collection—Head with Blue Shadow, Peace through Chemistry, and Double Glass—will be accompanied by a selection from the Foundation's gift of more than two dozen drawings and maquettes associated with Lichtenstein’s Brushstroke sculptures.

    At the Dallas Museum of Art, the presentation features a set of Brushstroke sculptures carved from wood alongside various prints and studies that reveal the artist’s eclectic imagery.

    Events
    In addition to the exhibition, the DMA and the Nasher will co-host a Study Day focused on the artist on March 28, 2026, sponsored by the Roy Lichtenstein Foundation. This scholarly event will bring together a variety of curators, academics, and conservators to discuss Lichtenstein’s studio practice and the fabrication and conservation of his sculptures.

    Concluding the Study Day will be a public conversation held at the DMA between Nasher Director Carlos Basualdo and artist Alex Da Corte, regarding Da Corte’s work on the forthcoming Lichtenstein retrospective at the Whitney Museum of American Art.

    “In bestowing this generous gift, the Roy Lichtenstein Foundation established Dallas as a center for the study and display of Lichtenstein’s work,” Basualdo says in a statement. “This collaborative presentation of the gift and the corresponding programming is an important step in the direction of pursuing that goal, deepening the understanding of an artist who remains immensely influential to contemporary art and its relationship with mass media and today’s culture.”

    Roy Lichtenstein is made possible by support from the Roy Lichtenstein Foundation and the Dallas Tourism Public Improvement District (DTPID).

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