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    Movie Review

    Matt Damon leads slow but strong Stillwater to great depth

    Alex Bentley
    Jul 29, 2021 | 3:25 pm
    Matt Damon leads slow but strong Stillwater to great depth
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    The last we heard from writer/director Tom McCarthy, he was delivering one of the best movies about newspaper journalism in movie history, Spotlight, which would go on to win Best Picture at the 2016 Academy Awards. His directorial follow-up, Stillwater, is another one that feels ripped straight from the headlines, but is actually an original story about an estranged family, clashing cultures, and the lengths people will go to prove their innocence.

    Matt Damon plays Bill, an Oklahoma native who works on oil rigs and in construction. His daughter, Allison (Abigail Breslin), is in prison in Marseilles, France, having been convicted of killing her girlfriend five years prior. Bill makes regular trips to France to bring Allison things she needs, although their relationship is strained due to Bill’s extended absences and alcoholism when Allison was younger.

    On this return visit, Allison provides Bill with info that she claims will exonerate her. Unable to get Allison’s lawyer or anyone else to investigate for him, Bill sets out on a quest to do it himself. That journey soon involves Virginie (Camille Cottin) and her young daughter Maya (Lilou Siauvaud), who not only help Bill with translation duties, but offer him a place to stay when the mission takes longer than expected.

    McCarthy, who got help on the script from Marcus Hinchey and French writers Thomas Bidegain and Noé Debré, is not interested in the Liam Neeson Taken version of this kind of story. Although the film occasionally leans in a thriller direction, it is mostly a straight-up drama about a father trying to prove his worth to his estranged daughter. Bill is no superhero; he’s just a regular guy trying to do the best he can in a strange situation.

    And because it’s not a frantic race to find out whodunit, McCarthy and his team really dig in with their characters, getting to know them on a granular level. At 2 hours and 20 minutes, the film’s pace will test the patience of some, especially those looking for a quick resolution. But for my money, the emotions that come from showing the new bonds Bill is creating and the old one he’s trying to repair give the film much more heft than if they tried to sprint to the finish.

    The film tries to play up Bill’s fish-out-of-water status in France, although they could have gone even stronger than they did. Bill initially speaks little French, but the language barrier doesn’t seem to slow him down that much. The fact that he’s from Oklahoma and likely a political conservative is brought up, although very briefly; it would have been better for the issue not to have been raised at all than approached in the tepid way it is.

    Damon goes all-in on his character, putting on weight and utilizing an accent that’s effective (although only Oklahoma natives can weigh in on its accuracy). He also makes Bill extremely stoic, someone who rarely goes above his normal monotone. He’s aided greatly by Cottin and especially Siauvaud, who’s making her acting debut. The girl has empathy coming from her pores, and it’s Maya’s relationship with Bill that stands out. Breslin, nominated for an Oscar as a 9-year-old in Little Miss Sunshine, used to be that type of young actor. She’s okay in this role, although her character could have been fleshed out a bit more.

    The impact of Stillwater does not build quickly, but the rewards that come from it are still strong. Damon remains one of the best actors working today, and while this character is much different than anyone he’s played before, he has no trouble making him believable and sympathetic.

    ---

    Stillwater opens in theaters on July 30.

    Abigail Breslin and Matt Damon in Stillwater .

    Abigail Breslin and Matt Damon in Stillwater
      
    Photo by Jessica Forde / Focus Features
    Abigail Breslin and Matt Damon in Stillwater .
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    Coworking News

    Dallas' Longhorn Ballroom unveils new renovated coworking studio space

    Teresa Gubbins
    Jun 12, 2025 | 2:07 pm
    Longhorn Ballroom
    Longhorn Ballroom
    Longhorn Ballroom

    Dallas' famed Longhorn Ballroom music venue has unveiled a newly renovated multi-use building — located across the courtyard from the Ballroom at 200 Corinth St. — that's open for creative types in the fields of entertainment, restaurant, and the arts.

    The Longhorn Ballroom was built in 1950 for country music legend Bob Wills and this Texas Playboys and was originally named Bob Wills’ Ranch House. It was managed for a time by Jack Ruby, then Dewey Groom who renamed it the Longhorn Ballroom and built it into one of the greatest venues of its day, hosting Willie Nelson, Loretta Lynn, Merle Haggard, Charley Pride, Pasty Cline, B.B. King, Ray Charles, Nat King Cole, James Brown, Al Green, Johnny Rodriguez, Freddy Fender and Selena.

    This newly renovated building was originally constructed in 1950 as part of the Ranch House, where it served as a motel for touring musicians and according to a release, is rumored to have sheltered Wills' horse "Punkin."

    The two-story 26,000-square-foot building offers co-working spaces for entertainment professionals, attorneys, and managers, along with a limited number of residential live-work studios for artists.

    There are also several small restaurant spaces available for "culinary creatives."

    The largest available area — a former recording studio — could be transformed into a space for audio, film, or post-production work.

    "As an entertainment attorney, there’s no better place for my practice than the Oficina co-work space at the Longhorn," says Decker Sachse, a current tenant. "It’s a great location with easy access and my clients love the vibe."

    In the fall, the Longhorn will complete its third and final phase with the opening of a 6,500-capacity outdoor amphitheater along the banks of the original Trinity River. Called The Longhorn Backyard Amphitheater, it will host a series of soft opening shows this fall, starting with Randy Rogers on September 20. A grand opening with a full calendar of events will commence in the spring of 2026, providing the city with a state-of-the-art outdoor venue one mile south of downtown Dallas.

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