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    TV Hot Take

    Bravo cuts off Real Housewives of Dallas' 'Jesus juice' after 5 overserved seasons

    Stephanie Allmon Merry
    Aug 23, 2021 | 5:02 pm

    The Real Housewives of Dallas are cordially uninvited back to the party. Bravo has switched off the show after five seasons.

    "There are currently no plans to bring The Real Housewives of Dallas back next year, and beyond that, nothing official has been decided," Bravo said in a statement.

    That leaves the door slightly cracked for a return, perhaps to stream on NBC's Peacock, as The Real Housewives of Miami is doing after being canceled in 2013.

    But as Newsweek points out, even a return in the digitalsphere would likely take a fan campaign, which — with a paltry 337,000 viewers for the Season 5 premiere and 578,000 for the season finale in May, one-quarter of the show's New York and Atlanta franchise viewership — isn’t likely to happen. Especially not in Dallas, which pretty universally face-palmed the show, or flipped it the bird altogether.

    CultureMap was all in when RHOD launched in spring 2016 as buzzy bubble-gum TV — turn off your brain, grab your favorite carbs and a bottle of wine, and spend an hour spotting DFW hot spots and laughing as the rich Dallas women dissed Plano. In the first few episodes, we learned the fun new terms “Jesus juice” (white wine) and “charity world” and raised a Botoxed eyebrow or two at the amount of childish “poop and pee” talk we were subjected to. (Pour more Jesus juice! We’re having a good time!)

    Despite low ratings, RHOD got another season, then another and another. Cast members came and went. On screen, they fought like cats and accused each other’s husbands of cheating like dogs; threw parties and threw glasses; drank too much and refused to eat weird food; took trips to Austin and trips to Mexico.

    Off screen, the Dallas “Bravo-lebrities” launched beauty products and jewelry lines, and even a brand of pink dog food.

    There were some beautiful and meaningful moments, like LeeAnne Locken’s State Fair proposal and glittery but heartfelt wedding. Stephanie Hollman shared her gut-wrenching experiences with suicidal ideation. Brandi Redmond let viewers along on her infertility and adoption journeys.

    But by the final season — filmed and aired amid the COVID-19 pandemic, economic crisis, racial reckonings, and deeply divided political landscape — the show had gone off the rails in ways it couldn’t really recover from.

    In a world experiencing so many harsh realities, this reality TV show didn’t provide the fun, carb-loaded, Jesus juiced-up distraction it could have. Instead it became a laborious exercise in who could out-"racism" and "non-racism" and "anti-racism" who, which carried over from the screen to social media.

    In a year when nonprofits in the Dallas “charity world” were desperate for funds and local businesses were desperate for shoppers, the show threw one long, indulgent birthday party for one cast member and had the women stupidly spanking each other with charcuterie boards on a shopping expedition to a local business.

    And in an economy where so many workers lost jobs and struggled to care for their kids at all, viewers were expected to sympathize with a doctor-"housewife," who is married to a kajillionaire, about the guilt she felt for wanting to stay home more so she could take her kids to the family’s hotel for tea parties.

    Viewers were practically screaming, "Look, lady. Stay home or don't stay home. Make up your mind. You have a choice, K? BRB, headed to the food bank for pickup."

    And then: So. Much. Fighting.

    Mother-daughter fighting, tequila-shot fighting, dim-sum fighting, who's-the-bigger-bully fighting, who's-the-better-Christian fighting, secret-crickets-on-pizza fighting, you-insulted-Bigfoot-hunter fighting ... fighting is as much a part of Real Housewives franchises as designer bags, but for the love of Birkin, there'd already been enough fighting on the nearby cable news stations every night since early 2020. During the pandemic-slash-election season, they could have zipped their unmasked lips and done something interesting.

    It seemed, more and more, like this once-fun, fancy-Dallas-people "fantasy" was just fake drama being put forth as throwaway entertainment in a world — and a city — that had moved on to more valuable investments. By the last season, RHOD wasn't a feel-good escape; it was a cringey crash-and-burn.

    So, raise a glass of Jesus juice to the fun that was the first few episodes, and hope the next Dallas-set show treats charcuterie boards with a bit more kindness.

    Stephanie, Brandi, Cary, and Kameron on one of the trips to Mexico.

    Real Housewives Stephanie, Brandi, Cary, and Kameron in Mexico
    Cary Deuber/Instagram
    Stephanie, Brandi, Cary, and Kameron on one of the trips to Mexico.
    tvmediareal-housewives
    news/entertainment

    Movie Review

    Chris Hemsworth tries to steal diamonds and hearts in Crime 101

    Alex Bentley
    Feb 13, 2026 | 1:15 pm
    Chris Hemsworth in Crime 101
    Photo courtesy of Amazon Content Services
    Chris Hemsworth in Crime 101.

    The career of actor Chris Hemsworth is a curious one, as it feels like he’s a huge star (mostly from playing Thor in Marvel movies) and not at the same time, with most of the non-MCU movies featuring him in a lead role failing to become big successes. But he still has a certain presence about him, which is why he’s being given another chance to prove his star power in the new thriller, Crime 101.

    Hemsworth plays Davis, a talented thief who knows how to get what he wants without resorting to violence. When a job early in the movie turns slightly sideways, it makes him think twice about working with his handler (Nick Nolte), who seems to prefer someone with a stronger touch, like the up-and-coming Ormon (Barry Keoghan).

    Davis is the main character, but two others who come into his orbit get their own subplots. Lou (Mark Ruffalo) is a slightly schlubby LAPD detective who’s convinced he knows the pattern of an unknown thief that likes to hit places close to Highway 101. Sharon (Halle Berry) works for a high-end insurance agency known for working with ultra-wealthy clients, the types who might be a great target for a thief like Davis.

    Written and directed by Bart Layton, the film has a decent propulsion to it that comes with most crime thrillers. Davis and Ormon represent the yin and the yang of criminal approaches, and and it’s interesting to see the juxtaposition between the two as their simmering rivalry heats up over the course of the film. When the film commits to actually showing its crimes, it has an excitement that’s worth watching.

    Unfortunately, Layton displays a real lack of focus, taking the audience into subplots with each of the three main characters that prove unnecessarily distracting. Lou’s marriage problems may explain his disheveled appearance, but there’s no need to see him deal with them with wife Angie (Jennifer Jason Leigh). Sharon’s troubles with her male-dominated company prove slightly pivotal, but still don’t merit the time put into exploring them.

    The most baffling subplot is Davis pursuing a relationship with Maya (Monica Barbaro), a woman he randomly meets. At different points in the movie, including many of his interactions with Maya, Davis seems like the most uncomfortable, antisocial person in the world. And yet he somehow morphs into a suave smooth-talker who’s able to convince anyone to do what he wants at other key points, making it unclear exactly what kind of person he really is.

    Hemsworth does relatively well in the lead role, but he’s still missing that certain something to make his character, and therefore the movie, truly compelling. The rest of the cast is fine, too, but each of them seem to be putting in just the minimal amount of effort to make the film watchable. Ruffalo and Barbaro come off the best, but with the talent in the cast (11 Oscar nominations and one win), they could have been used better.

    Crime 101 has most of the ingredients to be another great entry in the genre, and it succeeds when it actually decides to deliver on its promise. But too much of the film is spent on things that have no real bearing on plot or character development, leaving the movie in the middle of the pack.

    ---

    Crime 101 is now playing in the theaters.

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    news/entertainment

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