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Weekend Event Planner

These are the 10 best things to do in Dallas this weekend

Alex Bentley
Sep 6, 2018 | 6:00 am

The arrival of September means that temperatures are finally starting to drop down to bearable, which makes it the perfect time to enjoy some outdoor fun. Four separate concerts in and around Dallas will allow you to do just that, as well as an art gallery appreciation day. There will also be two new theater productions, a new art exhibit, a classical appreciation of female singers, and an appearance by a sitting Supreme Court justice.

Below are the best ways to spend your free time this weekend. Want more options? Lucky for you, we have a much longer list of the city's best events.

Thursday, September 6

Dallas Arboretum presents Cool Thursdays Concert Series
After a two-month break, the Dallas Arboretum picks its Cool Thursdays Concert Series back up with a concert by The Wildflowers, a Tom Petty and the Heartbreakers tribute band. In addition to the coolest view of White Rock Lake, attendees can bring picnics and beverages or purchase food items from food trucks. The series will continue every Thursday through October 25.

Friday, September 7

AT&T Performing Arts Center and Interabang Books present An Evening with Sonia Sotomayor
While the confirmation hearings for Brett Kavanaugh go on in Washington, D.C., current Supreme Court Justice Sonia Sotomayor will come to Wyly Theatre to celebrate the release of her two new children’s books, Turning Pages: My Life Story and The Beloved World of Sonia Sotomayor. Sotomayor will discuss her life story, from her birthplace in the South Bronx through her journey to become the first Hispanic and third woman appointed to the Supreme Court.

Dallas Symphony Orchestra presents "Women Rock"
This concert by the Dallas Symphony Orchestra was always going to be a fun one, but as it will feature the music of the recently departed Aretha Franklin, along with Tina Turner and Pat Benatar, it will be even more special. The concert, taking place at Meyerson Symphony Center through Sunday, will feature songs like “What’s Love Got To Do With It,” “Proud Mary,” “Hit Me With Your Best Shot,” “I Love Rock and Roll,” “Respect,” and more.

South Dallas Cultural Center presents Hollow Roots
Hollow Roots, by award-winning playwright Christina Anderson, questions the notion of a “post-racial” society. Diving into one woman’s quest to understand her identity, she asks if it is possible for a person to live their life unaffected by race or gender. The play, running at South Dallas Cultural Center through Sunday, follows the woman’s journey, accompanied by a vivid videoscape of her mind’s eye and live cello music recalling the sounds of her childhood.

Echo Theatre presents Hurricane Diane
In Echo Theatre's latest production, Greek god Dionysus comes back to Earth disguised as permaculture specialist "Diane." She plants seeds of seduction in a quiet little cul-de-sac to launch her ultimate plan: take back Mother Earth with a Backyard Bacchanal that ushers in a new era of Dionysian Worship and destroys the cookie cutter HGTV-obsessed America. The play will run at Bath House Cultural Center through September 22.

Saturday, September 8

DADA Fall Gallery Walk
The Dallas Art Dealers Association will present its annual Fall Gallery Walk, where art enthusiasts, private and corporate collectors, artists, designers, and visitors to Dallas can enjoy a full spectrum of gallery openings and special exhibitions. From downtown to north Dallas, DADA member galleries will showcase new exhibitions, art talks, and more. Go to the event website for a full list of participating venues.

Luke Bryan in concert with Jon Pardi and Morgan Wallen
If you haven't seen Luke Bryan in concert in the Dallas-Fort Worth area in recent years, you haven't been trying. Bryan is as consistent a performer as they come, appearing somewhere in the area every year since at least 2012. He'll be back at Dos Equis Pavilion to play in support of his 2017 album, What Makes You Country. He'll be joined by opening acts Jon Pardi and Morgan Wallen.

Alice in Chains in concert
Alice in Chains is part of the quartet of rock bands that made it big out of Seattle, Washington in the late '80s/early '90s, alongside Nirvana, Pearl Jam, and Soundgarden. Thirty years later, despite the deaths of two of their founding members, Alice in Chains is still rocking, touring in support of their sixth album, 2018's Rainier Fog. They'll play at the Pavilion at Toyota Music Factory in Irving.

Sunday, September 9

Meadows Museum presents "Dalí: Poetics of the Small, 1929–1936"
The Meadows Museum at SMU presents the first in-depth exploration of the small-scale paintings of Salvador Dalí (1904-1989). The exhibition will include nearly two dozen of Dalí’s small-scale paintings that reflect Dalí’s distinctive Surrealist style, with familiar but distorted figures often set against a dramatic or barren landscape. The exhibition will be on display through December 9.

Scorpions in concert with Queensryche
Believe it or not, German rock band Scorpions has been around for over 50 years, though they didn't release their first album until 1972. Best known for hits like "Rock You Like a Hurricane" and "Wind of Change," they've released 18 albums in their career, including 2015's Return to Forever. They'll be joined at the Pavilion at Toyota Music Factory by the equally legendary rock band, Queensrÿche.

Echo Theatre presents Hurricane Diane at Bath House Cultural Center, September 7-22.

Hurricane Diane
Photo courtesy of Echo Theatre
Echo Theatre presents Hurricane Diane at Bath House Cultural Center, September 7-22.
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Movie Review

Andrew Garfield leads peasant rebellion in medieval film The Uprising

Alex Bentley
Sep 10, 2026 | 12:15 pm
Andrew Garfield in The Uprising
Photo by Betina La Plante/Focus Features
Andrew Garfield in The Uprising.

Writer/director Paul Greengrass made his name with a cinéma vérité style of filmmaking that brought immediacy and depth to three Jason Bourne films, United 93, Captain Phillips, and more. In The Uprising, he uses those skills to tell the story of the so-called Peasants’ Revolt in 14th century England.

Greengrass wastes no time starting the main plot as Ploughman (Andrew Garfield) and his fellow villagers object to onerous taxes put on them by the country’s nobility, led by the young King Richard II (Woody Norman), to fund an ongoing war. Ploughman initiates a violent response over the tone-deaf — and unseemly — way the king’s guard go about their business, and the rebellion soon starts to spread across the countryside, with the citizens looking for a degree of autonomy.

The ever-expanding group makes their way toward London to try to make their case to the king himself. Meanwhile, the king’s top advisors, including Archbishop Sudbury (Stephen Dillane) and Treasurer Hales (Tom Hollander), try to usurp power from the inexperienced monarch even as the king’s mother (Katherine Waterston) tries to get him to be more assertive.

The history of the English monarchy is long and lurid, as Shakespeare detailed in multiple plays, including Richard II. Though the events in the film took place almost 650 years ago, it’s easy to see parallels between what the peasants were fighting for and modern-day politics. Greengrass’ storytelling intent is solid, and the righteous anger the citizens feel is initially relatable and palpable.

But the populism theme of the story soon gets bogged down in drudgery and minutiae that is difficult to understand, especially when the details are lost in the thick regional English accents. The leaders of the rebels — including John Ball (Jamie Bell), Wat Tyler (Cosmo Jarvis), and Alyce (Thomasin McKenzie) — are shown doing a lot of planning, but the strong feelings they have about their quest don’t come across well, leaving the audience as passive observers.

When there is action, Greengrass and his team employ a frenetic style that is not great for comprehension. While the gist of what is happening and what side is winning is legible, individual moments go by so quickly so as to be nearly meaningless. Save for Ploughman, any connection that has been made with various characters proves futile, as Greengrass doesn’t seem to have any time for emotion. Scenes that should feel thrilling or heartbreaking instead come off as empty.

Garfield is a two-time Oscar nominee who has done great work across multiple genres. He’s fine in this role, but whether it’s the story, the filmmaking, or something else, he’s not as captivating as usual. The same goes for other strong actors like Bell, McKenzie, Dillane, Hollander, and Waterston, who each seem to be giving their all to their performances but are somehow muted in the process.

Done right, The Uprising could have been a rip-roaring account of people standing up against their oppressors. What Greengrass has made, though, is a film that can’t translate its medieval story for a modern audience and concentrates too much on unexciting elements and too little on thrilling ones.

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The Uprising is now playing in theaters.

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