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    Theater Critics' Picks

    Dallas-Fort Worth theater critics declare standouts from 2014-15 season

    Lindsey Wilson
    Sep 14, 2015 | 8:00 am

    The members of the Dallas-Fort Worth Critics Forum gathered on September 12 to nominate and debate their picks for the most outstanding performances, productions, designs, and new plays of the past season.

    Eleven critics duked it out (myself and Jan Farrington of TheaterJones.com were absent due to prior commitments, but sent our lists in early) before finally deciding on the winners. There are several for each category — rather than only one — that are listed alphabetically, and this year for the first time we demolished the gender separation in best performance. Shows that opened between September 1, 2014 and August 31, 2015 were eligible.

    This list is the consensus of the group. There are several honorees that I did not vote for, and several more I submitted that did not garner enough votes to make it to the final round. Look for my own list of this year's best as we close out 2015.

    Without further ado, these are the critics’ picks for 2014-15:

    Outstanding Direction:

    • Akín Babatundé, Don't Bother Me I Can't Cope and The Color Purple, Jubilee Theatre
    • Bruce R. Coleman, The Nance, Uptown Players
    • Cheryl Denson, Catch Me If You Can, Uptown Players
    • Jeremy Dumont, Hedwig and the Angry Inch, Uptown Players
    • Blake Hackler, The Flick, Undermain Theatre
    • Katherine Owens, Tomorrow Come Today and The Testament of Mary, Undermain Theatre
    • Matthew Posey, The Egg Salesman, The Ochre House
    • vickie washington, Mississippi Goddamn, South Dallas Cultural Center

    Outstanding New Play/Musical:

    • Mississippi Goddamn by Jonathan Norton, South Dallas Cultural Center
    • The Show About Men by Danielle Georgiou, Justin Locklear and Trey Pendergrass, DGDG, Festival of Independent Theatres
    • Standing Eight Count by Van Quattro, Rite of Passage Theatre Company, Out of the Loop Fringe Festival and Dallas Solo Fest

    Outstanding Acting Performance:

    • Stephanie Cleghorn Jasso, Lydia, Cara Mía Theatre Company
    • B.J. Cleveland, The Nance, Uptown Players
    • David Coffee, King Lear, Trinity Shakespeare Festival
    • Hassan El-Amin, Radio Golf and A Soldier's Play, African American Repertory Theater
    • Anthony Fortino, Catch Me If You Can, Uptown Players
    • Kyle Igneczi, Hedwig and the Angry Inch, Uptown Players
    • Shannon Kearns, The Testament of Mary, Undermain Theatre
    • Jenny Ledel for:
      • The Arsonists, Kitchen Dog Theater
      • Belleville, Second Thought Theatre
      • Othello, Second Thought Theatre
      • Wilde/Earnest, Kitchen Dog Theater
    • David Lugo, Catch Me If You Can, Uptown Players
    • Janelle Lutz, Lady in the Dark and South Pacific, Lyric Stage
    • Ebony Marshall Oliver, In Real Life and The Color Purple, Jubilee Theatre
    • Sally Nystuen Vahle, Medea, Dallas Theater Center
    • Allison Pistorius, The (curious case of the) Watson Intelligence, Stage West
    • Paul Taylor, Mr. Burns, a post-electric play, Stage West; and The Hot Mikado, Theatre Three
    • Lulu Ward, The Two-Character Play, WingSpan Theatre Company
    • Sherry Jo Ward, Precious Little, Echo Theatre
    • Pat Watson, Streamers, L.I.P. Service

    Outstanding Performance by an Ensemble:

    • The Brothers Size, Jubilee Theatre
    • The Egg Salesman, The Ochre House
    • The Flick, Undermain Theatre
    • Hands on a Hardbody, Theatre Three
    • Mississippi Goddamn, South Dallas Cultural Center
    • Mr. Burns, a post-electric play, Stage West
    • The Nance, Uptown Players

    Outstanding Achievement in Design or Creative Contribution:

    • Robin Armstrong, fight choreography, Lovers and Executioners, Circle Theatre
    • Clare Floyd DeVries, set design, The Explorers Club, Stage West and WaterTower Theatre
    • Danielle Georgiou, choreography, NICE and The Show About Men, DGDG
    • Bob Lavallee, set design, The Rocky Horror Show, Dallas Theater Center
    • Joshua L. Peugh, choreography/movement, Colossal, Dallas Theater Center
    • Adam C. Wright, original composition, The Nance, Uptown Players

    Outstanding touring production:

    • Buyer & Cellar, AT&T Performing Arts Center
    • Endurance, Split Knuckle Theatre, The Eisemann Center for the Performing Arts
    • The Last Two People on Earth: An Apocalyptic Vaudeville, The Eisemann Center for the Performing Arts
    • Once, AT&T Performing Arts Center and Performing Arts Fort Worth
    • Pippin, Dallas Summer Musicals and Performing Arts Fort Worth

    Special Citations:

    • To Lyric Stage and musical director Jay Dias for their contributions to the musical restoration of The Golden Apple and Lady in the Dark, and for the first cast recording of the complete score of The Golden Apple.
    • To Audacity Theatre Lab and Brad McEntire for bringing quality local and national performances to the second annual Dallas Solo Fest at the Margo Jones Theatre, and for advancing the art of solo performance in North Texas.
    • To the producers of Shakespeare in the Bar for attracting new and large audiences to non-traditional spaces and reminding us that Shakespeare can be unexpected and fun.

    Participating Critics:

    • Lindsey Wilson, CultureMap Dallas
    • Alexandra Bonifield, CriticalRant.com
    • Nancy Churnin, The Dallas Morning News
    • Jan Farrington, TheaterJones.com
    • Martha Heimberg, The Dallas Weekly and TheaterJones.com
    • Arnold Wayne Jones, Dallas Voice
    • Elaine Liner, The Dallas Observer
    • Mark Lowry, TheaterJones.com and Fort Worth Star-Telegram
    • David Novinski, TheaterJones.com
    • Punch Shaw, Fort Worth Star-Telegram
    • Lauren Smart, The Dallas Observer

    Dallas playwright Jonathan Norton's new play Mississippi Goddamn resonated with the critics.

    South Dallas Cultural Center presents Mississippi Goddamn
      
    Photo by Classi Nance Jimoh
    Dallas playwright Jonathan Norton's new play Mississippi Goddamn resonated with the critics.
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    Season Announcement

    Dallas Theater Center finds rhythm and rhyme in 2025-26 season

    Lindsey Wilson
    Apr 2, 2025 | 5:31 pm
    Ragtime at City Center Encores
    Photo by Joan Marcus
    "Ragtime" was recently staged in New York by City Center Encores.

    The 2025-26 season for Dallas Theater Center is a mix of classic and new, large and small, and it even raises the curtain on more collaborations with the Tony Award-winning regional theater.

    This season includes the launch of a three-year partnership between Dallas Theater Center and Stage West Theatre in Fort Worth, as well as a multi-year partnership with SMU’s Meadows School of the Arts and the Sexton Institute for Musical Theatre. An ongoing collaboration continues with TheatreSquared in Fayetteville, Arkansas, and DTC will newly partner with Fort Worth Symphony Orchestra on a concert to be performed at Bass Performance Hall featuring FWSO, conducted by Robert Spano, and actors from DTC’s Brierley Resident Acting Company, directed by DTC's executive director Kevin Moriarty.

    “Collaboration is at the heart of DTC’s mission,” Moriarty says. “It’s wonderful to join with TheaterSquared to support Jonathan Norton’s brilliant playwriting and introduce his work to a national audience. Further, by partnering with Stage West Theatre, SMU’s Meadows School of the Arts and the Sexton Institute for Musical Theatre, and the Fort Worth Symphony Orchestra, we are able to expand opportunities for artists, introduce new audience members to the arts, and enrich our artistry. I’m grateful to be surrounded by so many talented, visionary artists and arts leaders here in North Texas and honored to be partnering with them this season.”

    “In curating Dallas Theater Center’s 2025-26 season, I chose to follow my mission as a playwright, which is to break down barriers through the shared joy of great storytelling,” says interim artistic director Jonathan Norton. “And the five shows in our upcoming season will do just that."

    First up is the classic slapstick farce Noises Off by Michael Frayn, directed by Ashley H. White.

    This play-within-a-play plunges you into the chaotic world of Nothing’s On, a fictional touring production tormented by backstage romances and onstage blunders. From flubbed lines to slamming doors, witness the hilarious unraveling of a troupe of eccentric actors. It runs October 3-26, 2025, at the Kalita Humphreys Theater.

    Next is the Pulitzer Prize-winning Fat Ham by James Ijames, a co-production with Stage West that's directed by vickie washington.

    In this Dallas premiere of the hit Broadway comedy, Juicy’s got a lot on his plate — his mom just married his uncle. All he wants is to make his own way as a queer Black man in a Southern family. But here’s the rub: his father’s ghost just turned up at a backyard barbecue demanding vengeance. In this delicious and sizzling reinvention of Shakespeare’s masterpiece, a young man vows to break the cycles of violence in service of his own liberation and joy. It runs January 30-February 8, 2026, at the Kalita Humphreys Theater

    The regional premiere of Donnetta Lavinia Grays' Where We Stand, another co-pro with Stage West, follows.

    Directed by Akin Babatunde, Broadway actor and Dallas legend Liz Mikel plays a lone storyteller who weaves a world through music and magic — part fable, part call-and-response. Your town stands at a crossroads. A neighbor — desperate and out of options — has struck a dangerous bargain. Now, their fate lies in your hands. In this interactive play presented as a town hall gathering, the audience must choose: mercy or justice? The future of the town — and the fate of a soul — hang in the balance. This isn’t a game. It’s your choice. It runs February 27-March 22, 2026, at Bryant Hall on the Kalita Humphreys Theater campus.

    The grand, sweeping musical Ragtime will be produced in partnership with SMU and AT&T Performing Arts Center, with direction and choreography by Sexton Institute for Musical Theatre director Joel Ferrell.

    Based on the novel by E.L. Doctorow, with music by Stephen Flaherty, lyrics by Lynn Ahrens, and book by Terrence McNally, the musical tells the intertwined stories of three families from different walks of life, all chasing the American Dream in 1902 New York. It runs March 27-April 19, 2026, at the Wyly Theatre.

    The world premiere of Jonathan Norton's Malcolm X and Redd Foxx Washing Dishes at Jimmy’s Chicken Shack in Harlem closes out the regular season.

    A commission by and co-production with TheatreSquared, which previously supported the development of Norton’s I AM DELIVERED’T, the play will be directed by Dexter J. Singleton. In the sweltering summer of 1943, two young men — Little & Foxy — forge an unlikely bond over leftover fried chicken and dirty dishwasher. But as the world outside erupts in chaos, their friendship is tested by betrayal, ambition, and the call of history. Inspired by a true story. It runs May 8-June 7, 2026, at the Wyly's Studio Theater.

    "There is nothing like the rejuvenating sensation of rollicking laughter spreading through packed houses at Noises Off and Fat Ham," says Norton. "Where We Stand will inspire rich conversations about forgiveness and redemption. Ragtime will send audiences home lifted by the stirring music and feeling ever more hopeful in these changing times. And Malcolm X and Redd Foxx Washing Dishes At Jimmy’s Chicken Shack in Harlem will leave you empowered with the knowledge that true friendship can change the world. I can’t wait for October, when I get to welcome audiences at the start of our new season. We will throw open our doors and become Dallas’ town hall — a place for the community to gather for conversation, celebration, and ultimately, connection.”

    There are also two add-on productions, beginning with the company's annual presentation of A Christmas Carol.

    Based on the novel by Charles Dickens, adapted by Kevin Moriarty, and directed by Alex Organ, with musical direction by Cody Dry, and choreography by Joel Ferrell, DTC's production takes audiences on a magical Christmas Eve adventure with Ebenezer Scrooge, as three otherworldly spirits whisk him away on a breathtaking journey of hope and redemption. From the nostalgic warmth of Christmases past to the stark truths of the present and the ominous shadows of the future, Scrooge's journey is a spectacle of wonder. It runs November 28-December 28, 2025, at the Wyly Theatre.

    Under the direction of Robert Spano and Kevin Moriarty, the Fort Worth Symphony Orchestra and Dallas Theater Center collaborate to bring musical drama and theatrical intrigue center stage in the FWSO's newest "Theater of a Concert" concept: Shakespeare at the Symphony.

    Featuring Mendelssohn's Selections from A Midsummer Night's Dream and Prokofiev's Selections from Romeo and Juliet, interspersed with scenes from Shakespeare, the multi-discipline production brings The Bard to life. It runs February 27-March 1, 2026, at Bass Performance Hall in Fort Worth.

    DTC’s Diane and Hal Brierley Resident Acting Company members will be featured throughout the 2025-26 season. Company members include Christina Austin Lopez, Tiana Kaye Blair, Blake Hackler, Bob Hess, Liz Mikel, Alex Organ, Molly Searcy, Tiffany Solano, Sally Nysteun Vahle, Esteban Vilchez, and Zachary J. Willis.

    “The talent and collaborative spirit of my colleagues in the Brierley Resident Acting Company constantly inspires me,” Norton says. “And later this spring I look forward to announcing a new company member who will further enrich our artistry.”

    Subscriptions are available now and can be purchased at DallasTheaterCenter.org and by phone at 214-522-8499. Single tickets are not yet available.

    dallas theater centernoises offfat hamragtimesmusexton institute for musical theatrea christmas carolfort worth symphonytheater
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