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    Here comes Santa Claus

    Festive-fantastic Grapevine home lights up with 1,000 Santas for charity

    Stephanie Allmon Merry
    Dec 2, 2020 | 3:46 pm

    If the Murillo family doesn't capture the top spot on Santa's nice list this year, there's no hope for the rest of us. They have filled their front yard in Grapevine with more than 1,000 lighted Santa decorations as a beacon of awareness for a local nonprofit.

    They're calling it, simply, Grapevine Santa House.

    The half-acre property is a "Where's Waldo?" maze of Santa statues, which visitors can walk among, snap photos with, and then, they hope, make a donation to Grace Grapevine's Christmas Cottage program. The charity's seasonal initiative provides new, unwrapped gifts to Tarrant County families facing financial hardship.

    "I've always been a holiday guy, way over the top," says Louie Murillo, the dad and Santa House head honcho. Anyone who's seen the 20-foot Christmas trees perched atop the the two Chick-fil-A restaurants he owns near Dallas Love Field can attest.

    "About a year ago, I bought some Santas on clearance and thought maybe we'd do something with them for a family Christmas card," he says.

    Along came COVID-19, and his holiday passion intersected with a desire to help those who were struggling. During his quarantine free-time, he bought a few more Santas online. Then a few more. Then his idea for a Santa House really began to take shape.

    "Once we dipped our toe in, we decided to go all out," he says of his family, including kids ages 12 and 14.

    His search for Santas took him around Texas and beyond. Murillo even flew to Chicago and drove back a truck loaded with nine reindeer and a sleigh.

    By July, one of the home's three attics was stuffed with Santas. Then a game room overflowed with them. By fall, a storage unit was filling up.

    To be clear, these aren't just any Santa statues. They're "blow molds," a specific kind of hollow, plastic figure popular in the '50s, '60s, and '70s. They're rarely made now, and considered collectibles, costing anywhere from $30 to $140 apiece.

    "How much I've spent is not a number we're gonna discuss nor share with my wife," Murillo says with a laugh. "It definitely got out of hand."

    Then there was the matter of lighting it all up. An electrician helped wire the yard with an additional, 14-outlet breaker, and they're hoping a switch to LED lighting helps ease the electricity bill a little.

    Some decorations are set up in vignettes, and Murillo's favorite piece isn't actually a Santa. It's a vintage church, an expensive piece he found in Chicago. The display also includes carolers and a nativity, and a sign urges people to tune to a radio station to hear the Christmas story from the Bible.

    Murillo reached out to the Grace organization about a partnership at the perfect time. Their need would be higher than ever at a time at the holidays, when fewer gatherings meant fewer opportunities for donations to be collected. Typically, Christmas Cottage serves more than 2,500 individuals and families each holiday season. Families are given a hypothetical “budget” that allows the parents to “purchase” donated toys, home goods, and appliances in a secure, store-like setting.

    The Murillos' goal is to raise $15,000 with Santa House, which will help 120 kids. By December 1, just a few days after turning the lights on, they were already at $9,000.

    Rather than collecting contributions on site, they're encouraging guests to donate online via a GoFundMe page set up in conjunction with the Santa House.

    Among the first visitors to the Santa House was a single mom whose child had been helped by Grace, Murillo says. Mom and daughter enjoyed the lights and then made a donation — they paid the kindness forward.

    "It's cool to see real people being helped that are in need," Murillo says. "It's fun just to see kids' excitement. We've all been stuck indoors, not traveling, and this is something to do as a family."

    The Santa House lights will go on every night from 5-10 pm through December 27. The home is on a cul-de-sac in the Western Oaks neighborhood, and visitors can park along the street.

    The exact location is 3373 Spruce Lane, Grapevine. Follow the Grapevine Santa House Facebook page for updates.

    Louie Murillo's favorite piece is a vintage church he found in Chicago.

    Grapevine Santa House
    Photo courtesy of Louie Murillo
    Louie Murillo's favorite piece is a vintage church he found in Chicago.
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    Movie Review

    Zendaya and Robert Pattinson face pre-marriage jitters in The Drama

    Alex Bentley
    Apr 2, 2026 | 12:50 pm
    Robert Pattinson and Zendaya in The Drama
    Photo courtesy of A24
    Robert Pattinson and Zendaya in The Drama.

    Robert Pattinson and Zendaya will be seen together a lot at the movies in 2026, with mega-films like The Odyssey and Dune: Part Three coming out later in the year. But fans can get a much more intimate look at the two stars in a film that offers a unique take on relationship struggles, The Drama.

    Emma (Zendaya) and Charlie (Pattinson) are a New York couple who are engaged to be married. After a quick-but-effective montage of their courtship, the story joins them as they are just days away from their wedding. As they get all the details like music, flowers, and food finalized, a visit to the caterer with married friends Rachel (Alana Haim) and Mike (Mamoudou Athie) proves fateful.

    A few too many drinks leads to each member of the group deciding to divulge the worst thing they’ve ever done. While each story is slightly shocking, Emma’s takes the cake, so much so that Charlie starts to question their relationship. As they get closer to the wedding date, Charlie finds it increasingly difficult to get beyond Emma’s revelation, with each real or imagined conversation threatening to derail their previously tight bond.

    Written and directed by Kristoffer Borgli, the film is provocative, funny, and cringey as it tries to get to the center of human dynamics. Charlie, Rachel, and Mike have starkly different reactions to Emma’s story, and the way those play out over the course of the film provides, well, the drama. The harder Charlie tries to justify Emma’s past, the more his underlying feelings start to eat at him, causing friction not just between him and Emma, but in other parts of his life, as well.

    Strangely, especially for a character played by Zendaya, Emma recedes more than expected. Her explanations for her previous actions are timid at best, and she mostly seems to be waiting for Charlie to forgive her instead of questioning why she needs forgiveness. Borgli favors the male side of the equation, and in so doing he doesn’t dig as deep into the root of the issue as he could have.

    Still, the downward spiral at the center of the story has a propulsive nature to it, and each successive step proves to be both hard to watch and impossible to turn away from. It also helps that Borgli manages the tone well, keeping interactions between characters relatively light so that the film doesn’t turn into one like Marriage Story.

    Pattinson, who gets to use his own British accent for once, put on an interesting performance that is much better than his last two roles in Mickey 17 and Die My Love. He has good chemistry with Zendaya, who manages to shine despite being laden with a role that doesn’t play entirely to her strengths. Haim and Athie do good work in small roles, while Hailey Grace and Hannah Gross make an impact in brief appearances.

    The situation in which Emma and Charlie find themselves in The Drama is not one to be wished on anyone, but it’s presented well by Borgli, keeping tensions high for the bulk of the film. Despite the two main characters not given completely equal footing, the story finds a way to get to a satisfactory ending.

    ---

    The Drama opens in theaters on April 3.

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