Here comes Santa Claus

Festive-fantastic Grapevine home lights up with 1,000 Santas for charity

If the Murillo family doesn't capture the top spot on Santa's nice list this year, there's no hope for the rest of us. They have filled their front yard in Grapevine with more than 1,000 lighted Santa decorations as a beacon of awareness for a local nonprofit.

They're calling it, simply, Grapevine Santa House.

The half-acre property is a "Where's Waldo?" maze of Santa statues, which visitors can walk among, snap photos with, and then, they hope, make a donation to Grace Grapevine's Christmas Cottage program. The charity's seasonal initiative provides new, unwrapped gifts to Tarrant County families facing financial hardship.

"I've always been a holiday guy, way over the top," says Louie Murillo, the dad and Santa House head honcho. Anyone who's seen the 20-foot Christmas trees perched atop the the two Chick-fil-A restaurants he owns near Dallas Love Field can attest.

"About a year ago, I bought some Santas on clearance and thought maybe we'd do something with them for a family Christmas card," he says.

Along came COVID-19, and his holiday passion intersected with a desire to help those who were struggling. During his quarantine free-time, he bought a few more Santas online. Then a few more. Then his idea for a Santa House really began to take shape.

"Once we dipped our toe in, we decided to go all out," he says of his family, including kids ages 12 and 14.

His search for Santas took him around Texas and beyond. Murillo even flew to Chicago and drove back a truck loaded with nine reindeer and a sleigh.

By July, one of the home's three attics was stuffed with Santas. Then a game room overflowed with them. By fall, a storage unit was filling up.

To be clear, these aren't just any Santa statues. They're "blow molds," a specific kind of hollow, plastic figure popular in the '50s, '60s, and '70s. They're rarely made now, and considered collectibles, costing anywhere from $30 to $140 apiece.

"How much I've spent is not a number we're gonna discuss nor share with my wife," Murillo says with a laugh. "It definitely got out of hand."

Then there was the matter of lighting it all up. An electrician helped wire the yard with an additional, 14-outlet breaker, and they're hoping a switch to LED lighting helps ease the electricity bill a little.

Some decorations are set up in vignettes, and Murillo's favorite piece isn't actually a Santa. It's a vintage church, an expensive piece he found in Chicago. The display also includes carolers and a nativity, and a sign urges people to tune to a radio station to hear the Christmas story from the Bible.

Murillo reached out to the Grace organization about a partnership at the perfect time. Their need would be higher than ever at a time at the holidays, when fewer gatherings meant fewer opportunities for donations to be collected. Typically, Christmas Cottage serves more than 2,500 individuals and families each holiday season. Families are given a hypothetical “budget” that allows the parents to “purchase” donated toys, home goods, and appliances in a secure, store-like setting.

The Murillos' goal is to raise $15,000 with Santa House, which will help 120 kids. By December 1, just a few days after turning the lights on, they were already at $9,000.

Rather than collecting contributions on site, they're encouraging guests to donate online via a GoFundMe page set up in conjunction with the Santa House.

Among the first visitors to the Santa House was a single mom whose child had been helped by Grace, Murillo says. Mom and daughter enjoyed the lights and then made a donation — they paid the kindness forward.

"It's cool to see real people being helped that are in need," Murillo says. "It's fun just to see kids' excitement. We've all been stuck indoors, not traveling, and this is something to do as a family."

The Santa House lights will go on every night from 5-10 pm through December 27. The home is on a cul-de-sac in the Western Oaks neighborhood, and visitors can park along the street.

The exact location is 3373 Spruce Lane, Grapevine. Follow the Grapevine Santa House Facebook page for updates.

Louie Murillo's favorite piece is a vintage church he found in Chicago.

Photo courtesy of Louie Murillo

Louie Murillo's favorite piece is a vintage church he found in Chicago.

charity charity-guide holidays

Movie Review

Film sequel Avatar: Fire and Ash is a technical and visual feast

Photo courtesy of 20th Century Studios

Oona Chaplin in Avatar: Fire and Ash.

For a series whose first two films made over $5 billion combined worldwide, Avatar has a curious lack of widespread cultural impact. The films seem to exist in a sort of vacuum, popping up for their run in theaters and then almost as quickly disappearing from the larger movie landscape. The third of five planned movies, Avatar: Fire and Ash, is finally being released three years after its predecessor, Avatar: The Way of Water.

The new film finds the main duo, human-turned-Na’vi Jake Sully (Sam Worthington) and his native Na’vi wife, Neytiri (Zoë Saldaña), still living with the water-loving Metkayina clan led by Ronal (Kate Winslet) and Tonowari (Cliff Curtis). While Jake and Neytiri still play a big part, the focus shifts significantly to their two surviving children, Lo’ak (Britain Dalton) and Tuk (Trinity Jo-Li Bliss), as well as two they’ve essentially adopted, Kiri (Sigourney Weaver) and Spider (Jack Champion).

Miles Quaritch (Stephen Lang), who lives on in a fabricated Na’vi body, is still looking for revenge on Jake, and he finds help in the form of the Mangkwan Clan (aka the Ash People), led by Varang (Oona Chaplin). Quaritch’s access to human weapons and the Mangkwan’s desire for more power on the moon known as Pandora make them a nice match, and they team up to try to dominate the other tribes.

Aside from the story, the main point of making the films for writer/director James Cameron is showing off his considerable technical filmmaking prowess, and that is on full display right from the start. The characters zoom around both the air and sea on various creatures with which they’ve bonded, providing Cameron and his team with plenty of opportunities to put the audience right there with them. Cameron’s preferred viewing method of 3D makes the experience even more immersive, even if the high frame rate he uses makes some scenes look too realistic for their own good.

The story, as it has been in the first two films, is a mixed bag. Cameron and co-writers Rick Jaffa and Amanda Silver start off well, having Jake, Neytiri, and their kids continue mourning the death of Neteyam (Jamie Flatters) in the previous film. The struggle for power provides an interesting setup, but Cameron and his team seem to drag out the conflict for much too long. This is the longest Avatar film yet, and you really start to feel it in the back half as the filmmakers add on a bunch of unnecessary elements.

Worse than the elongated story, though, is the hackneyed dialogue that Cameron, Jaffa, and Silver have come up with. Almost every main character is forced to spout lines that diminish the importance of the events around them. The writers seemingly couldn’t resist trying to throw in jokes despite them clashing with the tone of the scenes in which they’re said. Combined with the somewhat goofy nature of the Na’vi themselves (not to mention talking whales), the eye-rolling words detract from any excitement or emotion the story builds up.

A pre-movie behind-the-scenes short film shows how the actors act out every scene in performance capture suits, lending an authenticity to their performances. Still, some performers are better than others, with Saldaña, Worthington, and Lang standing out. It’s more than a little weird having Weaver play a 14-year-old girl, but it works relatively well. Those who actually get to show their real faces are collectively fine, but none of them elevate the film overall.

There are undoubtedly some Avatar superfans for which Fire and Ash will move the larger story forward in significant ways. For anyone else, though, the film is a demonstration of both the good and bad sides of Cameron. As he’s proven for 40 years, his visuals are (almost) beyond reproach, but the lack of a story that sticks with you long after you’ve left the theater keeps the film from being truly memorable.

---

Avatar: Fire and Ash opens in theaters on December 19.

movies film