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    Actor Spotlight

    Fun House actor Doak Campbell Rapp has some unexpected offstage skills

    Lindsey Wilson
    Dec 15, 2014 | 10:01 am

    Part of the fun of watching an actor perform year after year is seeing how they grow. In the case of Doak Campbell Rapp, it’s also seeing him literally grow up.

    The 16-year-old has been performing at Plano’s Fun House Theatre and Film since its founding in 2011 by his mother, Bren Rapp, and local actor and playwright Jeff Swearingen (who writes many of Fun House’s original works). The children’s theater that Fun House produces has an edgy, adult bent to it, and that unique combination of innocence and maturity has won the group mountains of critical accolades. (One actor, Lizzy Greene, is now starring in a show on Nickelodeon.)

    But there’s no nepotism involved. In roles ranging from Grunther (a Khal Drogo stand-in) in Game of Thrones, Junior to Adam in Neil LaBute’s The Shape of Things, Rapp has proven that he’s willing to put in the work with each character he takes on.

    He just wrapped Yes Virginia Woolf, There Is a Santa Claus, and he has three more shows in the next few months: Matt Lyle’s House Party, Holiday Edition: Adulthood, or How I Learned to Love Ken Burns (December 18-21); True West (January 15-18); and Romeo & Juliet (February 13-21).

    In advance of House Party, Rapp took the time to fill out our survey of serious, fun and sometimes ridiculous questions.

    Name: Doak Campbell Rapp

    Role in Matt Lyle’s House Party: Various. It is a sketch comedy show.

    Previous work in the DFW area: I have done more than 30 plays and one film.

    Hometown: Dallas

    First theater role: My first role was Captain of the Guard in Jeff Swearingen’s absurdist Aladdin.

    First stage show you ever saw:If You Give a Mouse a Cookie at Dallas Children’s Theater.

    What made you want to do theater: Easy to sum up: Jeff Swearingen.

    Most challenging role you’ve played: It is a tie between Claudius in Hamlet and Jerry in Edward Albee’s The Zoo Story.

    Special skills: Acting-wise, I am a good improviser. In life I am freakishly good at getting stuffed animals out of skill cranes.

    Something you’re REALLY bad at: At the moment, chemistry.

    Current pop culture obsession: Any conspiracy theory. My favorite is all the Disney Illuminati stuff. The truth is out there!

    Last book you read: I reread the graphic novel of The Watchmen.

    Favorite movie(s):Dead Poets Society and Donnie Darko. Interstellar has worked its way in there recently.

    Favorite musician(s): I am way into music, so there is too much I would list. Top three would be Outkast, Marvin Gaye and The Beatles, but I recently discovered the Bassanova and dug it.

    Favorite song: “What’s Going On” by Marvin Gaye

    Dream role: I really like originating roles, like Saul Solomon in Stiff. Anything no one has done before.

    Favorite play(s): Neil LaBute’s The Shape of Things, Edward Albee’s The Zoo Story

    Favorite musical(s):Man of La Mancha

    Favorite actors/actresses: Jake Gyllenhaal, Paul Rudd, Jason Bateman, Leonardo DiCaprio, Robin Williams

    Favorite food: Sushi. Any sushi.

    Must-see TV show(s):Cosmos

    Something most people don’t know about you: I really enjoy doing origami, and I’d like to think I am pretty okay at it.

    Place in the world you’d most like to visit: Portland. I watch a lot of Portlandia.

    Pre-show warm-up: There is a 7-Eleven by the theater where I usually perform. I like to walk there by myself with my headphones in and buy a Monster and a water. I try to match a playlist to the show.

    Favorite part about your current role: It is amazing to actually get to work with Matt Lyle after having acted in three of his plays: The Boxer, The Chicken Who Wasn’t Chicken and Hello Little Human Female.

    Most challenging part about your current role: Comedy takes a lot more precision than people realize. There is like a math to it. It is about beats and timing and keeping your actor mind calm and thinking even if you are being outwardly crazy.

    Most embarrassing onstage mishap: In Jeff Swearingen’s Ultimate Holiday Experience, I wore this Russian military uniform, and the fly on my pants broke onstage. It was wide open for an entire scene, and I knew it. Of course it was the scene where I had to rap and do a hip hop dance.

    Most memorable theater moment: You know when actors come out and greet people who stick around after a show? Well, what I loved was after doing Zoo Story, seeing the look on people’s faces who didn’t know anything about it beforehand, and other kid actors who had no clue such plays exist. The way they looked. Like their entire world had just been rocked, when they would come up to talk to me.

    Madeleine Norton as Evelyn and Doak Rapp as Adam in The Shape of Things.

    "The Shape of Things" at Fun House in Plano
      
    Photo by Chuck Marcelo
    Madeleine Norton as Evelyn and Doak Rapp as Adam in The Shape of Things.
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    Season Announcement

    Uptown Players Dallas reveals glitter-drenched new season for 2025-26

    Lindsey Wilson
    Apr 30, 2025 | 10:09 am
    Urinetown: The Musical at NYCC Encores
    Photo by Joan Marcus
    A New York production of "Urinetown: The Musical" was produced in early 2025.

    The newly-released 2025-26 season of Uptown Players Dallas comes with a knowing wink behind the titles, with a goal to provide comfort, commentary, and chuckles.

    It's the 24th season for the company, one of the leading regional theaters in the DFW area, with a blend of satire, spectacle, and heartfelt storytelling in five bold productions celebrating queer joy and resilience.

    Highlights include a holiday misadventure, fairy tale revue, the political satire Urinetown, and Paula Vogel’s Mother Play. The season runs December 2025 to August 2026 at Dallas venues.

    It begins with festive flair during the holidays, as Carol Ann Knipple — first seen in 2021's When Pigs Fly — returns forStar of Wonder: A Carol Ann Christmas.

    Micah Green stars in this world premiere, with book and original lyrics by Mark Waldrop and additional material by B. J. Cleveland. After her beloved Melody Barn theater in Minnesota burns to the ground, Carol Ann refuses to give up her dream and relocates her Christmas spectacular to a Dallas stage she doesn’t fully understand. What follows is a merry misadventure of casting chaos, theatrical surprises, and side-splitting parodies, all led by Carol Ann’s blissfully misguided vision and unstoppable spirit. It runs December 5-14, 2025, at the Kalita Humphreys Theater.

    Pure Glitter, a dazzling new comedy by Chicken & Biscuits playwright Douglas Lyons, is a love letter to the shimmering chaos of chosen family and queer friendship.

    The story unfolds during a surprise 10th anniversary bash thrown by Stan for his husband Tony. But when a handful of uninvited guests arrive, the night explodes into a whirlwind of secrets, sass, and unexpected truths. This Texas premiere runs March 20-29, 2026, at the Kalita Humphreys Theater.

    The beloved fundraiser Broadway Our Way returns with a mischievously magical new theme: Fractured Fairy Tales.

    Written and directed by B.J. Cleveland, this all-new musical revue turns “happily ever after” on its rhinestone-covered head, blending Broadway’s biggest hits with a wild world of rogue royals, sassy witches, enchanted misfits, and storybook rebels. Whether you're team villain, fairy godmother, or a prince who prefers heels, this sparkling spectacle promises a magical night of laughter and inclusive storytelling. It runs April 30-May 3, 2026, at the Kalita Humphreys Theater.

    In a city where private restrooms are banned and a corporation controls the most basic human need, a rebellious uprising takes shape in Urinetown: The Musical.

    This fiercely funny, Tony Award-winning satire skewers capitalism, bureaucracy, and environmental collapse, with music by Mark Hollmann, lyrics by Hollmann and Greg Kotis, and book by Kotis. A timely production by Uptown Players will turn a sharp eye on justice, activism, and the enduring power of community to challenge the status quo. For marginalized communities, the musical’s central fight — for dignity, voice, and bodily autonomy — feels deeply personal. It runs July 10-19, 2026, at the Kalita Humphreys Theater.

    Closing out the season is Paula Vogel's Mother Play, which ran on Broadway just last year with Jessica Lange, Celia Keenan-Bolger, and Jim Parsons.

    This raw and resonant semi-autobiographical work by the Pulitzer Prize-winning playwright spans from 1962 to the present, following Phyllis, a fiercely independent single mother, and her two children as they navigate evictions, emotional upheavals, and the fragile balance between love and self-preservation. It runs August 21-20, 2026, at Theatre Three.

    Season tickets are on sale now, with discounts on both premium and regular seating. Season tickets can be purchased online at www.uptownplayers.org or by phone at 214-219-2718. Single tickets will go on sale September 2, 2025.

    uptown playersurinetown the musicalbroadway our waymother playlgbtqtheater
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