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    Coronavirus impact

    Dallas arts groups have lost nearly $100 million during pandemic, report says

    Stephanie Allmon Merry
    Feb 5, 2021 | 4:38 pm
    DSO, concert truck
    Dallas Symphony Orchestra presented concerts via mobile concert truck in late 2020.
    Photo courtesy of The Concert Truck

    The first eight months of the COVID-19 pandemic affected the Dallas nonprofit arts and culture community to the tune of more than $95 million and 1,000 jobs, a sobering new report shows.

    The third survey on the pandemic's impact conducted by a trio of Dallas arts advocacy organizations — The Arts Community Alliance (TACA), Dallas Arts District (DAD), and Dallas Area Cultural Advocacy Coalition (DACAC) — covered the period from March 13, 2020 (initial government-mandated shutdowns) through November 30, 2020. Results were detailed in a February 5 news release.

    In total, the pandemic-related impact for the nonprofit arts community within the city of Dallas reached $95,545,710 in financial losses, including 3,145,209 in lost or deferred attendance, the report showed.

    “The impact of the pandemic on the arts in Dallas — financial, human and cultural — continues to be staggering,” says Terry D. Loftis, president and executive director of the arts funding organization TACA, in the release. “We’re encouraged that our organizations are resilient and finding ways to engage the community. But these losses are not sustainable and no one is expecting a return to normal anytime soon.”

    Seventy groups responded to the most recent survey, but a total of 91 organizations provided economic impact figures across all three surveys the trio conducted in 2020; those losses are aggregated as part of the total economic impact, the report says. Individual artists were not surveyed.

    According to the most recent report, the 2020 closures of museums and performing arts venues caused:

    • Performing arts organizations to cancel or defer 2,088 performances
    • Visual arts organizations to close, collectively, for 2,142 attendance days
    • All groups together to cancel or reschedule 9,725 workshops, classes, and programs

    Many performing arts organizations, such as The Dallas Opera, had to cancel or push back entire seasons into 2022, losing almost two years’ worth of earned revenue.

    According to the release, since the initial shutdowns:

    • 15 arts and cultural facilities have reopened for live, in-person experiences at a reduced capacity.
    • 40 of the respondents said their traditional performance or exhibition space has not been able to reopen.
    • 27 organizations have resumed presenting live, in-person programing.
    • 37 respondents are using virtual platforms or streaming, or are presenting their work in new and alternative spaces, including parking garages, warehouses, storefronts, churches, plazas, parks, and outdoor performance venues.

    Safety was the number one barrier to reopening, the survey showed. Groups said they didn't have the resources, rehearsal space, or blessing of their audiences to reopen safely. "Many of our long-term patrons are 65+ and have firmly stated that they are not interested in attending a live choral performance before a vaccine is widely available," one respondent said.

    Fourteen groups cited union restrictions as their top barrier to reopening. The Actors' Equity Association revoked Firehouse Theatre's status as an Equity producer last fall when a COVID-19 outbreak forced the abrupt shutdown of a production at the Farmers Branch theater.

    For arts organizations that have been able to present live and in-person experiences or virtual, 39 groups say they have been able to generate revenue through admissions or fees — but at lower rates than normal. Most say they have been able to fundraise to make ends meet, even when they can't rely on lavish galas and other large gatherings to do so. Funding from the city has also helped, they say.

    “The fact that the City of Dallas was able to keep the funding for most organizations level with the prior year helps explain why most Dallas arts and cultural organizations have survived,” says Joanna St. Angelo, Sammons Center for the Arts Executive Director, in the release. “The next year will be a challenge, but we are fortunate our city leaders recognize the importance of the arts community to the economy, jobs, tourism and the quality of life in Dallas.”

    Dallas arts groups will continue to innovate to survive in 2021 and beyond, they say. Besides presenting virtual shows, they have taken their performances into unique spaces, such as parking lots, drive-ins, and garages; the Dallas Symphony Orchestra even brought in a mobile concert truck.

    “There is no question our arts community is creative, passionate and resilient, but limited resources only go so far,” says Lily Weiss, executive director of the Dallas Arts District, in the release. “These are small businesses sustaining major revenue and job losses. I worry that many of our organizations are reaching a tipping point. This is going to be a very difficult year.”

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    Theater news

    Dallas' Theatre Three asks public for urgent help to keep lights on

    Stephanie Allmon Merry
    May 13, 2025 | 5:13 pm
    Natasha, Pierre, and the Great Comet of 1812 Off Broadway.
    Photo by Chad Batka
    "Natasha, Pierre, and the Great Comet of 1812" ran Off Broadway.

    A longtime Dallas theater company is asking for urgent help. Theatre Three (T3) has made a plea to the community for $200,000 in donations to stay in business.

    In a Facebook post on May 13, they say, "Without immediate and substantial help from our community, we will be forced to close our doors."

    They say they've suffered several years' worth of financial hardships, including effects of the COVID-19 pandemic, and more recently, cuts in arts funding.

    The post says, in part:

    "For 64 years, Theatre Three has been a cornerstone of Dallas’ creative spirit — bringing bold, innovative productions to life and showcasing the extraordinary talent of our local artists, designers, and creatives. We have been an intimate stage for everyone. But now, we face the greatest challenge in our history.

    "After mourning the loss of our beloved Jac Alder, and then, under the leadership of the incredible Jeffrey Schmidt, surviving the immense toll of the COVID-19 pandemic, we find ourselves once again at a significant crossroads. The ongoing erosion of support for the arts has dealt a devastating blow to our funding ...

    Our goal is $200,000. This is not the news we want to share, but it is news that we believe you all would want to know."

    The post is signed by board members Jessica Turner Waugh, Suzanne Burkhead, Rosa Medina-Cristobal, Scott T. Williams, Robert McCollum, Harrison Herndon, David G. Luther, Mia Glogau, and Jon Collins.

    Donations, they say, will help support local artists, staff and creatives to produce their next show, Xanadu; counter the rising costs of rent, insurance, and production; and allow them to retain staff.

    "We know times are tough. But we also know what this theater and its people mean to our city and to the generations who have found meaning, joy, and belonging within its walls," they say. "And that is why we are making this urgent plea. Help us preserve this Dallas institution."

    They end the post with a link to their donation page: https://www.theatre3dallas.com/support/.

    T3's black-box theater Theatre Too's final show of the season is The Mystery of Irma Vep, a fast-paced and campy parody that is on stage now through May 18.

    Theatre Three will close out its current season with Xanadu, a high-energy, roller-skating extravaganza that brings the 1980 cult film to life. Douglas Carter Beane is behind the hilarious book, and music and lyrics are by John Farrar and Electric Light Orchestra (ELO) founding member Jeff Lynne. It is set to run June 5-July 6, 2025.

    In addition to a full season of mainstage productions, Theatre Three offers additional programs for the community throughout the year.

    Monday Night Playwright features unique and affordable opportunities for local writers to showcase their works. Fight Night provides the community and artists alike with movement and other physical skills through monthly stage combat classes.

    The Norma Young Advanced Acting Lab, a collaboration with Booker T. Washington High School for the Performing and Visual Arts, is in its fifth year. Students have access to masterclasses hosted by industry professionals and exclusive insight on the professional production process at Theatre Three, then the course concludes with a professionally produced showcase.

    Theatre Three is located at 2688 Laclede St. in the Quadrangle in Uptown Dallas. For more information in productions and programs, visit their website.

    ---

    Lindsey Wilson contributed to this story.

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