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Seeing Double

Art museums in Dallas and Fort Worth team up for first exhibition together

Stephanie Allmon Merry
May 30, 2018 | 2:43 pm

For the first time, Dallas' Meadows Museum and Fort Worth's Amon Carter Museum of American Art will pair their paintings together in one exhibition, doubling the summer fun for art lovers.

Meadows will present the focused exhibit, pairing its recent acquisition Beach at Portici (1874), by Mariano Fortuny y Marsal (1838-1874), with a loan from the Carter, Idle Hours (1894), by William Merritt Chase (1849-1916).

"At the Beach: Mariano Fortuny y Marsal and William Merritt Chase" will explore Chase’s admiration of Fortuny, through the two paintings — one by the American artist and one by his Spanish predecessor — going on display together June 24-September 23, 2018.

The pairing makes sense. Although the artists were separated by time and geography and never actually met, museum officials say, their paintings represent a dialogue that speaks eloquently of a bond between them. In both paintings, the artists each use beach scenes to showcase their skill at rendering light, for example. Also, both artists portray their respective families in fashionable white garments lounging near a curving coastline— Fortuny’s in southern Italy and Chase’s on Long Island, New York.

Finally, the paintings share similar compositions, the organizers say — defined by strong diagonals and a balance of land, sky and figures — as well as loose, fluid brushstrokes that capture the effects bright summer sunlight on earth, sea, sky and skin.

“Chase said of Fortuny, ‘Everything he did was interesting.’ And he was not alone in his admiration for the Spanish painter, who was extremely popular in America at the turn of the century," says Amanda W. Dotseth, co-curator of the exhibition with Mark A. Roglán, director of the Meadows Museum, in a release. "But while Chase never knew Fortuny the man, he certainly knew Fortuny’s paintings, including Beach at Portici, which Chase would have had ample opportunity to see in America — most notably at the Chicago World’s Fair in 1893, the year before he painted Idle Hours."

Adds Roglán, "Despite their differing career trajectories, each artist achieved fame as a cosmopolitan painter. They were celebrated for these canvases, which present painterly beach scenes with scintillating summer light while celebrating the extraordinary beauty to be found in everyday moments with family."

The museums have not announced if the companion works will go on display at the Fort Worth museum in the future.

Meadows in January announced the acqusition of Beach at Portici, the final painting of the famed 19th century Spanish artist, for an undisclosed amount. The recent acquisition complements the only oil painting by the artist currently in the museum’s collection: a small study composition of the same stretch of beach at Portici.

The following public programs will complement the summer exhibition:

Three Thursdays, May 31, June 7, and 14, 6-7:30 pm
Lecture series: "Light, Camera, Landscape: The Rise of International Impressionism" by Nancy Cohen Israel, art historian and owner of Art à la Carte
This series will trace the rise of Impressionism in France, the offshoots of painters in Spain and Italy, and the aftershocks sent throughout the West. $40 for the 3-part series; free for Museum members and SMU faculty, staff, and students; registration required at 214-768-8587.

Saturday, June 23, 10 am-1 pm
Community Day: A Day at the Beach
Spend the day at the beach and take in the light of late 19th century masters Mariano Fortuny y Marsal of Spain and William Merritt Chase of the United States. This dedicated community day will include art making, gallery talks, a storyteller, refreshments, and more. Free.

Thursday, June 28, 6-7 pm
Lecture: "At the Beach: Mariano Fortuny y Marsal and William Merritt Chase" by Mark A. Roglán, director of the Meadows Museum, and Andrew Walker, executive director of the Amon Carter Museum of American Art
This special double lecture will examine the creation of Beach at Portici and Idle Hours. The two painters turned to more private and personal scenes in their later work, which will be the subject of this special program held in conjunction with the summer installation. Free; reservations required at 214-768-8587.

Mariano Fortuny y Marsal (Spanish, 1838-1874), Beach at Portici, 1874. Oil on canvas.

Beach at Portici by Mariano Fortuny, Meadows Museum
Photo courtesy of Meadows Museum
Mariano Fortuny y Marsal (Spanish, 1838-1874), Beach at Portici, 1874. Oil on canvas.
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Theater News

Dallas' Kitchen Dog Theater unveils powerful 2026-2027 season lineup

Alex Bentley
Aug 12, 2026 | 10:01 am
Kitchen Dog Theater in Dallas
Photo by Cameron Cobb
Kitchen Dog Theater in Dallas will put on three mainstage productions for their 2026-2027 season.

Kitchen Dog Theater in Dallas has revealed the lineup for the 2026-2027 season, featuring a slate of plays that boasts power players like kings, prime ministers, space force commanders, and would-be presidents.

According to a release, the theater company's 36th season — their "most powerful yet" — will consist of three mainstage productions at its new permanent home in the Design District, as well as the annual New Works Festival, featuring a readings series and the 26th annual D-PAC PUP (Playwrights Under Progress) Fest.

The season will start with The Absentee by Julia Doolittle, running September 10-October 4, 2026. The play was the winner of the 2019-2020 Woodward/Newman Drama Award.

Far out in the Milky Way, “Beacons” serve as lighthouses for warping spaceships around the galaxy. When a U.S. Space Force ship explodes in the galaxy, the Operator finds herself alone in deep space, with only her ship’s AI for companionship. That is, until a persistent canvasser calls, desperate to convince her to vote absentee in the 2088 election.

As the Operator waits for the clean up to be over, she finds she has to come to terms with her isolation, grief, and her political voice.

The season's second production comes four months later, with Equivocation by Bill Cain, running February 4-28, 2027. In 1605 England, a terrorist plots to assassinate King James I and blow Parliament to kingdom come. Shagspeare (after a contemporary spelling of the Bard's name) is commissioned by the prime minister, to write the “true historie” of the plot. And it must have witches — the king wants witches.

But as Shag and the acting company of the Globe investigate the plot, they discover that the king's version of the story might, in fact, be a coverup. Shag and his actors are confronted with the ultimate moral and artistic dilemma. Speak truth to power and perhaps lose their heads? Or take the money and lie? Is there a third option? Equivocation?

A high-stakes political thriller with contemporary resonances, Equivocation gallops from the great Globe to the Tower of London to the halls of Parliament to the heart of Judith, Shag's younger daughter, who finds herself unexpectedly at the very heart of the political, dramatic and — ultimately — human mystery.

The final mainstage production of the season comes at the 2027 New Works Festival with Black Republican by KDT Artistic Company Member Jamal Gibran Sterling, running June 3-27, 2027.

Originally featured as a Staged Reading in the 2026 New Works Festival, the ambitious first play by Sterling centers on a Black Republican candidate on the national stage who finds his campaign threatened by an activist who challenges everything he claims to stand for. Their battle exposes uncomfortable truths about race, politics, and the stories we tell ourselves.

In addition to Black Republican, the 2027 New Works Festival will showcase four staged readings of some of the newest and most exciting Texas-based playwrights. Each reading will feature accomplished Dallas-Fort Worth actors and directors to highlight the breadth of talent in the area.

The final part of the festival is D-PAC PUP (Playwrights Under Progress) Fest, featuring six staged readings of jury-selected plays written by Dallas-Fort Worth high school students and featuring student actors directed by area professionals. PUP Fest is the culmination of Dallas Playwriting Arts Collective (D-PAC), a partnership with Dallas ISD and Junior Players.

Kitchen Dog Theater offers two season subscription packages for their inaugural season in their new facility. The Kitchen Dog package includes a ticket to all three mainstage productions for any performance date for $90+ $8 fees for adults and $75 +$8 fees for students and seniors (ages 65+). The Saver Dog package includes a ticket to all three mainstage productions for Thursdays, Fridays, and Sundays only. It is $60 + $8 fees for adults and $45 + $8 fees for students and seniors.

Both packages grant full access to the Staged Reading Series and PUP Fest. Subscribers also receive premium reserved seating for in-person performances, as well as subscriber-only discounts on additional single tickets, 2026 special events, and KDT merchandise.

Subscription packages are on sale now, and single tickets for each show will go on sale on Monday, August 24, at kitchendogtheater.org.

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