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    Hot Summer Theater

    These are the 10 can't-miss shows in Dallas-Fort Worth theater for June

    Lindsey Wilson
    Jun 3, 2015 | 4:37 pm

    UPDATE: Cara Mia Theatre Co. has made its staged reading of The Dreamers: Deferred Action invite-only, so we replaced it with another show. Don't worry, there were oh-so-many to choose from this month.

    ---

    The year is almost half over, but for a lot of theater companies, June is either the time to wrap up one season or start another. That explains why there are so many shows opening this month. This list is not definitive, but it does represent the plays and musicals we're especially looking forward to checking out.

    Dallas Solo Fest, June 4-14
    Audacity Theatre Lab

    Back for its second year after a strong debut last summer, this annual festival of short plays showcasing solo performers takes over the Margo Jones Theatre in Fair Park for the month's first two weekends.

    From Van Quattro's emotionally and physically brutal real-life account of his year as a semi-pro boxer, Standing Eight Count (which was well-received at the most recent Out of the Loop fringe festival in Addison), to local funnyman Jeff Swearingen's An American Asshole in France, to SMU grad Brigham Mosely's Mo[u]rnin' After, there's a strong contingent of local talent joining the visiting playwrights and performers.

    Each show runs only about an hour, and the Margo Jones has a BYOB policy. You know, just in case that helps sway your decision to purchase tickets (which are $12 each, or $60 for a pass to all eight shows).

    Precious Little, June 4-20
    Echo Theatre

    Echo Theatre is reserving the final slot of its 17th season for Pride Month, with Madeleine George's 90-minute play about a linguist working through some tough decisions. When Brodie finds out unsettling news about the artificially inseminated child she's carrying, she doesn't turn to her girlfriend for solace, but to a gorilla.

    The three-person cast performing at the Bath House Cultural Center includes Sherry Jo Ward, Molly Welch and Lisa Fairchild, and they are led by on-the-rise director Kelsey Leigh Ervi. For tickets, call 214-904-0500 or visit the company's website.

    Manicures & Monuments, June 5-28
    WaterTower Theatre

    Do you know the name Vicki Caroline Cheatwood? You should, because she's one of Dallas' most prolific local playwrights and dramaturgs. Her latest show, about a young manicurist-in-training who volunteers at an Oklahoma nursing home, promises laughs and maybe even a little lesson in understanding others. Mikaela Krantz, Pam Dougherty and Elly Lindsay lead the cast, with Susan Sargeant directing.

    Cinderella, June 9-21
    Dallas Summer Musicals

    This princess is having a moment, is she not? In addition to the recent film, the Rodgers and Hammerstein musical has been around since 1957 (it was originally written for TV!), and the Broadway revival only closed earlier this year.

    Even if you think princesses and fairy tales aren't for you, check out those Tony-winning costumes by William Ivey Long — and just wait for that magical moment when Cinderella transforms onstage into her ball gown. It's a jaw-dropper.

    South Pacific, June 12-21
    Lyric Stage

    Janelle Lutz wowed audiences in Lyric's last show, the little-produced Lady in the Dark. Now she's back as the cockeyed optimist Nellie Forbush in South Pacific. Because Lyric is known for its lush orchestra, think of what a treat it will be to hear "Some Enchanted Evening" and "This Nearly Was Mine" played by 38 musicians under the baton of music director Jay Dias.

    This is the last of the "big five" Rodgers and Hammerstein musicals that Lyric will have produced with full orchestra and original orchestrations, and as executive producer Steven Jones says, "With South Pacific we will complete a major chapter in Lyric Stage's mission of preserving the American musical."

    West Side Story, June 12-21
    Garland Summer Musicals

    Speaking of classics, GSM is opening this season with what many consider one of the most perfect musicals ever written. The 1950s version of Romeo & Juliet, set in gritty New York City with rival gangs keeping the star-crossed lovers apart, features a lush score by Leonard Bernstein and Stephen Sondheim.

    This version will also have choreographer Jeremy Dumont re-creating Jerome Robbins' iconic — and notoriously difficult — dances. Can't wait for that dance at the gym.

    Love's Labour's Lost and King Lear, June 11-28
    Trinity Shakespeare Festival
    While Shakespeare Dallas' Romeo & Juliet and The Compleat Wrks of Wllm Shkspr (Abridged) are going on outside at Samuell Grand Amphitheater, two more of the Bard's works are being staged on the TCU campus in Fort Worth with impressive sets, stunning costumes and glorious, glorious air conditioning.

    This year, David Coffee is taking on the daunting role of the aging king, while Joel Ferrell is directing the lighthearted romp that is Love's. Worth the drive.

    The Nance, June 19-July 5
    Uptown Players

    After his many years directing and acting on Dallas-Fort Worth stages, it seems like there's nothing B.J. Cleveland can't do, and that includes following in Nathan Lane's footsteps in this Tony-winning comedy. Headlining as a "nance" (a parody of a gay man) in the twilight era of burlesque, Chauncey Miles navigates the often dangerous world of 1930s New York as a man both hiding and showcasing his sexuality.

    The Kountry Girls, June 25-July 19
    Theatre Three

    Sonny Franks has established his presence onstage as both a performer and musician, and now — with Ken Murchison and Andy Clendenen — he's adding composer to the list. Their world premiere musical about two small-town girls with big-city dreams will close out T3's 53rd season.

    A Midsummer Night's Dream, June 29
    Shakespeare in the Bar
    More Shakespeare, you ask? Yes, but this time it's staged behind the Wild Detectives bookstore in Oak Cliff. Actress Katherine Bourne instigated this "under-rehearsed" series that's quickly gaining in popularity and cult status.

    As of now, more than 3,000 people have RSVP'd on Facebook to this production. Even taking into account no-shows, you might want to get there well before the 9 pm start time (or try for the second showing at Community Beer Co. on July 6). Follow the group on Facebook for updates and info.

    Brigham Mosely in Mo[u]rnin' After at the Dallas Solo Fest.

    Audacity Theatre Lab Dallas Solo Fest
      
    Photo by Erik Carter
    Brigham Mosely in Mo[u]rnin' After at the Dallas Solo Fest.
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    Ballet news

    Texas Ballet Theater executive director leaving for new gig in Northeast

    Stephanie Allmon Merry
    May 19, 2025 | 2:38 pm
    Vanessa Logan, Texas Ballet Theater
    Photo courtesy of Texas Ballet Theater
    Vanessa Logan joined Texas Ballet Theater in 2016.

    Vanessa Logan, who has served as Texas Ballet Theater executive director since 2016, is leaving TBT for a new role in the Northeast, the company says. Her final day with TBT will be June 30, 2025.

    The move will allow Logan to be closer to her family, the organization says. Her new position has not yet been announced.

    "While we will greatly miss Vanessa and her leadership at TBT, we support her decision to do what is best for her and her family and wish her well in her new pursuit," says TBT board of governors chair Anne T. Bass in a May 19 release. "Throughout her tenure at TBT, Vanessa has demonstrated the highest level of professionalism. It has been a delight to have worked closely with Vanessa over the last nine years, and I am most grateful for her unstinting efforts that have advanced TBT in so many respects."

    Logan joined North Texas' largest ballet company before the 2016-17 season; she previously had worked at the American Repertory Ballet in New Jersey and Boston Ballet.

    "Being part of TBT has been an immensely enriching and transformative experience. Partnering with Artistic Director Tim O’Keefe, working alongside such talented artists, and collaborating with a dedicated administrative and school staff has been a true privilege," Logan says in the release. "I am also deeply grateful for the unwavering support of our committed Board Chair and the Board of Governors, whose vision and leadership have been instrumental. Contributing to productions that bring beauty and artistry to our audiences and nurturing ballet education for countless children in Dallas-Fort Worth has been incredibly rewarding."

    During her tenure with TBT, Logan helped the company navigate through the challenges of the COVID-19 pandemic of 2020 followed by a catastrophic winter storm of 2021; she helped smooth the transition of artistic director from Ben Stevenson to Tim O'Keefe in 2023; and she oversaw new school facilities in Richardson and Dallas. TBT has also begun a 65,000-square-foot renovation of its Fort Worth facility to support future growth.

    "Vanessa’s support and partnership during the transition was phenomenal. I cannot imagine another leader better equipped to guide TBT seamlessly through such a transformational change," O’Keefe says. "Her steadfastness instilled confidence and built trust with staff, students and subscribers as she ensured that we held true to TBT’s mission of honoring classical ballet while embracing a new chapter of artistic evolution."

    TBT’s Board of Governors will immediately start searching for Logan’s successor and will quickly name an interim executive director to oversee operations until a permanent leader is in place, they say.

    Texas Ballet Theater, which is a resident company of both Winspear Opera House in Dallas and Bass Performance Hall in Fort Worth, just closed its 2024-25 season with O'Keefe's all-new staging of the beloved ballet Giselle.

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