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    Season Announcement

    Dallas Theater Center lifts the curtain on in-person 2021-22 season

    Lindsey Wilson
    Jul 9, 2021 | 2:35 pm
    The Sound of Music Broadway revival
    The Sound of Music was revived on Broadway in 1998.
    Photo by Joan Marcus

    Right before it opens its first in-person show since before the pandemic (Working), Dallas Theater Center announced its 2021-22 season.

    Many of the titles may sound familiar, as they popped up in both the first and second 2020-21 season attempts from the Tony Award-winning company.

    The nine-event season begins in September and includes two world premiere comedies, the regional premiere of an adaptation of a bestselling book, a refreshing take on an American classic, and a bold interpretation of one of the most beloved musicals.

    Productions will take place in the Dee and Charles Wyly Theatre at the AT&T Performing Arts Center and at the Kalita Humphreys Theater, DTC’s historic home theater designed by Frank Lloyd Wright.

    In addition, DTC will launch a new Community Touring initiative to community centers throughout the city.

    "We are thrilled to welcome audiences back to the Wyly Theatre and the Kalita Humphreys Theater with a season of comedies, music, and stories of inspiration," says artistic director Kevin Moriarty in a release. "We are creating productions that will produce laughter, strengthen community, and inspire healing. After more than a year of producing work primarily virtually, we can’t wait to once again celebrate the special experience of actors and audiences having a shared experience in person."

    Also of note is the announcement that DTC will expand its commitment "to providing full-time, year-round employment to professional theater artists" in addition to utilizing its Diane and Hal Brierley Resident Acting Company. This support will include appointing a full-time playwright-in-residence, associate artistic director, resident music director, and resident designer.

    "During the pandemic it became clear how vulnerable artists are in our society," says Moriarty. "So we are expanding our support of artists by hiring a diverse company of full-time, professional resident actors, writers, directors and designers to create unique productions that you can only see at DTC.

    "In addition to creating thrilling productions onstage, our resident artists will engage with our community throughout Dallas, bringing theater to the people and welcoming everyone to experience the joy of theater, both as audience members and as participants."

    For the first three shows of the season, DTC will offer a social distancing section. The company will continue to monitor CDC, Dallas County, and its own medical advisors on safety protocols throughout the season.

    It all begins with Cake Ladies and Tiny Beautiful Things running in repertory starting in September in the Potter Rose Performance Hall.

    Cake Ladies is the world premiere comedy from playwright-in-residence Jonathan Norton (penny candy), written specifically to welcome audiences back to the theater, and features company members originating roles created specifically for them.

    In Cake Ladies, the Scott County Community Playhouse is the pride of Cedar Oak, Texas, a small town recovering from a drug-fueled HIV outbreak. With the launch of their first ever “AIDSFest!” it seems the town is finally turning a corner for the better. When the COVID-19 pandemic shuts down the playhouse's production of Angels in America, best friends LeAnne (Sally Nystuen Vahle) and Tweedy-Bird (Liz Mikel) — affectionately known as “the cake ladies” — leap into action to make Angels soar again in their hometown.

    Based on the New York Times bestselling book by Cheryl Strayed (author of Wild), Tiny Beautiful Things follows Sugar, an online advice columnist who uses her personal experiences to help the real-life readers who pour their hearts out to her. Rich with humor, insight, compassion, and absolute honesty, Tiny Beautiful Things is about reaching when you’re stuck, healing when you’re broken, and finding the courage to take on the questions that have no answers.

    Next, The Supreme Leader makes its world premiere at the Kalita. While in boarding school in Switzerland, Kim Jong-Un learns he’s next in line as The Supreme Leader after his older brother’s career-ending trip to Tokyo Disneyland. But he must prove himself. Under the watchful eye of his minder, he sets his paintbrush aside to spy on his pretty American friend Sophie. Will “Oony” get the girl? Will he make his father proud? Set in the snow globe world of stinky cheese and mountain climbing, this coming-of-age comedy imagines Kim Jong-Un’s final throes of youth before his fateful return to North Korea. The Supreme Leader was written by Don X. Nguyen and will be directed by Moriarty.

    Next in the Kalita is one of the most beloved American plays ever written: Our Town by Thornton Wilder. It follows the Webb and Gibbs families as their children fall in love, marry, and eventually — in one of the most famous scenes in American theater — die. Narrated by a stage manager and performed with minimal props and sets, Our Town depicts the fictional small town of Grover’s Corners, New Hampshire, through three acts: “Daily Life,” “Love and Marriage,” and “Death and Eternity.” In the next step for a play that Wilder conceived to be a play about everywhere, this version is in three languages: English, Spanish and Creole. Filled with live music and infused with layers of culture and community, this special production "celebrates Grover’s Corners as an international address and finds the shared humanity in all its inhabitants."

    For its first touring production, DTC presents Native Gardens by Karen Zacarias. It will wrap up with performances in the Wyly Theatre Studio. In the suburbs of Washington, D.C., Pablo, a high-powered lawyer, and Tania, his very pregnant doctoral candidate wife, have just purchased their dream home. It’s a bit of a fixer-upper, but luckily Tania is a brilliant gardener and plans to transform their outdoor space into a beautiful native garden. Their new next-door neighbor, Frank, is a gardener himself and spends most of his time nurturing his non-native garden to win the annual gardening competition in the neighborhood. When Tania and Pablo set to work on building a fence they discover that their property line is two feet into Frank’s beloved garden. Friction between the neighbors erupts into an all-out war, and it becomes increasingly unclear who will win in this hilarious, hot-button comedy.

    A country under attack. A family paralyzed by loss. And a woman who is afraid to love. DTC boldly reexamines one of the most exhilarating musical theater classics ever written. The winner of five Tony Awards, including Best Musical, The Sound of Music was the final collaboration between Richard Rodgers and Oscar Hammerstein II. From its opening in 1959, it immediately became the world’s most beloved musical on both stage and film. The inspirational story follows a young postulate who is dispatched to serve as governess for the seven children of an imperious naval captain, bringing joy and music to the household. But as the forces of Nazism take hold of Austria, Maria and the entire von Trapp family must make a moral decision. The production will be presented in the Potter Rose Performance Hall and will be directed by Moriarty.

    Finally, in the Kalita, is the groundbreaking American comedy/drama Trouble in Mind. Both written and set in the mid-1950s, it tells the story of Wiletta Mayer, an African American actress cast in a supposedly “progressive” play about racism written by a white male author. Trouble in Mind opened off-Broadway in 1955 and became the first play by a Black female playwright to be optioned for Broadway. But when Alice Childress, the real-life playwright, refused to change the ending at the request of the white producers, the production was called off. Seven decades later, this nearly-lost classic is making a comeback at theaters across the country — including Broadway this fall — proving that this funny and moving play is a piece for our times.

    Dallas Theater Center’s nationally recognized Public Works Dallas community engagement program will return with its annual pageant production in July 2022. The large-scale musical production, whose title will be announced in the fall, will feature 200 community members performing alongside DTC’s professional artists. It will be offered for free to the community for two weekends of performances, demonstrating DTC’s deep commitment to the idea that theater is the birthright of everyone.

    To learn more about DTC’s upcoming season or buy a subscription, go to www.dallastheatercenter.org.

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    A Familiar Face

    Dallas Theater Center names Jaime Castañeda as new artistic director

    Lindsey Wilson
    Dec 17, 2025 | 12:30 pm
    Jaime Castañeda
    Photo courtesy of Dallas Theater Center
    Jaime Castañeda is the Tony-winning theater's new artistic director.

    The Tony Award-winning Dallas Theater Center has found its next artistic director: Jaime Castañeda, who has a long history with both DTC and North Texas, will become the regional theater's sixth artistic director beginning July 2026. The 2026-27 season will be the first chosen by him.

    Jonathan Norton, DTC’s resident playwright, is currently serving as interim artistic director and will continue to lead the remainder of the 2025-26 season, which culminates in the world premiere of his play Malcolm X and Redd Foxx Washing Dishes at Jimmy’s Chicken Shack in Harlem in May.

    “DTC is committed to artistic excellence and community engagement, and we believe Jaime’s experience, creativity, bold vision, and proven leadership, coupled with his dedication to innovation, will guide DTC into an exciting new chapter in the life of the theater," says board chair Lynn Pride Richardson in a release.

    In 2012, Castañeda directed DTC’s production of The Elaborate Entrance of Chad Deity by Kristoffer Diaz. But he began his career more than 20 years ago in Dallas-Fort Worth by founding Firestarter Productions while still attending Texas Christian University. In addition to directing at DTC, other local theater credits include Kitchen Dog Theater, Amphibian Stage, and Circle Theatre. Castañeda is a recipient of the Princess Grace Award, the Drama League Directing Fellowship, and holds a BFA from Texas Christian University and an MFA in Directing from University of Texas at Austin.

    Most recently, Castañeda directed at such leading theaters across the country as American Conservatory Theater, South Coast Repertory, Huntington Theatre Company, and La Jolla Playhouse, where he previously served as associate artistic director from 2014-2018. He was also artistic associate at Off-Broadway's Atlantic Theater Company from 2009-2014.

    "Jaime brings a bold, visceral artistic vision, a deep commitment to new voices, and a collaborative leadership style that inspires artists and audiences alike,” says DTC executive director Kevin Moriarty. “With his Texas roots and national experience, I am thrilled to welcome him home as DTC’s new Enloe/Rose artistic director. I have known and admired his work since 2007, when he was already one of the most exciting emerging directors in North Texas, and I later saw him create unforgettable work for DTC on the Wyly stage and at leading theaters nationwide.”

    As artistic director, Castañeda will lead the theater’s artistic vision, direct and produce plays and musicals, oversee DTC’s Diane and Hal Brierley Resident Acting Company, and partner with Moriarty, the staff, and the board of trustees to advance DTC’s mission, vision, and values.

    Castañeda joins a distinguished line of artistic leadership at Dallas Theater Center, including founding artistic director Paul Baker, Adrian Hall, Ken Bryant, Richard Hamburger, and Moriarty, who served as artistic director from 2007-2022.

    “We are extremely pleased with a successful national search that brings Jaime to Dallas Theater Center,” says DTC board member Chris Luna. “His energy is contagious and he understands Texas and Dallas. We look forward to collaborating with Jaime as he continues his innovative approach to regional theater.”

    Castañeda was selected for the role following a national search led by Management Consultants for the Arts. The search committee was co-chaired by Luna and Richardson, and included Moriarty, Norton, Jennifer Altabef, Diane Brierley, Lauren Embrey, Sam Holland (Dean, SMU Meadows School of the Arts), Sharron Hunt, Randy Kender, Julie Kosnik, Deborah McMurray, Sam Megally, Liz Mikel (DTC Brierley Resident Acting Company member), Andy Smith, Lily Weiss (executive director, Dallas Arts District) and Donna Wilhelm.

    “Growing up in Texas, Dallas Theater Center was one of the first places where I saw what professional theater and excellence looked like,” Castañeda says. “I’m thrilled to come back and build on the history of artists and leaders who have been a part of this organization. I’m eager to join Kevin, the board, and our staff to create lasting theatrical experiences for our audiences.”

    Dallas Theater Center's current production of A Christmas Carol runs through December 27 at the Wyly Theatre.

    dallas theater centerjaime castañedakevin moriartytheater
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