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    Theater Critics' Picks

    Dallas-Fort Worth theater critics declare standouts from 2013-14 season

    Jennifer Chininis
    Sep 8, 2014 | 8:02 am

    Members of the DFW Theater Critics Forum gathered September 6 to hash out their picks from the 2013-14 season in categories such as best direction, best actor and actress, and best new play. Rather than declare a single winner in each category, the critics dole out accolades to several deserving works.

    With stellar seasons from Uptown Players, Jubilee Theatre, Dallas Theater Center and Kitchen Dog Theater, several contenders just missed the five-vote minimum for inclusion, which led to many impassioned pleas from individuals who fought for their favorites, says Lindsey Wilson, CultureMap contributor and critic for D Magazine. So expect to see more people and plays than these on end-of-year best-of lists.

    Without further ado, these are the critics’ picks for 2013-14:

    Direction

    • Liesl Tommy, Les Miserables (Dallas Theater Center)
    • Tim Johnson, Detroit (Kitchen Dog Theater)
    • Tre Garrett, A Raisin in the Sun (Dallas Theater Center) and Ma Rainey’s Black Bottom (Jubilee Theatre)
    • Susan Sargeant, The Diaries of Adam and Eve and Happy Days (WingSpan Theatre Co.)
    • Daniel Aukin, The Fortress of Solitude (Dallas Theater Center)
    • Terry Martin, Dogfight (WaterTower Theatre)
    • Kevin Moriarty, Oedipus el Rey (Dallas Theater Center)
    • David Denson, Year of the Rooster (Upstart Productions)
    • B.J. Cleveland, Vanya and Sonia and Masha and Spike (Uptown Players)

    Actor

    • Steven Walters, Les Miserables (Dallas Theater Center)
    • Drew Wall, Nocturne (Second Thought Theatre)
    • Garret Storms, for his season of performances
    • Adam A. Anderson, Ma Rainey’s Black Bottom (Jubilee Theatre)
    • Joey Folsom, Year of the Rooster (Upstart Productions) and Hank Williams: Lost Highway (WaterTower Theatre)
    • Alex Ross, The Boy From Oz (Uptown Players)
    • Jaxon Beeson, Stiff (Fun House Theatre and Film)

    Actress

    • Tina Parker, Detroit (Kitchen Dog Theater)
    • Liz Mikel, A Raisin in the Sun (Dallas Theater Center)
    • Tiffany Hobbs, A Raisin in the Sun (Dallas Theater Center) and Spunk (WaterTower Theatre)
    • Allison Pistorius, Venus in Fur (Circle Theatre) and Clybourne Park (Dallas Theater Center)
    • Juliette Talley, Dogfight (WaterTower Theatre)
    • Janelle Lutz, The Boy from Oz (Uptown Players)
    • Sarah Elizabeth Smith, The Boy from Oz (Uptown Players)
    • Ashley Wilkerson, The Mountaintop (Jubilee Theatre)

    Ensemble

    • Heroes (Stage West)
    • Barbecue Apocalypse (Kitchen Dog Theater)
    • Vanya and Sonia and Masha and Spike (Uptown Players)
    • The Echo Room Presents: Her Song (Echo Theatre)

    Creative Contribution

    • Coy Covington for his wig and makeup design for The Boy From Oz (Uptown Players) and wig designs for Pageant: The Musical (Uptown Players)
    • Gary James for his wig designs for Dogfight (WaterTower Theatre)
    • Clare Floyd DeVries for her set design for Detroit (Kitchen Dog Theater)
    • Jay Dias for his music direction of Nine and Titanic (Lyric Stage)
    • The design team for their season with Trinity Shakespeare Festival
    • Jeffrey Colangelo and Katy Tye for their movement design in Galatea (Prism Co.)

    New Play or Musical

    • Stiff by Jeff Swearingen (Fun House Theatre and Film)
    • Booth by Steven Walters (Second Thought Theatre)
    • Barbecue Apocalypse by Matt Lyle (Kitchen Dog Theater)
    • Mania/Gift by Shelby-Allison Hibbs (Echo Theatre)
    • The Fortress of Solitude by Itamar Moses and Michael Friedman (Dallas Theater Center)

    Touring Production

    • Evita (Dallas Summer Musicals)
    • Trick Boxing (Sossy Mechanics)
    • The Gershwins’ Porgy & Bess (ATTPAC)
    • Peter and the Starcatcher (ATTPAC)

    Special Citations

    • To Matt Tomlanovich for reviving the Margo Jones as a busy performance space; opening it to fledgling companies at a reasonable price; and making it available to small festivals, poetry slams, readings and dance groups.
    • To Lawson Taitte for his distinguished career in arts criticism.

    Contributing critics:

    • Lindsey Wilson, D Magazine
    • Elaine Liner and Lauren Smart, Dallas Observer
    • Mark Lowry, TheaterJones.com and Fort Worth Star-Telegram
    • Martha Heimberg, Dallas Weekly and TheaterJones.com
    • Jan Farrington, M. Lance Lusk, David Novinski, TheaterJones.com
    • Alexandra Bonifield, Criticalrant.com
    • Punch Shaw, Fort Worth Star-Telegram
    • Arnold Wayne Jones, Dallas Voice
    • Nancy Churnin, Dallas Morning News

    The Fortress of Solitude at Dallas Theater Center.

    "The Fortress of Solitude" at Dallas Theater Center
    Photo by Karen Almond
    The Fortress of Solitude at Dallas Theater Center.
    unspecified
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    Theater News

    Addison's WaterTower Theatre to stage U.S. premiere on 2026-27 season

    Alex Bentley
    Feb 27, 2026 | 3:30 pm
    Miriam Teak Lee
    Photo courtesy of Miriam Teak Lee
    Actress Miriam Teak Lee will open the 26-27 WaterTower Theatre season with a special concert of Broadway songs.

    WaterTower Theatre in Addison has mapped out a relatively small slate for its 31st season, but it's one that features works by some big names and a national premiere.

    None of the events/productions taking place in WaterTower's 2026-2027 season have official dates yet, but the company has revealed the full details about each of them.

    Starting things off will be Broadway by North Texas, featuring Olivier Award-winning actress Miriam Teak Lee, which is scheduled for sometime in Fall 2026.

    The special concert event by Lee, who starred in & Juliet on the West End in London, will feature the English actress performing Broadway favorites and contemporary musical theater highlights.

    The first play of the season will be Neil Simon's Biloxi Blues, taking place at some point in Winter 2027. It's a semi-autobiographical play, the second chapter in what is known as Simon's Eugene trilogy following Brighton Beach Memoirs.

    It follows the next chapter of Eugene Morris Jerome’s journey as he leaves Brooklyn behind for basic training in Biloxi, Mississippi, during World War II. The play captures the bonds formed among a group of young soldiers as they navigate the pressures of military life, first loves, and the uncertainty of the future.

    WaterTower Theatre will next host the U.S. premiere of Jeeves Takes Charge, based on a short story by P.G. Wodehouse. It will run in Spring 2027.

    In the play, the brilliant and unflappable valet Jeeves returns to rescue his well-meaning but hapless employer, Bertie Wooster, from a tangle of romantic entanglements and social disasters. The fast-paced comedy sparkles with clever wordplay, charming characters, and delightfully absurd situations.

    The season will wrap up in Summer 2027 with Honky Tonk Angels, which features songs by Dolly Parton, Loretta Lynn, and Tammy Wynette.

    The spirited, feel-good musical celebration follows three women who set out for Nashville in search of their dreams. Packed with humor, heart, and hits, the revue is a joyful tribute to friendship, perseverance, and the enduring power of country music.

    Season tickets will go on sale on March 15, starting at $169 per person until June 1, when prices will increase to $189 per person.

    New or renewed season tickets are available for purchase by visiting watertowertheatre.org, calling 972-450-6232, or by email at boxoffice@watertowertheatre.org.

    Single tickets will go on sale for non-subscribers in late summer 2026.

    WaterTower Theatre still has three productions remaining in its 2025-2026 season, including Good Night, Oscar (March 24-April 12), School of Rock (May 19-31), and Wonderland (September 15-27).

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