Theater Critic Picks

Best of 2018-19 get standing O from Dallas-Fort Worth theater critics

It was a strong season for women in Dallas-Fort Worth theater, not just acting-wise but also directing, music directing, writing, designing, leading, and playing musical instruments.

That made it that much harder for the eight critics of the DFW Critics Forum to narrow down our choices for the best of 2018-19. There was much debating, much lobbying, only a little name-calling (kidding), but eventually we finalized our list.

Not everyone's picks made it through the voting process, which needed either more than 50 percent of the votes or a unanimous decision if only two or three critics had seen the production. Look for personal favorites not included here to pop up in critics' end-of-year lists.

Without further ado, here are the awards:

Outstanding Direction:

Tim Bond, Sweat, Dallas Theater Center
Kelsey Leigh Ervi, Everything Is Wonderful, WaterTower Theatre
Joel Ferrell, Sweeney Todd: The Demon Barber of Fleet Street, Circle Theatre
Jonathan Fielding and Brenda Withers, Artist Descending a Staircase, Amphibian Stage Productions
Alex Organ, Incognito, Second Thought Theatre
Mara Richards Bim and Tim Johnson, Crossing the Line, Cry Havoc Theater Company and Kitchen Dog Theater
Christie Vela, What We Were, Second Thought Theatre
Ashley H. White, Ghost Quartet, Imprint Theatreworks

Outstanding New Play or Musical

Crossing the Line, ensemble of Cry Havoc Theater Company
penny candy, Jonathan Norton, Dallas Theater Center
Jo & Louisa, Isabella Russell-Ides, WingSpan Theatre Company
What We Were, Blake Hackler, Second Thought Theatre

Outstanding Performance by an Actor

Chad Cline, Raptured, Theatre Three
Sonny Franks, The Cake, Uptown Players
Blake Hackler, Twelfth Night, Dallas Theater Center; and Drunk Enough to Say I Love You & Here We Go, Second Thought Theatre
David Meglino, In the Next Room (or The Vibrator Play), Imprint TheatreWorks; and Angels in America, Part Two: Perestroika, Uptown Players
Steven Pounders, Everything Is Wonderful, WaterTower Theatre
Christopher Llewyn Ramirez, Sweat and Twelfth Night, Dallas Theater Center
Drew Wall, Incognito, Second Thought Theatre

Outstanding Performance by an Actress

Betty Buckley, Hello, Dolly!, Dallas Summer Musicals
Sarah Gay, Sweeney Todd: The Demon Barber of Fleet Street, Circle Theatre
Ana Hagedorn, Steel Magnolias and The Wolves, Dallas Theater Center; and The Armor Plays: Cinched & Strapped, Theatre Three
Lindsay Hayward, Fur, Teatro Dallas
Jennifer Kuenzer, In the Next Room (or The Vibrator Play), Imprint Theatreworks
Laura Lites, Disaster!, Uptown Players
Shannon McGrann, The Cake, Uptown Players; Raptured, Theatre Three; Incognito, Second Thought Theatre; A Doll’s House, Part 2, Stage West
Christine Sanders, Artist Descending a Staircase, Amphibian Stage Productions; and Obama-ology, Jubilee Theatre
Lucy Shea, Bright Star, The Firehouse Theatre
Sally Nystuen Vahle, Sweat and Steel Magnolias, Dallas Theater Center

Outstanding Performance by an Ensemble Cast

Bright Star, The Firehouse Theatre
Crossing the Line, Cry Havoc Theater Company
Ghost Quartet, Imprint Theatreworks
Incognito, Second Thought Theatre
Men on Boats, Circle Theatre
penny candy, Dallas Theater Center
What We Were, Second Thought Theatre
The Wolves, Dallas Theater Center

Outstanding Touring Production

Aladdin, Dallas Summer Musicals
Hamilton, Dallas Summer Musicals
Hello, Dolly!, Dallas Summer Musicals
The Play That Goes Wrong, AT&T Performing Arts Center
Unveiled, WaterTower Theatre

Outstanding Design or Creative Contribution

Vonda K. Bowling, music direction, The Ballad of Little Jo, WaterTower Theatre
Aimee Hurst Bozarth, pianist and musical associate, Sweeney Todd: The Demon Barber of Fleet Street, Circle Theatre
Design team, Artist Descending a Staircase, Amphibian Stage Productions
Design team, Everything Is Wonderful, WaterTower Theatre
John M. Flores, sound design, What We Were, Second Thought Theatre
Olivia de Guzman, music, and Justin Locklear, lyrics, Doom McCoy and the Death Nugget, Ochre House Theater
Rusty Jones, scenic design, Babette’s Feast, Amphibian Stage Productions
Justin Locklear, score, Elwood, and puppet design, Doom McCoy and the Death Nugget, Ochre House Theater
Kelly McCain, choreography, Bright Star, The Firehouse Theatre
Adam C. Wright, music direction, Ghost Quartet, Imprint Theatreworks

Special Citations

To Katherine Owens (1957-2019), co-founding artistic director of Undermain Theatre, for groundbreaking work in experimental theater and excellence in producing modern classics, staging 35 world premieres in 35 years, and seeding the ground for the birth of exciting new companies in North Texas over the past three decades.
To Cora Cardona, founder and former artistic director of Teatro Dallas, for introducing North Texas audiences to writers from the Spanish-speaking world, giving emerging theater artists a home, creating the International Theater Festival, and keeping alive the legacy of Teatro Dallas.
To Joanie Schultz for her brief but significant contributions during her tenure as artistic director of WaterTower Theatre (December 2016–December 2018), including championing female directors, playwrights of color, and other inclusive initiatives; encouraging new works; and reinvigorating the DFW theater scene.
To Mara Richards Bim, Tim Johnson, Cry Havoc Theater Company, and Kitchen Dog Theater for creating Crossing the Line, a thorough and compelling look at the immigration controversy devised through extensive research that included a trip to the border to gather facts and opinions from a wide range of sources. Bim and Johnson edited hundreds of pages of interview transcripts into a narrative that delved deeply into the immigration issue.

Participating Critics

Lindsey Wilson, CultureMap
Janice L. Franklin, TheaterJones.com
Jan Farrington, TheaterJones.com
Martha Heimberg, TheaterJones.com and Dallas Weekly
Arnold Wayne Jones, Dallas Voice
Mark Lowry, TheaterJones.com
Manny Mendoza, Dallas Morning News
Jill Sweeney, TheaterJones.com

Dallas-Fort Worth Theater Critics Forum is an organization of professional, paid critics that recognizes outstanding theatrical contributions in North Texas. Members see 40 or more productions per season (Sept. 1-Aug. 31) and are not practicing theater artists.

Circle Theatre's production of Sweeney Todd: The Demon Barber of Fleet Street secured awards for director, actress, and creative contribution.

Photo by Tim Long

Circle Theatre's production of Sweeney Todd: The Demon Barber of Fleet Street secured awards for director, actress, and creative contribution.

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Theater Critic Picks

These are the 12 must-see shows in Dallas-Fort Worth theater for December

Photo by Jeffrey Schmidt

Theatre Three presents Scrooge in Rouge through December 17.

It's here: holiday show time. Many of them opened at the end of November, so we're including them here for your planning ease.

Whether you're looking for something family-friendly, a play the in-laws will love, or a performance that has nothing to do with the holidays at all, read on.

In order of start date, here are 12 local shows to watch this month:

Jada Bells - A Holiday Extravaganza
Uptown Players, through December 10
Dallas drag performer Jada Pinkett Fox, aka Lee Walter, will show off her charisma, stage presence, and voice as she brings her unique blend of glamour, humor, and talent to the stage. Jada will be joined by musical guests, each bringing their own flair and style. The holiday-themed extravaganza, written and directed by BJ Cleveland, features classic holiday favorites and contemporary hits.

Black Nativity
Bishop Arts Theatre Center, through December 17
For 19 years, Bishop Arts Theatre Center's annual holiday production of Black Nativity, inspired by Langston Hughes's iconic 1960 Broadway show, is back with a mesmerizing display of hand-clapping, toe-tapping, and finger-snapping theatrical wonderment like never before.

Poor Clare
Stage West, through December 17
Meet Clare: a stylish teen living in medieval Italy, trying out the newest hairstyles, and keeping up with the latest fashions and juicy town gossip. But everything changes when she meets a man named Francis who has started ranting in the streets. Her mother, sister, and maids don’t understand it, but this man’s ideas are, like, totally starting to make sense – and now she can’t unsee the world he has shown her.

Scrooge in Rouge
Theatre Three, through December 17
After a widespread case of food poisoning wipes out the majority of The Royal Music Hall Twenty-Member Variety Players, three surviving members of the company soldier on through a performance of A Christmas Carol that abounds in bad puns, naughty double-entendres, and witty songs.

A Charlie Brown Christmas
Dallas Children's Theater, through December 23
Rediscover the true reason for the season while sharing laughs with the Peanuts Gang along the way. Accompanied by a live combo, Charles Schulz’s classic special will make audiences nostalgic for days gone by.

The Best Christmas Pageant Ever: The Musical
Casa Mañana, through December 23
Based on the best-selling book and play by Barbara Robinson, The Best Christmas Pageant Ever: The Musical is the story of the Herdmans, who are the worst kids in the history of the world. They lie, they steal, they bully other kids, and they smoke smelly cigars. There used to be only one place where you’d never see them: church.

A Gospel Black Nativity
Jubilee Theatre, through December 24
Black Nativity is an adaptation of the Nativity story by Langston Hughes, performed by an entirely Black cast. Hughes was the author of the book, with the lyrics and music being derived from traditional Christmas carols, sung in gospel style, with a few songs created specifically for the show.

A Christmas Carol
Dallas Theater Center, through December 30
Three spirits have come to visit the miserly Ebenezer Scrooge, and to take him on a fantastic journey through Christmases past, present, and future. Brimming with joyful songs, magical spirits, and holiday cheer, this holiday classic embodies a story of joy, redemption, and the spirit of Christmas.

Safe at Home
Kitchen Dog Theater, December 7-10
An engaging and provocative site-specific work designed to be performed inside a baseball stadium, the second-ever professional production of Safe at Home examines the complex intersection between baseball, politics, and the American Dream. Lead by tour guides, pods of audience members travel throughout the stadium to nine different spaces, ranging from a luxury suite to the men’s room to the dugout, as the patrons — not the cast — move from scene to scene.

Deathtrap
Theatre Three, December 7-31
Without a success to his credit for some years, Sidney Bruhl receives a new potential hit script called Deathtrap that was written by his student. Sidney plots with his reluctant wife Myra about how best to plagiarize the play and the evening takes a hilarious and dangerous turn.

The Cher Show
Broadway at the Center, December 14-16
Superstars come and go but Cher is forever. The Cher Show is the Tony Award-winning musical of her story, and it’s packed with so much Cher that it takes three women to play her: the kid starting out, the glam pop star, and the icon.

Les Miserables
Broadway Dallas, December 20-31
Set against the backdrop of 19th-century France, the production tells an enthralling story of broken dreams and unrequited love, passion, sacrifice and redemption — a timeless testament to the survival of the human spirit. The epic and uplifting story has become one of the most celebrated musicals in theatrical history.

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