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    Theater Critic Picks

    These are the 13 can't-miss shows in Dallas-Fort Worth theater for April

    Lindsey Wilson
    Apr 3, 2023 | 11:45 am
    Dallas Theater Center presents Into the Woods
    Photo by Jordan Fraker

    New, fresh vibes are all over the place this month, especially when it comes to theater. Expect lots of new works, regional premieres, and even a fun riff on a theatrical juggernaut.

    In order of start date, here are 13 local shows to watch this month:

    Junie B. Jones is Not a Crook
    Casa Mañana, through April 9
    Something terrible happened to Junie B Jones at school today: someone stole her new furry mittens! When Junie B. finds a wonderful pen of many colors, she should be allowed to keep it, right? Because finders keepers, losers weepers. And guess what? There’s a new boy in kindergarten and he is the handsomest. The only thing is both Grace and Lucille want him to be their boyfriend. Maybe he will love Junie B. when he sees her wonderful pen. It is okay to keep it, right? Junie B. Jones is not a crook … or is she? Based on the best-selling book series by Barbara Park, this show is suitable for all audiences.

    The Mountaintop
    Circle Theatre, through April 15
    The Mountaintop is a gripping re-imagination of events the night before the assassination of the civil rights leader Dr. Martin Luther King Jr. On April 3, 1968, after delivering one of his most memorable speeches, an exhausted Dr. King retires to his room at the Lorraine Motel while a storm rages outside. When a mysterious stranger arrives with some surprising news, King is forced to confront his destiny and his legacy to his people.

    Anastasia
    Broadway at the Center, April 6-8
    From the Tony Award-winning creators of the Broadway classic Ragtime, Anastasia transports us from the twilight of the Russian Empire to the euphoria of Paris in the 1920s as a brave young woman sets out to discover the mystery of her past. Pursued by a ruthless Soviet officer determined to silence her, Anya enlists the aid of a dashing conman and a lovable ex-aristocrat. Together, they embark on an epic adventure to help her find home, love, and family.

    The Butterfly's Evil Spell
    Theatre Three, April 6-30
    In a whimsical world of beetles, scorpions, and bugs of all sorts, a beetle falls in love with an injured butterfly. An "insect comedy" written in verse, The Butterfly’s Evil Spell is a story about unrequited love in a “green and humble meadow” covered in dewdrops on the side of the road in South Texas.

    A Light in Dark Places
    Bath House Cultural Center, April 7-15
    This is the return of five short plays working together to break down the stigma surrounding the topic of suicide, using a mix of comedy and drama to encourage healthy discussion, create community, and offer hope to those affected. Performances will be followed by a Q&A featuring members of the ALIDP team and mental health professionals, as well as a reception.

    Into the Woods
    Dallas Theater Center, April 7-30
    The enchanted story begins with the Baker and his wife and their desire for a child. When they engage with the vengeful Witch, the adventure brings childhood storybook characters Cinderella, Jack, Rapunzel, a Wolf, giant, and of course a charming prince, "into the woods" for an incredible journey.

    He's Born, He's Borne
    Undermain Theatre, April 12-30
    He's Born, He's Borne explores a primitive, medieval world which exists outside of actual human history. The inhabitants of this world are agrarian peasants who work the land, and are all too human in their battles to live in spite of their superstitions and struggles. When a young child falls from a tree, the angel of death comes to claim him for the underworld.

    Spamilton: An American Parody
    Casa Mañana, through April 14
    Gerard Alessandrini, the comic mastermind behind the long-running hit Forbidden Broadway, has done it again with a side-splitting new musical parody of Broadway's biggest historical hit ever. Spamilton: An American Parody is the story of a very famous writer/director/star trying to save Broadway from mediocrity and oblivion. Along the way this sharp and lovable genius not only takes aim at Broadway's mega-hit, but manages to make hysterical mince meat out of all current and classic Broadway, plus a good deal of pop culture, too.

    Origenes/Origins
    Cara Mia Theatre, April 15-30
    This new bilingual play, created in collaboration with Mexico City’s Laboratorio de la Máscara, tells the immigrant story of a teenager sent by her family to live with her father in the United States. Featuring masks, movement, and original music by Peruvian composer Fabricio Cavero, Orígenes/Origins will be performed mostly in Spanish with English supertitles.

    Tootsie
    Broadway Dallas, April 18-30
    Tootsie is a laugh-out-loud love letter to the theater, based on the Oscar-nominated film. It tells the story of Michael Dorsey, a talented but difficult actor who struggles to find work until one show-stopping act of desperation lands him the role of a lifetime. It features a Tony-winning book by Robert Horn and an outrageously clever score by 2018 Tony winner David Yazbek.

    The Manic Monologues
    WaterTower Theatre, April 19-30
    When creator Zack had his first psychotic break and was diagnosed with bipolar in May 2017, he was just finishing his PhD at Stanford University — and his world imploded. Would mental illness dictate his whole life? Would everything change? Zack was underwater, and his then-girlfriend Elisa (and future co-creator) had no way of knowing whether her happy, gregarious partner-in-crime would ever resurface. This series of vignettes is having its regional premiere here.

    The Tucker New Works Project
    Soul Rep Theatre Company, April 22
    Celebrating the legacy of Dianne Tucker, these commissioned new works include a world premiere by Erin Malone and a staged reading directed by Anyika McMillan-Herod.

    Baba
    Amphibian Stage, April 27-May 7
    Baba chronicles the tender, funny, and complex relationship between a newly immigrated father and his U.S.-born daughter. Freedom and family collide when Mohammad’s search for the American dream leads Layla on a quest home to Egypt 30 years after the story begins.

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    Season announcement

    Mystic Pizza's Dallas premiere leads new AT&T PAC Broadway season

    Alex Bentley
    Apr 10, 2026 | 1:28 pm
    Mystic Pizza: A New Musical
    Photo courtesy of Lively McCabe Entertainment
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    The 2026-2027 Broadway at the Center season at Dallas' AT&T Performing Arts Center will feature a mixture of new and returning shows, including several recent Tony Award-nominated productions.

    According to a release, the main season will consist of five musicals: Mystic Pizza: A New Musical, Shucked, Beetlejuice, The Who’s Tommy, and The Wiz. All productions take place at Winspear Opera House in downtown Dallas.

    They will be joined by two previously-announced co-productions with Broadway Dallas - The Notebook and Hadestown - as well as TITAS/Dance Unbound co-production, Dance Me - The Music of Leonard Cohen.

    First up will be Dance Me - The Music of Leonard Cohen, a creation inspired by the work of famed Montreal-based poet, artist, and songwriter Leonard Cohen, performed by Ballet Jazz Montreal.

    The homage to the iconic artist evokes the grand cycles of existence in five seasons, as described in Cohen’s deeply reflective music and poems. There will be performances on September 18 and 19, 2026.

    The first theater production will be Mystic Pizza: A New Musical, making its Dallas premiere. It is based on the 1988 rom-com that tells the story of three working-class girls who navigate the complexities of life, love, and family in a small-town pizza joint.

    The score features megahits of the '80s and '90s, including songs originally recorded by Melissa Etheridge, Cyndi Lauper, John Cougar Mellencamp, and more. It will run November 20-22, 2026.

    After the Broadway Dallas co-production of The Notebook, running January 12-24, 2027, the season picks up again with the return of Shucked, which played at the Music Hall at Fair Park in December 2024.

    In the Tony Award-winning comedy, the corn that protects a small community starts to die. The town needs answers. But who will dare to venture beyond the borders of Cob County?

    The Broadway hit, running March 19-21, 2027 is about an unlikely hero, an unscrupulous con artist, and a battle for the heart and soil of a small town.

    Hadestown will follow shortly thereafter, running March 30-April 4, 2027, before the third Broadway Dallas co-production of the season, Beetlejuice, running April 28-May 2, 2027.

    The musical, which previously came to Dallas in early 2024, is based on Tim Burton’s 1988 film and tells the story of Lydia Deetz, a strange and unusual teenager whose whole life changes when she meets a recently deceased couple and a demon with a thing for stripes.

    June 2027 will bring the final two productions of the season, The Who’s Tommy (running June 3-5) and The Wiz (running June 10-13).

    The Who's 1969 rock opera is about the young Tommy Walker whose innate knack for pinball catapults him from reticent adolescent to celebrity savior. It features the anthems “I’m Free,” “See Me, Feel Me,” “Sensation,” and “Pinball Wizard.”

    The Wiz, which just came to Dallas in September 2025, is a groundbreaking twist on The Wizard of Oz that features soul, gospel, rock, and '70s funk that puts Dorothy’s journey to find her place in a contemporary world.

    “This season is designed to welcome both longtime subscribers and new audiences with a lineup that celebrates the full range of Broadway - from high-energy crowd pleasers and reimagined classics to bold contemporary storytelling,” said Warren Tranquada, CEO and President of the AT&T Performing Arts Center, in a statement.

    For the first time in their partnership with Broadway Dallas, Broadway at the Center subscribers will enjoy early access and full subscriber benefits for Beetlejuice through May 1.

    After May 1, all ticket purchases, customer service questions, and support for Beetlejuice will be handled directly by Broadway Dallas.

    The Center offers a flexible subscription package that allows patrons to choose four or five shows from the season lineup, with the option to add or remove shows by contacting the box office directly.

    Subscription package prices range from $150-$660, and sales begin on Monday, April 13, 2026. Packages may be purchased by phone at 214-880-0202, or online at attpac.org/broadway.

    att performing arts centerbeetlejuicebroadway at the centermusicmystic pizzaperforming-artsthe wiztheaterwinspear opera house
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