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    Texas Icon

    New book by Jan Reid explores why Ann Richards continues to fascinate and endure

    Tarra Gaines
    Nov 17, 2012 | 12:18 pm
    • Ann Richards was a born entertainer, author Jan Reid says.
      Photos courtesy of the Dolph Briscoe Center for American History. From Let thePeople In: The Life and Times of Ann Richards by Jan Reid, © 2012, TheUniversity of Texas Press
    • Let the People In: The Life and Times of Ann Richards, by Jan Reid.
      Courtesy photo
    • Author Jan Reid believes Richards lives on so vividly in our memories becauseshe was “such a refreshing difference from what we see now.”
      Courtesy photo
    • Photo of a young Ann Richards.
      Photos courtesy of the Dolph Briscoe Center for American History. From Let thePeople In: The Life and Times of Ann Richards by Jan Reid, © 2012, TheUniversity of Texas Press
    • Richards in her later years.

    Though Texas remains very much a Republican state, one Texas Democrat still holds a high approval rating throughout the country. With a documentary making the film festival rounds, the play Ann headed for Broadway and now a biography on her life hitting the bookstores, Texas’ own white hot mama, Ann Richards, still blazes in our imagination six years after her death.

    Why does her life, personality and politics still fascinate us? This is the question I posed to Jan Reid the author of Let the People In: The Life and Times of Ann Richards.

    In this political world of scripted politicians and 30-second sound bites, Reid believes Richards lives on so vividly in our memories because she was “such a refreshing difference from what we see now.”

    Reid says Ann Richards understood style and show business and used them to accomplish her goals in government.

    Reid, a journalist and novelist, first met Richards in 1980 and would later serve as an advisor on environmental policy during her 1990 race for governor. During her governorship, he was sometimes a speech writer for her appointee John Hall, who served as chair of the Texas Natural Resource Commission. (Reid’s wife, Dorothy Brown, was a friend of Ann’s who served as a chief aide on her staff.)

    In the prologue to the book, Reid is upfront about his connection with Richards.

    “I knew people would know who I was and who my wife was, so if I wrote a puff piece about Ann Richards, I’d just get beat to hell. I was really taking pains to give the warts in addition to the smiles.

    “I was really careful about that. But I also thought I had to be upfront about it,” he says. “I couldn’t pretend that I was never in the picture and that I didn’t have a personal relationship with her. [But] I didn’t want that to intrude.”

    The real Ann Richards?
    During the book’s recounting of her run for Texas governor, Reid references an October 1990 Texas Monthly profile of Richards where she says, “Everybody wanted to let Ann be Ann. And they all had different Anns.” I ask Reid if this was also a problem he had to confront when writing the book.

    “Well, yeah, particularly the more I found about her other periods,” he says. “I had the picture of her when she was 47 years old, when her political career was just taking off. But I kept finding layers and layers of Ann both from what people told me and that wealth from the archive.”

    Reid found an Ann who “had a lot of fear. She was fragile in a lot of ways. That was the biggest surprise to find how human she was.”

    Reid says that researching and speaking with her friends and family who knew her before she began running for political offices led him to understand that the woman we remember striding that motorcycle with white hair piled high as the Texas skies was one of many Anns.

    “When she decided to become Ann the public person, she created the persona that worked pretty well for her. Not to say this was a dishonest strategy on her part. She was a born entertainer,” he explains, adding that she understood style and show business and used them to accomplish her goals in government.

    Yet by delving into some of Richards' correspondences, especially those between Richards and Edwin “Bud” Shrake, who in the prologue of the book Reid describes as the “second great love of her life,” Reid found a Richards who “had a lot of fear. She was fragile in a lot of ways. That was the biggest surprise to find how human she was. It was good to discover that.”

    Though deeply focused on mapping the “amazing narrative arc” of her life, Reid pauses throughout the book to provide historical and cultural context for the reader. All this background information helps us understand how Texas created Richards and how Richards changed Texas.

    The many photographs of Richards with political and media celebrities included in the book also help give the impression that Richards knew everybody and was always in the center of the action. When I make this observation, Reid agrees.

    “Oh she did,” he says. “Her family was way too close for comfort near the Kennedy assassination. She had these very unpleasant face-to-face encounters with LBJ and Carter. She was in New York during 9/11. There was big earthquake in San Francisco in the '80s and she happened to be in San Francisco. It seemed like she was just everywhere all the time.”

    “You hear a lot about the cracks in the glass ceiling,” Reid says. “Well, Ann Richards put some of them up there.”

    Ann Richards’ legacy
    Though Texas might remember Richards with great fondness, I wondered if Reid still saw her presence in the current political landscape. Reid says he continues to see Richards’ influence, even in Gov. Rick Perry’s administration, when it comes to diversity in political appointments. Thanks to Richards, we can never go back “to the old, white boys club.”

    “She was also the first ardent feminist elected to a major office in the United States,” he says. “You hear a lot about the cracks in the glass ceiling. Well, she put some of them up there. Hillary Clinton considered Ann her mentor when she was first lady and then Senator of New York.”

    As we finish our conversation, I have to ask Reid if he felt a sense of deja vu when watching Richards’ daughter, Cecile Richards, the current president of Planned Parenthood, speak at the Democratic Convention.

    “Of course. Cecile is a star — just in a different way — just like her mother was. She’s just blossomed, as all her children have,” he says.

    “But Cecile’s a politician. She can’t come back to Texas and run for office, it doesn’t seem, but she’s probably accomplishing more now than she would if she had an office. The last many weeks of the presidential campaign she was on the road with Obama. He was seeking her council all the time.”

    And how would Richards feel about that campaign and its outcome? Reid believes, “To have been able to see that in her lifetime would have just been amazing to her.”

    unspecified
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    Theater News

    Addison's WaterTower Theatre to stage U.S. premiere on 2026-27 season

    Alex Bentley
    Feb 27, 2026 | 3:30 pm
    Miriam Teak Lee
    Photo courtesy of Miriam Teak Lee
    Actress Miriam Teak Lee will open the 26-27 WaterTower Theatre season with a special concert of Broadway songs.

    WaterTower Theatre in Addison has mapped out a relatively small slate for its 31st season, but it's one that features works by some big names and a national premiere.

    None of the events/productions taking place in WaterTower's 2026-2027 season have official dates yet, but the company has revealed the full details about each of them.

    Starting things off will be Broadway by North Texas, featuring Olivier Award-winning actress Miriam Teak Lee, which is scheduled for sometime in Fall 2026.

    The special concert event by Lee, who starred in & Juliet on the West End in London, will feature the English actress performing Broadway favorites and contemporary musical theater highlights.

    The first play of the season will be Neil Simon's Biloxi Blues, taking place at some point in Winter 2027. It's a semi-autobiographical play, the second chapter in what is known as Simon's Eugene trilogy following Brighton Beach Memoirs.

    It follows the next chapter of Eugene Morris Jerome’s journey as he leaves Brooklyn behind for basic training in Biloxi, Mississippi, during World War II. The play captures the bonds formed among a group of young soldiers as they navigate the pressures of military life, first loves, and the uncertainty of the future.

    WaterTower Theatre will next host the U.S. premiere of Jeeves Takes Charge, based on a short story by P.G. Wodehouse. It will run in Spring 2027.

    In the play, the brilliant and unflappable valet Jeeves returns to rescue his well-meaning but hapless employer, Bertie Wooster, from a tangle of romantic entanglements and social disasters. The fast-paced comedy sparkles with clever wordplay, charming characters, and delightfully absurd situations.

    The season will wrap up in Summer 2027 with Honky Tonk Angels, which features songs by Dolly Parton, Loretta Lynn, and Tammy Wynette.

    The spirited, feel-good musical celebration follows three women who set out for Nashville in search of their dreams. Packed with humor, heart, and hits, the revue is a joyful tribute to friendship, perseverance, and the enduring power of country music.

    Season tickets will go on sale on March 15, starting at $169 per person until June 1, when prices will increase to $189 per person.

    New or renewed season tickets are available for purchase by visiting watertowertheatre.org, calling 972-450-6232, or by email at boxoffice@watertowertheatre.org.

    Single tickets will go on sale for non-subscribers in late summer 2026.

    WaterTower Theatre still has three productions remaining in its 2025-2026 season, including Good Night, Oscar (March 24-April 12), School of Rock (May 19-31), and Wonderland (September 15-27).

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