Theater Critic Picks

The 13 must-see shows in Dallas-Fort Worth theater for December

Dallas Theater Center presents A Christmas Carol (2024)

It wouldn't be December without A Christmas Carol from Dallas Theater Center.

Photo by Jordan Fraker

It's December, and we've thrown the rules out the window. There are plenty of shows still running from November that are either holiday-tinged or something you'd be wise to bring out-of-town guests to. After all, isn't most of December just figuring out how to entertain family?

Below are those five savior shows in alphabetical order, with eight soon-to-open plays and musicals following in their typical listing by start date:

A Charlie Brown Christmas
Dallas Children's Theater, through December 22
Discover the meaning of Christmas — or experience the nostalgia of childhood — while sharing laughs with the Peanuts Gang along the way. As a live combo fills hearts with music, merriment, and warmth, the story based on the Charles Schulz classic special is here just in time for the holidays.

A Christmas Carol
Dallas Theater Center, through December 28
Three spirits have come to visit the miserly Ebenezer Scrooge and take him on a fantastic journey through Christmases past, present, and future. Brimming with joyful songs, magical spirits, and holiday cheer, this holiday classic embodies a story of joy, redemption, and the spirit of Christmas.

Forever Plaid: Plaid Tidings
Lyric Stage, through December 22
The holiday classic by Stewart Ross opens Lyric Stage's 31st season. At first, Francis, Jinx, Smudge, and Sparky aren't sure why they've returned to Earth for another posthumous performance, but a phone call from the heavenly Rosemary Clooney lets them know that they're needed to put a little harmony into a discordant world.

Natasha, Pierre & the Great Comet of 1812
Theatre Three, through December 29
The vibrant musical spectacle set in 19th-century Russia, and based on a 70-page segment of Leo Tolstoy's War and Peace, lets romance and intrigue unfold amid glittering ballrooms and tumultuous relationships. Its score features a unique blend of electro-pop and Russian folk-inspired music.

The Play That Goes Wrong
Stage West, through December 22
WaterTower Theatre, December 31-January 12
At opening night of The Murder at Haversham Manor, things are quickly going from bad to horrible. With an unconscious leading lady, a corpse that can’t play dead, and actors who trip over everything (including their lines), the whole evening is a disastrous smash.

Opening in December:

Shucked
Broadway Dallas, December 3-15
This Tony Award-winning musical comedy features a book by Tony Award winner Robert Horn, a score by the Grammy Award-winning songwriting team of Brandy Clark and Shane McAnally, and direction by Tony Award winner Jack O’Brien. The corn-fed, corn-bred American musical is sure to satisfy an appetite for great musical theater.

Christmas with Kenny & Dolly
Casa Mañana, December 3-22
Fort Worth’s own Jolie Holliday returns to The Reid Cabaret for a production that celebrates Dolly Parton and Kenny Rogers' 1984 quadruple-platinum Christmas album. Get in the holiday spirit with songs like “Once Upon a Christmas,” “I Believe in Santa Claus,” “A Christmas to Remember,” “Silent Night,” and more.

Auntie Explains Xmas
Jubilee Theatre, December 5-15
In this heartwarming journey of holiday cheer from Jubilee Theatre's founding artistic director, Rudy Eastman, the family musical brings the magic of Christmases past and present.

Black Nativity
Bishop Arts Theatre Center, December 5-22
Inspired by Langston Hughes' 1960 Broadway production, Black Nativity returns with hand-clapping, toe-tapping, and finger-snapping theatrical wonderment for the 20th anniversary production at Bishop Arts Theatre Center. The holiday favorite is the heartwarming retelling of the Nativity story that includes Gospel music, dramatic dance, and biblical narrative.

A Queer Carol
Uptown Players, December 6-15
Written by Joe Godfrey, the contemporary retelling of Dickens' classic set in modern-day Manhattan follows Ben Scrooge, a prominent interior decorator, and his assistant Bob Cratchit, who endures the abuses of Scrooge while simultaneously trying to take care of his lover, Tim. With humorous twists on the three Ghosts, including an over-the-top drag queen as the Ghost of Christmas Present, this retelling through a queer lens promises to be a festive and thought-provoking experience.

Christmas Actually
Uptown Players, December 17
This one-of-a-kind cabaret show from Blake McIver (from Full House and The Little Rascals) and Emerson Collins (A Very Sordid Wedding and Southern Baptist Sissies) bring their signature flair, fun banter, and powerhouse vocals to kick-start the season.

Dear Evan Hansen
Broadway at the Center, December 19-21
Meet Evan Hansen, a high school student who always feels like he’s on the outside looking in. After writing a letter to himself that was never meant to be seen, Evan becomes entangled in a lie that was never meant to be told and a life he never dreamt could be his. As a result, Evan finally gets what so many of us are searching for: the chance to finally fit in.

Peter Pan
Broadway Dallas, December 25-January 5
This high-flying musical has been thrilling audiences of all ages for close to 70 years and is now being brought back to life in a new adaptation by celebrated playwright Larissa FastHorse, directed by Emmy Award winner Lonny Price and choreographed by Lorin Latarro.

holidays a christmas carol openings theater

Dance Off

Texas ballet company turns Timothée Chalamet dig into genius promotion

Courtesy

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It was a shot fired from Austin that rang out around the art world: In a recent CNN/Variety Town Hall featuring actors Timothée Chalamet and Matthew McConaughey, Chalamet offered an assessment of ballet and opera that immediately went viral.

During the onstage conversation at the University of Texas at Austin, Chalamet said, "I don't want to be working in ballet or opera, or you know, things where it's like, 'hey, keep this thing alive, even though like no one cares about this anymore.' All respect to the ballet and opera people out there. I just lost 14 cents in viewership."

Chalamet immediately seemed to experience a twinge of regret, awkwardly adding, "But um...damn, I just took shots for no reason." He also sang a note and hid his face behind the cards he was holding.

Stars of the art forms, from Andrea Bocelli to Misty Copeland, immediately began to leap (jeté, if you will) to the the defense of opera and ballet.

In a genius marketing move, Austin's hometown ballet company is taking the unique opportunity to turn a hot topic into a promotion for its next production: Ballet Austin is inviting anyone named Timothée, Timothee, or Timothy to claim a free ticket to its upcoming world premiere of Marie Antoinette: Vampire Queen of Versailles, running March 27-29 at the Long Center for the Performing Arts.

"Timothée… you were in Austin? We were literally down the street," a Ballet Austin post says. "Austin has brisket. Austin has music. Austin also has ballet."

All Timothées and folks with similar names will have to do to claim a ticket is send a message to Ballet Austin on social media and show identification. Everyone else who wants to see the supernatural show where "the line between victim and villain blurs" will have to purchase a ticket ($25-$125) at balletaustin.org.

Ballet Austin Marie Antoinette: Vampire Queen of Versailles Ballet Austin isn't afraid to add some edge to classic stories. Photo courtesy of Ballet Austin

Even if Chalamet's words were dismissive, he's obviously not wrong about the relative distribution of public interest between the classical arts and major films like Marty Supreme, the late 2025 film he stars in and is busy promoting. The film's commercially successful release set a record for A24, an already renowned studio.

Chalamet brought up ballet and opera in service of a larger point about pacing in movies. He said he exists in a middle ground as a consumer between wanting to be drawn in early and being more patient as a film progresses. Ultimately, he juxtaposed Barbie and Oppenheimer with the classical arts, pointing out that if the masses want to go see a film, they will "be loud and proud about it" organically, without needing performers to advocate for the seriousness of the art form.

Coincidentally, there couldn't be a better counterpoint to this argument than Marie Antoinette: Vampire Queen of Versailles.

As the title suggests, the story follows historical figure Marie Antoinette as she chooses to become a vampire, seeking "power, immortality, and vengeance," according to a press release. It takes a somewhat silly premise and gives it dramatic gravitas, with an original score by Austin composer Graham Reynolds, who is known outside of classical circles and sometimes composes for movie soundtracks.

"For Ballet Austin, the moment is an opportunity to remind audiences that ballet isn’t fading away," says a release about the new promotion. "It’s evolving, drawing new audiences and continuing to thrive in creative cities like Austin."

If Chalamet really does fall in the middle of instant and delayed artistic gratification, this sounds like the perfect production to draw him in.

And perhaps Ballet Austin should add people named Matthew to their promotion, since McConaughey threw the younger star a bone after his momentary walk-back, saying, "That's not a shot — I hear what you're saying."

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Stephanie Allmon Merry contributed to this story.

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