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Weekend Event Planner

These are the 9 best things to do in Dallas this weekend

Alex Bentley
Feb 25, 2021 | 6:00 am

While many events in and around Dallas have either been postponed or canceled during the coronavirus pandemic, organizations have pivoted to virtual or socially distanced events to continue offering the masses some entertainment while we need it the most.

Below are the best ways to spend your free time. While not every event is out of the house, they all promise to provide a nice distraction from the everyday life.

Thursday, February 25

Junior Brown in concert
Country singer Junior Brown is a true original, best known for his signature instrument, the "guit-steel" double neck guitar that is a hybrid of an electric guitar and lap steel guitar. Active since the early '80s, Brown has released 11 albums in his career, including 2018's Deep in the Heart of Me. He'll play two shows on Thursday at The Kessler.

Dallas Symphony Orchestra presents The Concert Truck
The Dallas Symphony Orchestra will present the residency of The Concert Truck, collaborative community concerts across the city featuring musicians of the DSO and other arts organizations. Concerts will be held outdoors at various locations through March 14, with audiences and performers able to maintain a safe distance while enjoying live performances. Locations this weekend include Medical City Medical Center – Children’s Hospital on Thursday, Nasher Sculpture Center on Friday, and Klyde Warren Park and The Sound at Cypress Waters on Saturday.

Kitchen Dog Theater presents CRAFT: Art of the Hooch & Pooch
After a false start due to weather last week, Kitchen Dog Theater will celebrate their 30th Anniversary with this series that looks back at a few of the world premiere plays they’ve produced over the years written by Artistic Company Members. The series starts with Pompeii!! with creators Cameron Cobb, Michael Federico, and Max Hartman. Virtual episodes will begin with a mixologist walking viewers through the creation of an original craft cocktail, followed by a deep dive conversation into the craft behind the creation with artists from the productions. There will be other episodes monthly through June.

Cirque Italia presents Paranormal Cirque
After two other stops in the area, Cirque Italia's Paranormal Cirque heads north to Denton. Under the black and red big top tent of Paranormal Cirque exists a crazy yet fun fusion between circus, theater, and cabaret in perfect harmony with the evolution of a show that brings audiences back to when they dream ... and when they had nightmares and fantasies. The show, continuing through March 7 at the North Texas Fairgrounds, is only for teenagers and above; no kids under 13 will be admitted.

Friday, February 26

The Dallas Opera presents Tosca
Since the Dallas Opera is still unable to present live productions, they are going back into their archives again to stream the company’s 2015 production of Giacomo Puccini’s Tosca. The passionate, star-studded production was originally presented in 2015, including a live simulcast at Klyde Warren Park. The stream will be available to view at any time through March 27.

Improv Addison presents DeRay Davis
Comedian DeRay Davis has been killing it on stage, in movies, and on TV for years. His film credits include Semi-Pro, both Barbershop movies, and Johnson Family Vacation. On the small screen, Davis has appeared in HBO's Entourage, Comedy Central's Reno 911, and provided numerous voices on The Boondocks. He'll perform five times through Sunday at Improv Addison.

Saturday, February 27

Jonathan Tyler in concert with Desure
Jonathan Tyler is a Dallas-based musician who has received national attention, opening for major acts like Erykah Badu, Leon Russell, Deep Purple, The Black Crowes, Kool and the Gang, and more. Tyler and his band, the Northern Lights, have released three studio albums in their career, including 2015's Holy Smokes. He'll perform at The Kessler, with Desure as the opening act.

Sunday, February 28

New exhibitions at Dallas Museum of Art (UPDATE: The opening of these exhibits is being postponed one week to March 7.)
The Dallas Museum of Art will open two new exhibitions on Sunday, most notably "Frida Kahlo: Five Works," which gives visitors the rare opportunity to see five exquisite works by the acclaimed Mexican painter Frida Kahlo. Also opening is "Devoted: Art and Spirituality in Mexico and New Mexico," which features devotional works drawn from the DMA’s Latin American collection, exploring interrelated artistic traditions in the two regions. The Frida Kahlo exhibition will run through June 20, while "Devoted" will remain on display through January 2, 2022.

Bruce Wood Dance presents WOOD/SHOP
Bruce Wood Dance presents the first installment of the virtual series WOOD/SHOP. The first event will feature two premieres: Gabriel Speiller's Roses in December, an emotive trio of dancers winding through the twisting terrain of loss, grief, and hope; and Megan Storey's The Silence That Wakes Us, a riveting rush of movement with a compelling play of sound and silence inspired by reflections of her personal experiences with loss. It also includes a unique film project made by Cole Vernon.

Bruce Wood Dance presents the virtual series WOOD/SHOP on February 28.

Gabriel Speiller - Roses in December
Photo by Sharen Bradford
Bruce Wood Dance presents the virtual series WOOD/SHOP on February 28.
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Movie Review

Survival takes on new meaning in intense but hokey Whalefall

Alex Bentley
Oct 16, 2026 | 11:35 am
Austin Abrams in Whalefall
Photo courtesy of 20th Century Studios
Austin Abrams in Whalefall.

Austin Abrams has been a professional actor for 15 years, but the 30-year-old seems to just now be getting his due. After years of mostly supporting roles in films like Paper Towns, Brad’s Status, and Weapons, he has been charged with leading two films in 2026 where he’s largely acting by himself: First Resident Evil and now Whalefall.

Abrams plays Jay Gardiner, who has returned home to California a year after the death of his hard-ass father, Mitt (Josh Brolin). The two had a tempestuous relationship, and while his mom (Elisabeth Shue) and sisters (Jane Levy and Emily Rudd) reminisce fondly about him, Jay finds it difficult to come up with good memories. The two did share a connection with the ocean, and Jay decides to honor him by going scuba diving.

Ignoring warnings of whale activity in the area, Jay makes his way out into a notoriously dangerous part of the ocean near their home. Soon after he starts swimming, he encounters a sperm whale chasing after a giant squid. Jay inadvertently gets sucked into the enormous creature’s mouth and, ultimately, inside its body. Faced with a seemingly inescapable situation, Jay’s only hope lies in the lessons his father taught him.

Directed by Brian Duffield and adapted by Duffield and Daniel Kraus from Kraus’ book of the same name, the film is at its best when it depicts Jay struggling to survive within the whale. The claustrophobic nature of the setting and the various obstacles (multiple contracting chambers, the squid, and more) he faces make every scene inside the whale feel as intense and cover-your-eyes scary as any great horror movie.

Naturally, the entire movie can’t be about his survival efforts, and so the filmmakers toggle back and forth between Jay’s ordeal in the whale to memories of times with his father. Not so coincidentally, these remembrances come with subtle or overt wisdom from Mitt that would serve Jay well in his current situation. More often than not, these flashback scenes are so on-the-nose that they come off as cheesy instead of inspirational.

It’s also difficult to derive any big emotions from the story other than revulsion at the way Jay’s body is brutalized while he’s inside the whale. None of the characters in the film receive a notable introduction to the audience before big events start happening. It’s next-to-impossible to be invested in their stories when their personalities are being revealed in bits and pieces throughout the movie.

Abrams does well enough in bringing out the terror Jay feels in the whale and the sullenness/anger he has toward his father in other scenes. But whether it’s because his lines in the whale are hard to understand (he’s often talking around a scuba mouthpiece) or the disconnect the character has with father, there’s just something missing in his performance. Brolin’s performance is one-note, and Shue, Levy, Rudd, and John Ortiz don’t appear enough to make a big impact.

With Kraus onboard as the co-writer of the film, it may be the case that Duffield was not given leeway to change the story of Whalefall too much. What might have worked in the book doesn’t seem to translate equally to the film, and while Jay’s nightmare in the whale is effective, the rest of his story doesn’t come across as successfully.

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Whalefall is now playing in theaters.

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