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    Education Is Fun

    7 best museums in Dallas-Fort Worth to have fun with the whole family

    Alex Bentley
    Jun 2, 2014 | 8:30 am

    Whether it's a random weekend in winter or the middle of summer, keeping children busy and entertained when they're out of school is a big concern for all parents. But giving them mindless activities to do can't always be the answer.

    Luckily, Dallas-Fort Worth is chock-full of museums that stimulate kids' minds while also letting them have a ton of fun. These are the seven that do it best.

    Perot Museum of Nature and Science
    Dallas' newest museum almost instantly became its most kid-friendly when it opened in 2012. Yes, there's an actual children's museum that gives the young ones their own special area in which to play, but the entire museum is so insanely interactive that there's almost no spot they won't enjoy.

    The museum features 11 exhibit halls where you can do such things as experience an earthquake, make music, build a robot or remote control car, put on 3D glasses and pretend you're a bird, conduct actual science experiments, create your own virtual dinosaur, race against a Tyrannosaurus rex, and much more.

    Add in a theater, now sponsored by National Geographic, showing cool 3D nature movies and a fun — and free — courtyard area out front, and you have a spot that can be explored for hours on end.

    Fort Worth Museum of Science and History
    The Perot Museum of Nature and Science may be getting all the recent attention, but Fort Worth boasts its own go-to science museum. It has been in existence since 1968 and got a brand-new building in 2009.

    Its children's museum features a variety of activities good for younger kids, including the opportunity to observe live reptiles and amphibians. The museum's DinoDig, where you can pretend to be a paleontologist, has been a favorite with visitors since it debuted in 1993.

    With exhibits tying in everything from Curious George to Indiana Jones, they know how to bring in pop culture references to keep things interesting.

    And don't forget about the "history" part: In addition to the history evident in the permanent exhibits, the museum occasionally brings in special exhibits like one featuring artifacts from the Titanic.

    C.R. Smith Museum
    There's almost no business more synonymous with Dallas-Fort Worth than American Airlines. It's had flights originating here as early as the 1940s, and its headquarters have been in Fort Worth since 1979.

    The C.R. Smith Museum — one of several flight-related museums in the area — celebrates that history with exhibits that let you see the variety of airplanes the carrier has featured, interactive features that guide you through the years and behind-the-scenes looks at everyone from the flight attendants to the baggage handlers.

    But the biggest draw by far is the flight simulator, in which you can pretend you're a pilot flying over the San Francisco Bay Area.

    Dallas Museum of Art/Nasher Sculpture Center/Crow Collection of Asian Art
    Yes, these are three separate places, but because of their proximity to each other in the Dallas Arts District and their collaborations on kid-friendly events, tying them together only makes sense.

    The DMA has a variety of programs aimed at children as young as 2 that introduces them to certain special areas of the museum and then encourages them to make art of their own. It's also free to get in, making it an obvious draw for cost-conscious parents.

    To reach out to children, the Nasher throws open its doors the first Saturday of every month, offering things like scavenger hunts and storytelling. And "adult" exhibits like Katharina Grosse's Wunderblock or Alfredo Jaar's piece for Nasher Xchange bring out the kid in anyone.

    The Crow hosts AdventureAsia the first Saturday of every month, offering different activities to help kids get closer to the art. Kids can even try their hands at yoga, in which the instructors use music, games, stories and more to introduce the young ones to the challenging activity.

    The third Friday of every month is when each museum offers something extra special: Late Nights at the DMA, Nasher's 'til Midnight and Crow Collection After Dark. Each has something a little different, but movies, concerts, art activities and more are the norm. Don't miss their special spring, summer and fall block parties, when the action spills out of the museums and into the streets.

    Dallas Firefighters Museum
    Being a firefighter is one of those jobs that inspires awe in children and adults alike, because their entire purpose is to keep people safe from harm. It's the rare child that doesn't get entranced by the sight of a fire truck, and the Dallas Firefighters Museum features a few for the books — the history books, that is.

    On display are several vintage firefighting vehicles, including one nicknamed "Old Tige" that dates back to 1884. Kids can sit in some of the old trucks, check out how firefighting techniques have changed over the years and pore over rookie class pictures.

    Who knows — one trip to the museum could result in a child deciding to serve his community proudly like thousands of others before him.

    The Dallas Museum of Art offers multiple opportunities for kids to engage with art.

    Children at Dallas Museum of Art
    Dallas Museum of Art Facebook
    The Dallas Museum of Art offers multiple opportunities for kids to engage with art.
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    Movie review

    Over-the-top The Bride! makes other Frankenstein movies seem subtle

    Alex Bentley
    Mar 6, 2026 | 12:15 pm
    Christian Bale and Jessie Buckley in The Bride!
    Photo by Niko Tavernise
    Christian Bale and Jessie Buckley in The Bride!.

    The story of Dr. Frankenstein and his monster is now over 200 years old, with Mary Shelley’s book having been adapted or referenced in close to 500 films. Less common is the character of The Bride of Frankenstein, which existed in the original text but has more often than not been excised in adaptations. Writer/director Maggie Gyllenhaal has tried to rectify that by giving the character a big showcase in her new film, The Bride!.

    Gyllenhaal has reimagined the story as one in which a woman named Ida (Jessie Buckley) becomes possessed by the spirit of Shelley (also Buckley). At the same time, the already-existing Frankenstein’s monster (Christian Bale) approaches Dr. Euphronius (Annette Bening), who specializes in reanimation, with the request to make him a wife. When Ida falls to her death in an “accident” involving her boyfriend (John Magaro), the ideal corpse becomes available.

    After Ida’s resurrection, she and the monster become restless being studied by Dr. Euphronius and decide to break out to experience the world. The world, naturally, is not exactly welcoming to them, and soon the couple are on the run for causing mayhem, including a few murders. In hot pursuit are detective Jake Wiles (Peter Sarsgaard) and his assistant, Myrna Mallow (Penélope Cruz), as well as other authorities.

    It’s clear that Gyllenhaal wanted to merge the Frankenstein story with Bonnie & Clyde, especially since she sets the film in the mid-1930s. And that wouldn’t have been a bad idea if having the monster and The Bride going on a crime spree was truly the focus of the movie. But most of the time there’s less intentionality in their misdeeds and more confusion, leading to a muddled plot with no clear direction or end goal in mind.

    One of the biggest problems is that Gyllenhaal starts the energy of the film at an 11, giving her and everyone else nowhere to go but down. She dabbles in multiple different tones, at times going the straight drama route and other times making what seems like full-on camp. At one point, she even has the monster and the Bride in a dance sequence set to “Puttin’ on the Ritz,” which would be hilarious as an homage to Young Frankenstein if the film weren’t so disjointed.

    Most baffling of all is what Gyllenhaal wants from The Bride character. She morphs multiple times over the course of the film, from close to unintelligible at the beginning to rough-and-tumble at the end. There are hints at the lack of control she has over her autonomy, including Shelley’s possession of her and the monster lying to her about her past, but any commentary that Gyllenhaal might be trying to make gets lost amid the oddity of the film as a whole.

    Both Buckley and Bale are all-in for their performances, which definitely fall in the “love it or hate it” dichotomy. Each scene is pitched so high that there’s little nuance to either of them, and neither is on par with their previous Oscar-caliber roles. The high-powered supporting cast of Bening, Sarsgaard, Cruz, and Jake Gyllenhaal is watchable based on previous roles, but none of them elevate this particular movie.

    Whatever intentions Maggie Gyllenhaal had in making The Bride! are only halfway legible in a film that can never find its tonal footing. There has rarely been subtlety in movies featuring Frankenstein’s monster and related characters, but this one makes all the others seem like stuffy dramas in comparison.

    ---

    The Bride! is now playing in theaters.

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