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    Movie Review

    Bodies Bodies Bodies hit the floor in hilarious horror comedy

    Alex Bentley
    Aug 10, 2022 | 1:07 pm
    Maria Bakalova and Amandla Stenberg in Bodies Bodies Bodiesplay icon
    Maria Bakalova and Amandla Stenberg in Bodies Bodies Bodies.
    Photo by Gwen Capistran

    People behaving badly can sometimes be among the most entertaining types of films, as the spectacle of them giving in to their basest instincts is great escapism for many who would rarely, if ever, dare to indulge in such activities. That kind of story also gives the audience permission to pass judgment over the characters, condemning their actions while still being entertained by the malfeasance.

    The filmmakers behind Bodies Bodies Bodies know this, and they load their story with all sorts of scenarios that the audience can second-guess. A group of entitled twenty-something friends has gathered for a hurricane party, hoping to have some blackout revelry as the storm rolls through. The group includes Sophie (Amandla Stenberg) and her girlfriend Bee (Maria Bakalova), couple David (Pete Davidson) and Emma (Chase Sui Wonders), new couple Alice (Rachel Sennott) and Greg (Lee Pace), and the solo Jordan (Myha’la Herrold).

    Along with the drinking and the drugs, they decide to play a game called “Bodies Bodies Bodies,” in which the lights are turned off, one person is secretly designated as “the killer,” and that person “kills” someone else simply by touching them. But when one of them actually turns up dead, confusion about the circumstances of that person’s death reigns supreme, and it’s not long before people starting turning on each other.

    Directed by Halina Reijn and written by Sarah DeLappe, the film is a really fun play on the horror/comedy genre, accompanied by some nice digs at modern-day youth culture. The filmmakers establish early on that the group has a lot of internal strife, and the level of trust among them is relatively low for people who claim to be friends. Old rifts rise to the surface quickly, especially when things start to hit the fan.

    We don’t get to know any of the characters that well, but that’s a plus for the story they’re trying to tell. Characters have over-the-top reactions to both small and big things, indicating both a hidden history among the group and the impetuousness of youth. Among the many hilarious things about the movie is the way it pokes fun at the psyches of members of Generation Z, using buzzwords like “triggered,” “safe space,” and others.

    Though the film has some horror movie trappings — remote location, spotty cell service, blackouts — it’s clear that it’s not playing by strict horror movie rules. Sparse lighting in the form of glowsticks and smartphone flashlights ups the tension, often keeping the audience literally and figuratively in the dark, but the scenes induce laughter as much as they do fear. Violent acts that occur can be intense, but the petty infighting that accompanies the scenes helps lighten the mood.

    The young cast is led by higher-profile actors like Stenberg, Davidson, and Bakalova, but they become a true ensemble as the film goes along. Davidson plays true to his Saturday Night Live persona, which is perfect for his role. Sennott stands out thanks to her character’s hysterics, and she steals many of the scenes she’s in. Pace is the odd man out as the oldest one of the group, but the age difference — and his performance — plays well for the story.

    Bodies Bodies Bodies is a great antidote to a summer blockbuster season in which many films didn’t live up to their promise. It does a lot with a little, showcasing its cast and clever story to the utmost.

    ---

    Bodies Bodies Bodies opens in theaters on August 12.

    Amandla Stenberg, Maria Bakalova, Chase Sui Wonders, and Rachel Sennott in Bodies Bodies Bodies.

    Amandla Stenberg, Maria Bakalova, Chase Sui Wonders, and Rachel Sennott in Bodies Bodies Bodies
    Photo by Eric Chakeen
    Amandla Stenberg, Maria Bakalova, Chase Sui Wonders, and Rachel Sennott in Bodies Bodies Bodies.
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    Movie Review

    Comedy all-stars Jack Black and Paul Rudd can't save Anaconda sequel

    Alex Bentley
    Dec 26, 2025 | 1:01 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

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    Anaconda is now playing in theaters.

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