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    Game News

    Massive arcade with pinball and cocktails joins mix at Dallas' Trinity Groves

    Teresa Gubbins
    Aug 26, 2022 | 2:20 pm
    pinball video game
    Pinball is the biggest surprise trend right now.
    Free Play

    There's something new coming to Trinity Groves in West Dallas, and for once it's not a restaurant: It's Free Play, a popular local arcade chain, which will open at 3015 Gulden Rd., in the former 3015 at Trinity Groves event space.

    Free Play made its DFW debut with a first location that opened in Richardson in 2015. Three more locations have opened since, in Arlington, Fort Worth, and Denton.

    Each boasts dozens of games, some vintage from the 1980s, including titles such as Ms. Pac Man, Defender and Tempest. In addition to the games, the arcade includes a dining area with food, cocktails, and craft beers.

    All have a cool retro theme and a unique payment approach: As the name suggests, every video is set to "free play" mode, with patrons paying a single entry price for unlimited play on every game in the arcade.

    Their goal is to offer the best arcade games, in the best condition, to everyone. "No matter what it takes, we want you to walk into a retro arcade that has working games, running real components, just as they did when they were released," their mission says.

    Founder Corey Hyden says that opening an arcade in Dallas was a goal, and the Trinity Groves space — which was slated to become a kitchen equipment demo store, until that fell through during the pandemic — turned out to be ideal.

    "It's good for us, and it's good for Trinity Groves," Hyden says. "Our customers are the young gamers, we'll bring in that traffic to Trinity Groves, and meanwhile we're looking to broaden our appeal to everyone. They're launching more restaurants and it's about to be a beehive of activity."

    Dallas will be the largest Free Play yet.

    "It's officially a little more than 10,000 square feet, although I think it's even bigger," Hyden says. "Our biggest so far is Arlington, at 9,000 square feet."

    "But beyond the size, I think the coolest thing about the Dallas location is that there isn't a single wall or beam inside," he says. "It's a cool old grain silo building with a sloped roof. So we'll be able to use the space much more creatively. We'll be able to put more games, and big games we haven't put in any of our other arcades."

    They'll also feature what has been the biggest game trend in recent years: the good old-fashioned pinball machine.

    "Pinball is experiencing a huge resurgence not only in the U.S. but around the world," Hyden says. "There are now four to five manufacturers in the U.S. making machines, plus international manufacturers. It's been the biggest surprise in the arcade world."

    The other trend that Hyden has seen at his arcades is a stronger interest in cocktails, especially since the pandemic.

    "We'll always feature craft beers, but people have gravitated towards cocktails and we've improved our bar program, increasing the selection and quality of our cocktails," he says.

    He's hoping to be open by the holidays, with only one thing standing in the way: His mildly obsessive desire to make the Dallas location super tricked out.

    "We're planning on a ton of light shows, using everything we've learned about design, with more high-tech stuff including video matrix devices and cool A/V displays," he says. "The goal is to feature things that people haven't seen before."

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    Movie Review

    Amanda Seyfried and Sydney Sweeney go off in trashy film The Housemaid

    Alex Bentley
    Dec 19, 2025 | 12:24 pm
    Amanda Seyfried and Sydney Sweeney in The Housemaid
    Photo courtesy of Lionsgate
    Amanda Seyfried and Sydney Sweeney in The Housemaid.

    Both Amanda Seyfried (the upcoming The Testament of Ann Lee) and Sydney Sweeney (Christy) are starring in movies with Oscar ambitions this year. By sheer coincidence, the two actors are also co-starring in The Housemaid, a thriller coming out within weeks of their more ambitious works, one that is likely to be seen by many more people than those prestige plays.

    Sweeney is given top billing as Millie, a down-on-her-luck ex-convict looking to land any type of job so as not to break her parole. She finds a too-good-to-be-true lifeboat with Nina (Seyfried), who hires her to be a housemaid for her large house on Long Island, where she lives with her husband, Andrew (Brandon Sklenar), and daughter, Cecilia (Indiana Elle).

    After a warm interview, Nina almost immediately becomes highly erratic, whipping back-and-forth between happy-go-lucky and rageful. It seems clear that Nina is suffering from mental health issues, as she’ll often accuse Millie of misplacing or stealing items that she didn’t take. Andrew, apparently used to Nina’s tirades, tries to protect Millie from the worst, something that grows increasingly difficult as Nina ups the ante.

    Directed by Paul Feig (A Simple Favor) and adapted by Rebecca Sonnenshine from the bestselling book by Freida McFadden, the film is likely the trashiest mainstream movie to come out in 2025. The first half of the movie relies not on story but on moments as Nina embodies the word “hysterical” to an unbelievable extent. The resigned acceptance of the abuse by Millie, as well as the saintly patience of Andrew, make almost every scene laughable, as nobody seems to be acting anywhere close to how a person would normally react to such extreme situations.

    The scenes and the performance of Seyfried are so over-the-top, in fact, that it’s clear that the filmmakers are in on the joke. It’s next to impossible not to have a little bit of fun while watching the actors react to outrageous incidents as if nothing is out of the ordinary. The worse Nina acts, the more Millie and Andrew retreat into their chosen roles, and the funnier the film becomes.

    Fans of the book will know that the story changes course, eventually turning into a more stereotypical thriller that also has some relatively gnarly visuals to offer. But the trashiness continues, with Sweeney’s, um, assets repeatedly on display in both clothed and unclothed ways. The sex appeal of the R-rated movie makes it an outlier, as recent studio films have shied away from asking their big stars to disrobe completely.

    Both Seyfried and Sweeney are far from their Oscar hopeful roles here. Seyfried is given free rein to act as brazenly as she pleases, and she takes full advantage of that ability. Sweeney seems to have been told to be much more reserved, and unfortunately that results in too many wooden line readings. Sklenar continues his breakout streak (It Ends with Us, Drop) with a role that allows him to show more range than either Seyfried or Sweeney.

    The Housemaid is an unusual type of movie to be released at a time of year when most films are either those aiming for awards or more family-friendly fare. Despite its many flaws, it’s still an enjoyable watch that features a variety of crazy scenarios not typically seen in movies nowadays.

    ---

    The Housemaid is now playing in theaters.

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