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    Movie Review

    Operation Finale takes too many shortcuts toward final goal

    Alex Bentley
    Aug 28, 2018 | 1:25 pm
    Operation Finale takes too many shortcuts toward final goal
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    For almost 80 years, there has been no easier type of movie to make than one that featured Nazis as bad guys. A movie can only go one direction after introducing an actual Nazi or Nazi sympathizer, and it’s up to the filmmakers to lead the audience to that conclusion in an interesting and satisfying manner.

    Operation Finale, which details the capture and trial of Adolf Eichmann, one of the main organizers of the Holocaust, should be the ultimate slam dunk of a movie. A group of Israeli Mossad agents, led by Peter Malkin (Oscar Isaac), get a tip that Eichmann (Ben Kingsley) is alive and well in Argentina, 15 years after World War II ended.

    However, with plenty of Nazi sympathizers, including Eichmann’s son, Klaus (Joe Alwyn), on the lookout for Jews in Argentina, capturing and extracting Eichmann is no easy task. Not only that, but the Mossad team must stem their urges to kill Eichmann in Argentina instead of waiting for him to get justice back in Israel.

    The film, directed by Chris Weitz and written by first-time screenwriter Matthew Orton, has a tone that is all over the place. You would expect the film to be a straight-up drama, and while there is plenty of that to be had, the filmmakers also insert a lot of jokey banter. Whatever the reasons for its inclusion, the result is an undercutting of any tension that might have existed.

    You would hope that, creative license aside, the filmmakers tried to stay true to the facts of the events depicted. Whether they did or not is unclear, but many moments feel right out of the Screenwriting 101 book. Weitz and Orton stage multiple scenes in a way that make the drama seem manufactured instead of organic, often having characters escape at just the right moment.

    Malkin is the de facto lead character, and the sequences with Malkin and Eichmann together are among the best in the film. However, there are also a lot of unnecessary sidebars, including a former relationship between Malkin and fellow agent Hanna Elian (Melanie Laurent). None of them are ever properly explored, and therefore none of them pay dividends for the main plot.

    Despite the film’s faults, the actors keep it watchable thanks to their unique skills. Kingsley has been able to go back-and-forth between good and evil characters throughout his entire career. He plays Eichmann with a subtlety that few others could manage. Isaac, Laurent, Alwyn, and Haley Lu Richardson also make the most of their roles.

    For a film that should have gone from A to B with relative ease, Operation Finale takes too many narrative shortcuts. It winds up feeling like a light version of Argo when it could have been so much more.

    Melanie Laurent and Oscar Isaac in Operation Finale.

    Melanie Laurent and Oscar Isaac in Operation Finale
    Photo by Valeria Florini/Metro Goldwyn Mayer Pictures
    Melanie Laurent and Oscar Isaac in Operation Finale.
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    Critics' choice

    DFW film critics name One Battle After Another best movie of 2025

    Alex Bentley
    Dec 17, 2025 | 9:32 am
    Leonardo DiCaprio in One Battle After Another
    Photo courtesy of Warner Bros. Pictures
    Leonardo DiCaprio in One Battle After Another.

    The Dallas-Fort Worth Film Critics Association has voted Paul Thomas Anderson's action thriller One Battle After Another the best film of 2025, according to the results of its 32nd annual critics’ poll released on Wednesday, December 17.

    The top award was one of five wins for the film in the poll, including Leonardo DiCaprio as Best Actor, Teyana Taylor as Best Supporting Actress, and Anderson for both Best Director and Best Screenplay.

    After One Battle After Another, the rest of the top 10 films in the poll were, in order, Sinners, Marty Supreme, Hamnet, Sentimental Value, Train Dreams, Frankenstein, Jay Kelly, Bugonia, and It Was Just an Accident.

    In addition to DiCaprio and Taylor, other acting awards included Rose Byrne as Best Actress for If I Had Legs, I'd Kick You and Stellan Skarsgård as Best Supporting Actor for Sentimental Value.

    The two other behind-the-scenes awards both went to Sinners, including Best Cinematography for Autumn Durald Arkapaw and Best Score for Ludwig Göransson.

    Sentimental Value also took home the award for Best Foreign Language Film, while Netflix got double wins with The Perfect Neighbor for Best Documentary and KPop Demon Hunters for Best Animated Film.

    The Russell Smith Award, given annually by the DFWFCA to the best low-budget or cutting-edge independent film, went to It Was Just an Accident.

    The Dallas-Fort Worth Film Critics Association consists of 26 broadcast, print, and online journalists from throughout North Texas. For more information, visit dfwcritics.com.
    ---

    Author Alex Bentley is a member of the Dallas-Fort Worth Film Critics Association.

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