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    Movie Review

    Saints become sinners in mediocre Honk for Jesus. Save Your Soul.

    Alex Bentley
    Aug 31, 2022 | 10:50 am
    Conphidance and Nicole Beharie in Honk for Jesus. Save Your Soul.play icon
    Conphidance and Nicole Beharie in Honk for Jesus. Save Your Soul.
    Photo by Steve Swisher courtesy of Pinky Promise LLC

    Those who consider themselves religious wouldn’t be entirely wrong if they complained that it’s difficult to find positive portrayals of religion in mainstream movies. High-profile films like The Da Vinci Code, Doubt, Spotlight, and the recent The Eyes of Tammy Faye have each featured stories where those professing to spread the word of God were the ones who were the biggest sinners.

    The latest film in that vein is Honk for Jesus. Save Your Soul., which centers on Paster Lee-Curtis Childs (Sterling K. Brown) and his wife Trinitie (Regina Hall), who are the leaders at Wander to Greater Paths Baptist Church. Make that, were the leaders, as they’ve lost their entire mega-church congregation of 25,000 people after Lee-Curtis is implicated in a scandal that’s gradually revealed over the course of the film.

    Lee-Curtis and Trinitie have hired a documentary crew to try to rehabilitate their image and hopefully witness their rise back to power. What they capture instead is the rampant greed and narcissism of Lee-Child, who never met an expensive item he didn’t covet, and the crisis of faith of Trinitie, who finds it increasingly difficult to stand by her husband given his sins and his unbending expectations of her.

    Written and directed by Adamma Ebo, the film is a satire of both mega-church leaders who flaunt their wealth and of a specific sect of Christianity. The film is labeled as a comedy, and while there are occasional funny flourishes, the story is actually very serious for much of its running time. The transgression of which Lee-Child is accused and the obviously strained relationship between him and Trinitie makes for some somber viewing, no matter how goofy or over-the-top the two of them act.

    Unfortunately, the mockumentary aspect of the film never gels. The crew making the film is set up as a “fly on the wall” group, meaning we never hear them or see them. This makes for some supremely awkward scenes as Lee-Curtis and Trinitie fumble around, mugging for the camera without any direction. While this might solidify their character traits, it doesn’t make for interesting viewing. It also leads to confusion as Ebo moves back-and-forth between documentary scenes and “real” scenes, with the line between the two becoming very blurry.

    Ebo attempts to bring some additional levity to the film with the characters of Keon and Shakura Sumpter (Conphidance and Nicole Beharie), two pastors who lead a growing church that has siphoned off many of the Childs’ former congregants. The juxtaposition between the two couples is clear, and making the film more about the two churches’ rivalry might have made for a more successful story than the one Ebo chose.

    Whatever the film’s story faults may be, you can’t lay that at the feet of Brown or Hall, as each is highly committed to their role. Hall is a more natural comedic performer and so those parts of the film fit her better, but Brown is completely believable as the pompous and oftentimes clueless Lee-Child. Conphidance and Beharie are not as well-known, but they each deserve bigger roles after scoring with their performances here.

    Notable as the first non-horror release from Jordan Peele’s Monkeypaw Productions, Honk for Jesus. Save Your Soul. never seems to make much of a point. The main characters barely evolve over the course of the film, leaving the audience waiting for a resolution that never happens.

    ---

    Honk for Jesus. Save Your Soul. opens in theaters and debuts on Peacock on September 2. To find out how to get $3 movie tickets on National Cinema Day, September 3, go here.

    Conphidance and Nicole Beharie in Honk for Jesus. Save Your Soul.

    Conphidance and Nicole Beharie in Honk for Jesus. Save Your Soul.
    Photo by Steve Swisher/courtesy of Pinky Promise LLC
    Conphidance and Nicole Beharie in Honk for Jesus. Save Your Soul.
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    Movie Review

    Five Nights at Freddy’s 2 is better than the first but not by much

    Alex Bentley
    Dec 4, 2025 | 1:24 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films likeM3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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