The inaugural Skate or Die Fest will take place at Gas Monkey Live on October 22.
Photo courtesy of Skate or Die Fest
Plans for the inaugural Skate Or Die Fest, a single day, all-ages skateboarding and music experience, have been announced, scheduled to take place at Gas Monkey Live on Sunday, October 22. The festival will make use of the entire indoor footprint of Gas Monkey Live, as well as part of the parking lot in front of the venue.
Headlining the music portion of the event will the Denton-based pop punk band Bowling for Soup and New York indie rocker Frankie Cosmos. Other performers will include national acts Surf Curse, The Greeting Committee, Summer Salt, Guantanamo Baywatch, and Okey Dokey, as well as local bands Not Half Bad, Hall Johnson, Loafers, and Pearl Earl.
The festival will also feature skateboarding competitions, a puppy petting zoo, and live art installations. Skate programming is headlined by the world’s largest Game of S.K.A.T.E. Tournament (think H.O.R.S.E., but with skateboarders), which will have 200 participants. A single-elimination tournament with nine rounds of head-to-head competition will take place over four hours, with a $3,000 cash purse at stake.
The top 16 competitors from the tournament earn a spot in the best trick contest. Skaters will also compete in a highest ollie contest. Skaters can apply to compete at skateordiefest.com/skate.
Tickets are on sale now at skateordiefest.com. General admission tickets range from $20 to $35 in advance, and $40 at the door. VIP tickets are $70 in advance, and $80 at the door. VIP perks include priority entry into the festival, and a private indoor VIP area with exclusive bar, seating, and excellent main stage viewing.
In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also got nominated for an Oscar for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.
Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).
Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.
Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.
Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.
Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.
Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.
Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.