Here comes Santa Claus

Festive-fantastic Grapevine home lights up with 1,000 Santas for charity

If the Murillo family doesn't capture the top spot on Santa's nice list this year, there's no hope for the rest of us. They have filled their front yard in Grapevine with more than 1,000 lighted Santa decorations as a beacon of awareness for a local nonprofit.

They're calling it, simply, Grapevine Santa House.

The half-acre property is a "Where's Waldo?" maze of Santa statues, which visitors can walk among, snap photos with, and then, they hope, make a donation to Grace Grapevine's Christmas Cottage program. The charity's seasonal initiative provides new, unwrapped gifts to Tarrant County families facing financial hardship.

"I've always been a holiday guy, way over the top," says Louie Murillo, the dad and Santa House head honcho. Anyone who's seen the 20-foot Christmas trees perched atop the the two Chick-fil-A restaurants he owns near Dallas Love Field can attest.

"About a year ago, I bought some Santas on clearance and thought maybe we'd do something with them for a family Christmas card," he says.

Along came COVID-19, and his holiday passion intersected with a desire to help those who were struggling. During his quarantine free-time, he bought a few more Santas online. Then a few more. Then his idea for a Santa House really began to take shape.

"Once we dipped our toe in, we decided to go all out," he says of his family, including kids ages 12 and 14.

His search for Santas took him around Texas and beyond. Murillo even flew to Chicago and drove back a truck loaded with nine reindeer and a sleigh.

By July, one of the home's three attics was stuffed with Santas. Then a game room overflowed with them. By fall, a storage unit was filling up.

To be clear, these aren't just any Santa statues. They're "blow molds," a specific kind of hollow, plastic figure popular in the '50s, '60s, and '70s. They're rarely made now, and considered collectibles, costing anywhere from $30 to $140 apiece.

"How much I've spent is not a number we're gonna discuss nor share with my wife," Murillo says with a laugh. "It definitely got out of hand."

Then there was the matter of lighting it all up. An electrician helped wire the yard with an additional, 14-outlet breaker, and they're hoping a switch to LED lighting helps ease the electricity bill a little.

Some decorations are set up in vignettes, and Murillo's favorite piece isn't actually a Santa. It's a vintage church, an expensive piece he found in Chicago. The display also includes carolers and a nativity, and a sign urges people to tune to a radio station to hear the Christmas story from the Bible.

Murillo reached out to the Grace organization about a partnership at the perfect time. Their need would be higher than ever at a time at the holidays, when fewer gatherings meant fewer opportunities for donations to be collected. Typically, Christmas Cottage serves more than 2,500 individuals and families each holiday season. Families are given a hypothetical “budget” that allows the parents to “purchase” donated toys, home goods, and appliances in a secure, store-like setting.

The Murillos' goal is to raise $15,000 with Santa House, which will help 120 kids. By December 1, just a few days after turning the lights on, they were already at $9,000.

Rather than collecting contributions on site, they're encouraging guests to donate online via a GoFundMe page set up in conjunction with the Santa House.

Among the first visitors to the Santa House was a single mom whose child had been helped by Grace, Murillo says. Mom and daughter enjoyed the lights and then made a donation — they paid the kindness forward.

"It's cool to see real people being helped that are in need," Murillo says. "It's fun just to see kids' excitement. We've all been stuck indoors, not traveling, and this is something to do as a family."

The Santa House lights will go on every night from 5-10 pm through December 27. The home is on a cul-de-sac in the Western Oaks neighborhood, and visitors can park along the street.

The exact location is 3373 Spruce Lane, Grapevine. Follow the Grapevine Santa House Facebook page for updates.

The Murillo family home has become the Grapevine Santa House.

Photo courtesy of Louie Murillo

The Murillo family home has become the Grapevine Santa House.

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Movie Review

Long-awaited Wicked movie adaptation lives up to the hype

Photo courtesy of Universal Pictures

Cynthia Erivo and Ariana Grande-Butera in Wicked.

The musical Wicked is indisputably the biggest Broadway smash of the 21st century, having grossed more $1.6 billion in New York alone and achieving the rare feat of running for over 20 years. All of which is to say that the long-awaited movie adaptation of The Wizard of Oz prequel will most likely be a massive success whether it lives up to what longtime fans envisioned or not.

Part one — yes, this 2 hour and 40 minute film is merely the first act of the musical; part two arrives a year from now — introduces Elphaba (Cynthia Erivo), the green-skinned witch who goes on to become Dorothy’s nemesis, and G(a)linda (Ariana Grande-Butera), the pink-garbed “good” witch, as they meet at Shiz University in Oz. Glinda is the ultra-popular one with sycophantic hangers-on, while Elphaba is shunned by almost everyone, sometimes including her disabled sister Nessarose (Marissa Bode), who’s desperate to make her own space away from Elphaba.

Her mistreatment by others leads Elphaba to get angry, which manifests itself in uncontrollable magic. Madame Morrible (Michelle Yeoh) notices this and takes a personal interest in her, giving her one-on-one instruction in hopes of harnessing her power. In the meantime, Elphaba and Glinda attempt to go from forced roommates to actual friends, although Glinda’s entitled personality is more of an obstacle than anything else they encounter.

Directed by Jon M. Chu and written by original book writer Winnie Holzman and Dana Fox, the film does a great job of distinguishing itself from the stage version while still remaining true to what made it so beloved. As Chu showed in his last film, In the Heights, he has an innate feel for how to tap into the essence of the source material while expanding it into something befitting the scope of a blockbuster movie.

In this case, he finds a way to give even greater emphasis to the bigotry that Elphaba faces simply because of her green skin; the fact that she is being played by a Black woman drives home the point even more. The story remains light and fluffy for the most part, but the ostracization/otherness that Elphaba feels is delivered in a powerful way, as is her empathy for talking animals like Dr. Dillamond (voiced by Peter Dinklage), who are facing their own persecution.

Of course, the highlight of the film is Stephen Schwartz’s music, and while not all of the songs are equal in impact, they still make for a cohesive whole. The number of songs and order they appear in the first act is identical to the stage musical, with the standouts remaining “The Wizard and I,” “Popular,” and “Defying Gravity.” While there is some superfluous action and cutaways added to certain numbers, it’s not enough to distract from what makes the songs effective.

Oddly, the progression of the friendship between Elphaba and Glinda works better on stage when the timeline is accelerated, but Erivo and Grande-Butera make up for this slight lack with their fantastic performances. The emotion each brings to their characters fits them almost perfectly, and there’s simply no denying the strength of each of their voices. Bode, Jonathan Bailey as Fiyero, Ethan Slater as Boq, and more make for a solid supporting cast.

The well-known ending of the first act of Wicked is a huge high point that is so good that it almost makes up for the fact that audiences won’t see the second film for a long time. But if part one is any indication, part two should turn out to be another great musical theater adaptation in a decade that has already seen its fair share.

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Wicked opens in theaters on November 22.

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