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    Movie Review

    An animated Will Smith makes Spies in Disguise fly high

    Alex Bentley
    Dec 27, 2019 | 9:10 am
    An animated Will Smith makes Spies in Disguise fly high
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    As a live action actor, Will Smith has not exactly been lighting it up in recent years. In fact, in the past 10 years, his only true success was 2015’s Focus, and even that got middling reviews. However, as the mostly animated Genie in the new version of Aladdin and now as the lead in the animated Spies in Disguise, the ability to utilize elements not available to him in live action movies has proven to be a boon for his career.

    Smith plays Lance Sterling, a spy who plays by his own rules and prefers to work by himself. His antics raise the ire of his boss (Reba McEntire), but earn him praise and admiration from most of his co-workers. They include gadget engineer Walter Beckett (Tom Holland), whose ideas are way outside of the box and get him banished to a cubicle just outside of the bathroom.

    When one of Sterling’s missions runs him afoul of evil mastermind Killian (Ben Mendelsohn) and his own agency, he decides to go into hiding. He turns to Walter, who had been developing a new idea that could make things disappear. When Sterling accidentally ingests the potion, it becomes mixed with one of Walter’s pigeon’s feathers, turning Sterling into, you guessed it, a pigeon.

    The spy genre, especially as portrayed in the James Bond and Mission: Impossible series, is one where filmmakers can let their creativity go wild. Directors Nick Bruno and Troy Quane, working from a script by Brad Copeland and Lloyd Taylor, go all in, dreaming up innumerable outlandish concepts. Because it’s an animated film, none of seems out of place and almost everything shown is tons of fun.

    Sterling’s inability to use his normal skills as a pigeon and the way he and Walter find alternative methods is also highly entertaining. Things that would seem unnatural and goofy in a live action film make total sense in the context of this film. Sterling also attracts the attention of an eccentric group of real pigeons, and the way they help him throughout the film is both hilarious and strangely touching.

    The filmmakers also do a great job fleshing out their characters. As the main characters, Sterling and Walter are a given, but Killian is given more than just evil plotting to do. Also interesting is Marcy (Rashida Jones), an internal affairs officer at the spy agency who tracks Sterling around the world.

    At his best, Smith has just seemed cooler than most other actors, and that comes through loud and clear here, even in animated form. As Holland has shown as Spider-Man, he has an innocent goofiness that works well for this character, too. Jones gives Marcy a nice spunk, and Mendelsohn, experienced at playing villains in movies like Rogue One, is right at home.

    With lots of Oscar-worthy dramas and Star Wars dominating theaters right now, Spies in Disguise is great counter-programming and a perfect holiday option for families. It’s also the best thing Smith has made in years; maybe he’ll use it as a springboard toward better live action choices in the future.

    Walter (Tom Holland) and Sterling (Will Smith) in Spies in Disguise.

    Walter (Tom Holland) and Sterling (Will Smith) in Spies in Disguise
    Photo courtesy of Twentieth Century Fox Film Corporation
    Walter (Tom Holland) and Sterling (Will Smith) in Spies in Disguise.
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    Movie Review

    Supergirl loses the sense of fun that Superman brought to DC Comics films

    Alex Bentley
    Jun 26, 2026 | 12:00 pm
    Milly Alcock in Supergirl
    Photo courtesy of DC Studios and Warner Bros. Pictures
    Milly Alcock in Supergirl.

    The new Superman in 2025 brought with a renewed sense of optimism for, if not the concept of the comic book movie, then at least the DC Comics universe. After more than a decade of DC films that felt mostly creatively bankrupt, the leadership of James Gunn gave the story a sense of fun. That included the brief introduction of Kara Zor-El, aka Supergirl, who’s now getting her own showcase in, naturally, Supergirl.

    When we first met her in Superman, Supergirl was in rough shape, arriving at the Fortress of Solitude visibly inebriated. Nothing has changed at the beginning of this film, save for her aimlessly traveling around the universe with her rambunctious dog, Krypto. One of her random stops puts her in the same bar as Ruthye (Eve Ridley), who is looking for help tracking down Krem (Matthias Schoenaerts) and a group known as the Brigands after they brutally murdered her family.

    Kara is initially loath to offer aid, but when Krem shoots a poison dart into Krypto while escaping, her motivation goes way up, especially since Krem holds the antidote. Kara, with Ruthye doggedly following her, uses every means available to her to find Krem, a journey that is hampered by galaxies having different colored suns than the one that gives her powers, the yellow sun.

    Directed by Craig Gillespie and written by Ana Nogueira, the film is a big step back in the fun category, not least because Supergirl is deep in her feelings for much of the film. Her personal trauma, which is detailed in occasional flashbacks, gives a reason for her depression, but fails to land fully. The story seems to want everyone to be sad, as it includes a child trafficking ring and multiple instances of families being murdered.

    Milly Alcock and Krypto in Supergirl Milly Alcock and Krypto in Supergirl.Photo courtesy of Warner Bros. Pictures

    To try to counteract that downer material, the filmmakers give Supergirl many opportunities to show off her fighting skills. While still CGI-heavy, the action scenes contain enough of a semblance of reality that they feel exciting. Unfortunately, this is undercut by the inclusion of several slow-motion sequences, giving the impression that the filmmakers didn’t trust the actors to deliver the goods on a consistent basis.

    Superman (David Corenswet) makes a handful of appearances in the film, and while his presence is welcome given how well the character came across in the previous movie, it also doesn’t allow Supergirl to become her own person. Almost everything she does is colored by either her cousin or her parents, and since her powers are identical to those of Superman, there is very little that makes her story unique aside from how she’s dealing with the fallout.

    Alcock (House of the Dragon, Sirens) gives an appealing performance despite her character being drunk and/or moody most of the time. She definitely sells what Supergirl is going through, so if given a better story in a future film, she’s proven her capability. Schoenaerts makes for a pretty good villain, although he’s aided by a look that includes a face full of studs. Jason Momoa has a memorable supporting role as the bounty hunter Lobo, even if his character doesn’t add much to the story.

    While not a full-on disaster, Supergirl does not continue the momentum that Superman started. With a story that’s more concerned with showing audiences death scenes than a hero saving people, the film doesn’t seem to understand the appeal of a character like Supergirl or how to make her someone audiences will return to over and over again.

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    Supergirl is now playing in theaters.

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