Weekend Event Planner

These are the 14 best things to do in Dallas this weekend

It's another big weekend in and around Dallas, including five concerts featuring well-known singers or bands, two new local theater productions, a famous comedian, the start of a new opera season, and more.

Below are the best ways to spend your precious free time this weekend. Want more options? Lucky for you, we have a much longer list of the city's best events.

Thursday, October 6

The Firehouse Theatre presents Catch Me If You Can
Seeking fame and fortune, precocious teenager Frank Abignale, Jr. runs away from home to begin an unforgettable adventure. With nothing more than his boyish charm, a big imagination and millions of dollars in forged checks, Frank successfully poses as a pilot, a doctor, and a lawyer, living the high life and winning the girl of his dreams. The musical comedy about chasing your dreams and not getting caught will play at The Firehouse Theatre in Farmers Branch through October 23.

Craig Ferguson: The Fancy Rascal Tour
Craig Ferguson is an actor, writer, producer, director, and comedian with a diverse career that encompasses film, television, and the stage. He is a bestselling author, has recorded numerous standup specials, and was the host of The Late Late Show with Craig Ferguson, which ran on CBS for 10 years. He'll perform at Majestic Theatre.

Friday, October 7

Dallas Symphony Orchestra presents "Hélène Grimaud Plays Brahms"
Wildlife conservationist, activist, writer, and virtuosic pianist Hélène Grimaud returns to Dallas to perform Brahms’ First Piano Concerto, the composer’s first performed orchestral work. The symphony will also perform Franck’s Symphony in D minor, which is being reintroduced by conductors like Fabio Luisi with a passion for exposing lost masterpieces to new audiences. There will be three performances through Sunday at Meyerson Symphony Center.

The Doobie Brothers in concert
The Doobie Brothers are a classic rock band whose sound has come to be associated with the term "yacht rock." Debuting in 1971, the group - which has famously featured singer Michael McDonald off and on for most of its history - has a number of indelible hits, including "Listen to the Music," "Black Water," "What a Fool Believes, and more. They'll play at Majestic Theatre as part of their 50th anniversary tour, which is in support of their 2021 album, Liberté.

Cara Mia Theatre presents Latinidades Theatre Fest: ¡Estar Guars!
In a loving homage to live comedy, original videos, and visual spectacle, ¡Estar Guars! re-creates the classic sci-fi rebellion as a modern-day Resistencia, complete with Galactic Walls, space chanclas, migrant moisture farmers, fearless princesas, mystical abuelas, and the targeting of Sanctuary Planetas by an evil empire determined to MAGGA (Make A Galaxy Great Again). The finale of Cara Mia Theatre's Latinidades Theatre Fest will play at Latino Cultural Center through Sunday.

Dallas Black Dance Theatre presents DanceAfrica
The 17th annual DanceAfrica will feature African culture flowing through the music and dance of DBDT and DBDT: Encore!, along with the Allegro Performing Ensemble, the Senior Performing Ensemble, and the Junior Performing Ensemble of Dallas Black Dance Academy. Also performing will be guest artist Giwayen Mata, the Booker T. Washington High School for the Performing and Visual Arts Dance Conservatory, and the DeSoto A Cappella Choir and Varsity Women. The festival takes place on Friday and Saturday at Moody Performance Hall.

Saturday, October 8

Morgan Wallen in concert
Few entertainers have had a better start to their careers than country singer Morgan Wallen. His 2018 debut If I Know Me went double platinum and yielded a No. 1 hit, "Whiskey Glasses." His follow-up, 2021's Dangerous: The Double Album, has been even bigger, going to No. 1 on the Billboard 200 and was named Album of the Year at the 2022 Academy of Country Music Awards. He'll play at an appropriately big venue, Globe Life Field in Arlington, as part of his first headlining tour.

The Dallas Opera presents Rigoletto
Treachery, seduction, and a raging father dead set on revenge. Rigoletto - he’s the jaded jester paid to make others laugh in the debauched court of Mantua. But when his innocent daughter is cruelly seduced by the predatory Duke, Rigoletto stops being funny and vows revenge. Seething with rage, he launches an elaborate plot to avenge his beloved child. But everything goes terribly, terribly wrong... The opera will have four performances through October 16 at Winspear Opera House.

Turtle Creek Chorale presents That '70s Show: Sing-Along Sensation
That '70s Show: Sing-Along Sensation features songs that made the '70s one of the most amazing decades for music, not to mention the social and political shift that unfolded during the truly revolutionary time in people's lives. The special concert will give audiences a chance to join the Turtle Creek Chorale and celebrate the exciting, provocative, and fabulous music of the storied decade. There will be two performances - one Saturday and one Sunday - at McFarlin Auditorium on the SMU campus.

Bonnie Raitt in concert
Blues singer and guitarist Bonnie Raitt has been performing for over 50 years, although she didn't achieve breakthrough success until her 10th album, 1989's Nick of Time. It was her follow-up album, Luck of the Draw, which made her a superstar, thanks to hits like "Something to Talk About" and "I Can't Make You Love Me." She'll play at Texas Trust CU Theatre at Grand Prairie in support of her new album, Just Like That..., joined by Marc Cohn.

Eisemann Center presents Paul Taylor Dance Company
The Paul Taylor Dance Company is one of the world’s most sought-after dance troupes. The dancers, led by Artistic Director Michael Novak, perform Taylor's repertoire and works by contemporary choreographers. Dances on the program for this performance at Eisemann Center for the Performing Arts in Richardson include Paul Taylor's Arden Court, Taylor's Scudorama, and Rush Hour 1 by Larry Keigwin.

Roger Waters in concert
During this concert at American Airlines Center, part of Roger Waters' This is Not a Drill tour, he will give an indictment of the corporate dystopia in which we all struggle to survive, and a call to action to love, protect, and share the precious and precarious planet Earth. The show will include a dozen songs from Pink Floyd's golden era, alongside other newer songs.

Sunday, October 9

Nasher Sculpture Center presents Magali Reus: "A Sentence in Soil" closing day
Sunday will be the final day to view Magali Reus: "A Sentence in Soil" at Nasher Sculpture Center. Reus' second major U.S. show features an installation that examines the relationships between people and objects through the distortion of common images. The artist reimagines commonly found objects such as “No Parking” signs or dehumidifiers to take on new lives.

Monday, October 10

Photo by Gage Skidmore

Craig Ferguson performs at Majestic Theatre on October 6.

The Chicks in concert
We're extending the list past the weekend to note a rare two-day appearance by a big band. The last time The Chicks came to town in 2016, they still had the word "Dixie" attached to their name. But in 2020, in conjunction with the release of their latest album, Gaslighter, they decided to drop that part since it came with unintended negative connotations. They'll play on both Monday and Tuesday at The Pavilion at Toyota Music Factory in Irving.

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Movie Review

Amanda Seyfried and Sydney Sweeney go off in trashy film The Housemaid

Photo courtesy of Lionsgate

Amanda Seyfried and Sydney Sweeney in The Housemaid.

Both Amanda Seyfried (the upcoming The Testament of Ann Lee) and Sydney Sweeney (Christy) are starring in movies with Oscar ambitions this year. By sheer coincidence, the two actors are also co-starring in The Housemaid, a thriller coming out within weeks of their more ambitious works, one that is likely to be seen by many more people than those prestige plays.

Sweeney is given top billing as Millie, a down-on-her-luck ex-convict looking to land any type of job so as not to break her parole. She finds a too-good-to-be-true lifeboat with Nina (Seyfried), who hires her to be a housemaid for her large house on Long Island, where she lives with her husband, Andrew (Brandon Sklenar), and daughter, Cecilia (Indiana Elle).

After a warm interview, Nina almost immediately becomes highly erratic, whipping back-and-forth between happy-go-lucky and rageful. It seems clear that Nina is suffering from mental health issues, as she’ll often accuse Millie of misplacing or stealing items that she didn’t take. Andrew, apparently used to Nina’s tirades, tries to protect Millie from the worst, something that grows increasingly difficult as Nina ups the ante.

Directed by Paul Feig (A Simple Favor) and adapted by Rebecca Sonnenshine from the bestselling book by Freida McFadden, the film is likely the trashiest mainstream movie to come out in 2025. The first half of the movie relies not on story but on moments as Nina embodies the word “hysterical” to an unbelievable extent. The resigned acceptance of the abuse by Millie, as well as the saintly patience of Andrew, make almost every scene laughable, as nobody seems to be acting anywhere close to how a person would normally react to such extreme situations.

The scenes and the performance of Seyfried are so over-the-top, in fact, that it’s clear that the filmmakers are in on the joke. It’s next to impossible not to have a little bit of fun while watching the actors react to outrageous incidents as if nothing is out of the ordinary. The worse Nina acts, the more Millie and Andrew retreat into their chosen roles, and the funnier the film becomes.

Fans of the book will know that the story changes course, eventually turning into a more stereotypical thriller that also has some relatively gnarly visuals to offer. But the trashiness continues, with Sweeney’s, um, assets repeatedly on display in both clothed and unclothed ways. The sex appeal of the R-rated movie makes it an outlier, as recent studio films have shied away from asking their big stars to disrobe completely.

Both Seyfried and Sweeney are far from their Oscar hopeful roles here. Seyfried is given free rein to act as brazenly as she pleases, and she takes full advantage of that ability. Sweeney seems to have been told to be much more reserved, and unfortunately that results in too many wooden line readings. Sklenar continues his breakout streak (It Ends with Us, Drop) with a role that allows him to show more range than either Seyfried or Sweeney.

The Housemaid is an unusual type of movie to be released at a time of year when most films are either those aiming for awards or more family-friendly fare. Despite its many flaws, it’s still an enjoyable watch that features a variety of crazy scenarios not typically seen in movies nowadays.

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The Housemaid is now playing in theaters.

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