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    Let's Talk about Bruno

    Dance inside the world of Disney at new immersive experience coming to Dallas

    Hannah J. Frías
    Mar 20, 2023 | 9:45 am
    Disney Animation: Immersive Experience

    Disney Animation: Immersive Experience is coming to Dallas in April.

    Courtesy of Lighthouse Immersive Studios

    A family-friendly immersive experience coming to Dallas will let Disney fans feel like they're part of their favorite films. "Disney Animation: Immersive Experience" will make its Dallas debut at Lighthouse ArtSpace Dallas (507 S. Harwood St.) on April 20.

    It's from the same team that brought "Immersive Van Gogh" to cities around the world, including a highly successful run in Dallas.

    According to a release, the new experience promises to bring to life Disney classics like The Lion King and Aladdin, as well as newer favorites such as Encanto, Frozen, and more.

    "Like so many of us, I have a life-long love of Disney films,” says Lighthouse Immersive founder Corey Ross in the release. “I’ve grown up with them since childhood and so has my family. The work lends itself brilliantly to the immersive experience and I am confident this program will give our guests the opportunity to be engulfed in the world of Disney, making them feel like they’re standing next to their favorite characters and seeing the world through their eyes.”

    Ross describes how it begins:

    “Just imagine journeying through Zootopia with Judy Hopps, diving to the ocean floor with Ariel, flying on a magic carpet with Aladdin, and stepping into Casita with Mirabel and the family Madrigal. This is where the 'Disney Animation: Immersive Experience' will take you.”

    According to the release, additional interactive features include responsive floor projection design that "moves" with the audience and custom bracelets that light up in sync with the projections and based on the audiences’ movements. A particularly show-stopping moment, organizers say, is when the Gazillion Bubbles special effects team fills the 500,000 cubic feet of galleries with bubbles.

    Oscar-winning producer J. Miles Dale (2018 Best Picture: The Shape of Water) is leading the creative team on the production, a collaboration between Lighthouse Immersive and Walt Disney Animation Studios.

    “Trailblazing in a new medium is always exciting, and this is truly going to be the most challenging and rewarding project of my career," Dale says in the release. "Being entrusted with Disney’s rich archive of animation is a great honor, but also a tremendous responsibility. With such a wealth of material and a treasure trove of memorable characters, it will be a thrill to bring the work of all the great Disney animators and performers to life in a 360-degree immersive environment.”

    Dallas' opening date is April 20, and and tickets (starting at $29.99) go on sale March 23 at https://lighthouseimmersive.com/disney/.

    Disney ClassicsLighthouse Immersivefamiliestheater
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    Movie Review

    Five Nights at Freddy’s 2 is better than the first but not by much

    Alex Bentley
    Dec 4, 2025 | 1:24 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films likeM3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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