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    Event planner

    West Side Story and the Fort Worth Stock Show top the best events in Dallas this weekend

    Alex Bentley
    Jan 17, 2013 | 12:00 am

    One of the underrated benefits of living in the Dallas-Fort Worth area is the quality of the theater scene. Top-quality venues are natural attractions for national tours, and a plethora of local theater companies ensure that hardly a day goes by without at least a few interesting productions taking place.

     

    That's certainly the case right now, as theater dominates this week's best events. Below are your best options for your precious free time Thursday through Sunday. Don't like what you see? Lucky for you, we have a much longer list of the city's best events.

     

     Thursday, January 17

     

     Performing Arts Fort Worth presents West Side Story
     West Side Story is one of those musicals that will never go out of style, even though its history goes back 55 years and counting. Part of that is the fact that the original production and subsequent movie both earned multiple awards, but mostly it's that the songs — "Tonight," "I Feel Pretty" and "Somewhere" — are timeless. The national tour stays at Bass Performance Hall through Sunday.

     

     AT&T Performing Arts Center presents Nat Geo Live: Robert Ballard
    You may not know the name Robert Ballard, but you know what he's accomplished. He's done extensive work on ocean floors around the world, most notably discovering the wreckages of the Titanic and the Bismarck. He tells the audience at Winspear Opera House about those adventures, as well as his tireless work that continues in places like the Mediterranean and Atlantic.

     

     Friday, January 18

     

     2013 Fort Worth Stock Show and Rodeo
    Fort Worth loudly and proudly proclaims itself to be Cowtown, so it's no surprise that one of its biggest annual events is the Fort Worth Stock Show and Rodeo. With the focus on the livestock shows, demonstrations and the rodeo, with a carnival/midway as a sideshow, it's almost like the State Fair in reverse. The cattle extravaganza lasts until February 9 at Will Rogers Memorial Center.

     

     TITAS presents The Joffrey Ballet
    Showing off the variety of its programming, the Winspear Opera House hosts one of the country's preeminent ballet companies two days after a talk about deep sea diving. The Joffrey Ballet performs Le Sacre du Printemps (Rite of Spring), a classic by choreographer Vaslav Nijinsky that is celebrating its 100th anniversary. They perform Friday and Saturday night.

     

     Saturday, January 19

     

     Los Lobos in concert
    For a 40-year-old band, Los Lobos has remained remarkably consistent. It's had the same main four members for nearly its entire existence, and its reign as the top Chicano rock band has been unchallenged since the mid-1980s. They don't have any new material out now, so you're guaranteed to hear a bunch of the classics at two separate shows at The Kessler.

     

     Dallas Theater Center presents King Lear
    The first Dallas Theater Center production of 2013 is actually a co-production with Rhode Island's Trinity Repertory Company and the final one of the Shakespeare series, which has included Henry IV and The Tempest. They are sure to make great use of the space inside Wyly Theatre, giving the tragedy of King Lear extra oomph. The play runs through February 17.

     

     Sunday, January 20

     

     Addison Theatre Center presents Zero
    If you came across a man talking to himself on a street corner, you'd likely avoid him or ignore him. But you won't want to do either of those things when Danny O'Connor inhabits the personas of six different characters in his one-man show, ironically called Zero. The play, which runs at Addison Theatre Centre through February 9, also serves as a benefit for the Wounded Warrior Project in honor of Danny's brother Robert, who co-wrote the show.

     

     Uptown Players presents Broadway Our Way 2013
    Speaking of shows for a good cause, Uptown Players puts on their annual fundraising show, Broadway Our Way. A send-up of a variety of Broadway shows past and present, this year's version pits Uptown's men and women against each other. The show runs through January 27 at Kalita Humphreys Theater.

    The national tour of West Side Story plays at Bass Performance Hall through Saturday.

    West Side Story cast
      
    Photo by Carol Rosegg
    The national tour of West Side Story plays at Bass Performance Hall through Saturday.
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    Movie Review

    New Superman film honors the past while forging into the future

    Alex Bentley
    Jul 11, 2025 | 1:26 pm
    David Corenswet in Superman
    Photo by Jessica Miglio
    David Corenswet in Superman.

    When the character of Superman was invented in 1938, it was perhaps easier to see the world in good and bad terms. Fascism was already on the rise in Germany under Adolf Hitler, and the idea of an all-powerful superhero who stood up for people in need was a welcome one. In the nearly 90 years since, though, the world and the character have undergone multiple evolutions, and the thought of someone who is purely good is often met with cynicism or worse.

    The new Superman, written and directed by James Gunn, puts the superhero (or metahuman, as the film calls him and similar creatures) squarely in the midst of the modern world, with geopolitical conflicts, mega-corporations, and social media all combining to make the altruism of Superman/Clark Kent (David Corenswet) questionable. That skepticism even extends to his coworker/girlfriend Lois Lane (Rachel Brosnahan), whose knowledge of his exploits puts her in a tricky position personally and professionally.

    Lex Luthor (Nicholas Hoult) is out to dominate the world and take down Superman, with his eponymous corporation and vast group of underlings dedicated to doing both. Superman is generally a one-man fighting crew, but he’s occasionally aided by a group calling themselves the Justice Gang, comprised of heroes many have never heard of like Guy Gardner (Nathan Fillion), a version of Green Lantern; Hawkgirl (Isabela Merced), a flying metahuman; and Mr. Terrific (Edi Gathegi), who knows all kinds of technology.

    One of the best things about this new version of Superman is that it mostly dispenses with introductions, putting the audience in a world where Superman is already a well-known quantity who’s adored by many and hated by some. Gunn has used his new position as co-CEO of DC Studios to honor the past of the hero and take him into the future. With the 1978 John Williams theme song echoing throughout and Corenswet giving off Christopher Reeve vibes, it’s clear Gunn wants audiences to feel nostalgia while still getting something new.

    He also appears to want viewers to fight against the negativity that the modern world can bring. The plot involves manipulation of the public, usually at the hands of Luthor, through bombastic talk shows, political theater, and social media, the latter of which - in a great joke - comes to involve hundreds of typing monkeys. The film could be read as a rebuttal of many real-world ills as, despite Luthor’s machinations, many choose to continue to believe in the goodness of Superman.

    There is a lot going on in the film, but somehow it never comes off as overly complicated. Superman’s relationship with Lois Lane and Luthor’s attempts at taking him down are given the most prominence, with everything else supporting those two main things. The Justice Gang is a fun addition, with Mr. Terrific becoming the breakout hero of the group. The addition of the (CGI) dog Krypto provides levity, poignant moments, and unexpectedly great action scenes. The only part that gets somewhat short shrift is the crew of The Daily Planet, with everyone besides Lois and Jimmy Olsen (Skyler Gisondo) getting little more than face time.

    Being the new Superman is a lot to live up to, but Corenswet is completely up to the job. He, like Reeve, plays the character as someone who is earnest but not naive, a quality that comes through even when he’s in the middle of fight scenes. Brosnahan is also fantastic, providing a nice balance to the relationship while also proving the character’s own worth. Hoult makes for a great new version of Luthor, and Gathegi nearly makes the case that Mr. Terrific should get a starring film of his own.

    Just as he did with the Guardians of the Galaxy trilogy, Gunn has shown that success can be found through making characters people want to see. Not everyone in this Superman will be familiar to viewers, but in the end a group of people working together toward a goal that serves the common good is one worth watching and cheering for.

    ---

    Superman is now playing in theaters.

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