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    Movie Review

    Saturday Night is a fun frenetic you-were-there look at debut of SNL

    Alex Bentley
    Oct 10, 2024 | 1:15 pm
    Cast of Saturday Night movie

    Saturday Night recreates the hours leading up to the debut episode of Saturday Night Live.

    Photo by Hopper Stone

    Saturday Night Live is a comedy institution that just started its historic 50th season, a show that is ingrained into American pop culture in a way that few things have ever been. Of course, it wasn’t always that way, especially at the beginning. The tumultuous time leading up to its 1975 debut is the focus of the new film, Saturday Night.

    The frenetic film mostly follows Lorne Michaels (Gabriel LaBelle) as he tries to herd a bunch of disparate pieces into the semblance of a TV show. Not only must he deal with the varying personalities of the show’s stars - Chevy Chase (Cory Michael Smith), Gilda Radner (Ella Hunt), Dan Aykroyd (Dylan O’Brien), Laraine Newman (Emily Fairn), John Belushi (Matt Wood), Garrett Morris (Lamorne Morris, no relation), and Jane Curtin (Kim Matula) - but also a constant barrage of questions from writers, producers, studio executives, and more.

    The camera is in almost constant motion as Michaels moves from one part of Studio 8H in New York City’s 30 Rockefeller Plaza to another, putting out fires (sometimes literally), approving changes (up to literally the last second), and trying to display confidence in a product that had never been tested before.

    Directed by Jason Reitman and written by Reitman and Gil Kenan, the film is best viewed as what it is, a dramatization of events on that first fateful night. Although there have been various accounts of what the early days of SNL were like (most notably Live From New York by James Andrew Miller and Tom Shales), only those who were there in person know what it was truly like to launch the show.

    The film definitely fudges and conflates certain things, but it’s the general feeling that it gives off that matters the most. The pace is such that it’s nearly impossible to catch everything put on screen or understand the importance of every character. But what is readily apparent is the passionate-if-slapdash way Michaels and his crew are trying to organize the show, as well as the seemingly never-ending well of humor possessed by everyone on its staff.

    Still, it’s fair to wonder for whom exactly the film is being made. While many of the people in the film are iconic and well-known, just as many are not, and only SNL superfans will know everyone who makes their way on screen. The speed of the film’s storytelling is great for the atmosphere it creates, but it doesn’t stop to explain who anyone is, so viewers who don’t have a good grasp of mid-’70s pop culture may find themselves a little lost.

    The film is so packed full of people that you can’t give everyone their just due. LaBelle, who was a great stand-in for a young Steven Spielberg in The Fabelmans, proves just as adept in his portrayal of Michaels, save for the distinctive voice. Among the multiple other notable performances are Smith, Morris, Rachel Sennot as Michaels’ then-wife Rosie Shuster, and Nicholas Braun as both Andy Kaufman and Jim Henson.

    Saturday Night is a loving tribute to a show with which most Americans have at least a passing familiarity, even if it sometimes feels like it was made just for the show’s most ardent viewers. The level of detail spent recreating the look and feel of SNL’s early days makes it a fun and compelling film, no matter if what it shows is completely true or not.

    ---

    Saturday Night opens in theaters on October 11.

    moviesfilm
    news/entertainment

    Movie Review

    Marty Supreme cements Timothée Chalamet as his generation's movie star

    Alex Bentley
    Dec 23, 2025 | 11:23 am
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also got nominated for an Oscar for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

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