A police horse that was startled at the State Fair of Texas injured a fairgoer on October 8.
According to the Dallas Police Department, a mounted police officer was "patrolling Big Tex Circle" around 3 pm when the horse got spooked. The officer attempted to regain control of the animal, but ran through a group of people. a teen male ended up getting trampled and was taken to the hospital.
One witness said that the officer was getting a drink at one of the stands while still mounted. Once he got the drink, the horse sped off and patrol officer was thrown from the horse.
"The cop was getting a drink with the horse and then when he left with the drink in his hand the horse started going crazy and going full speed to a crowd of people," the witness said. "The cop fucked up by getting a drink while on a horse and not having full control. [It] was weird he was not dropping the drink when the horse started going crazy. The cop ended up getting stuck on the saddle and fell off. Then the cop came to the scene and I asked him what happened and he said, I don’t know. I’m trying to figure it out.'"
The Dallas Police Department uses draft horses, a larger breed "developed as working horses," but the bigger question is, why does the Dallas Police Department need to use horses at all, when other tools like Segways exist?
"Stop using animals for intimidation factors and this won’t happen," suggested one commenter. "Isn’t your AR-15, taser, sidearm, pepper spray, and club enough to enforce whatever you think you need to at The Fair? Let the animals be animals."
The presence of building ramps, curb ramps, wheelchair-accessible stalls, accessible parking spaces, and more accommodations for people with disabilities is now so ubiquitous in the United States that it’s hard to remember a time without them. But as the new film Being Heumann ably demonstrates, the fight to get those things was as difficult as any civil rights battle.
The film focuses on a specific period of time in 1977 when disability rights activist Judy Heumann (Ruth Madeley) led a movement to try to get U.S. Secretary of Health, Education and Welfare (HEW) Joseph Califano (Mark Ruffalo) to sign Section 504 of the Rehabilitation Act of 1973. After years of no progress under Presidents Nixon, Ford, and Carter, Heumann and her group of other disabled people and allies decide to stage a sit-in at the HEW offices in San Francisco.
What begins as a temporary event turns into a prolonged ordeal, with Califano initially unmoved and the protesters unwilling to leave the building. The strong-willed Heumann, helped by fellow leaders like Kitty Cone (Madeline Delp) and TV reporter Evan White (Dylan O’Brien), not only puts pressure on Califano and other HEW staffers, but also members of her own group, some of whom are unable or unwilling to stay as long as she wants.
Directed by Sian Heder (CODA) and written by Heder and Rebekah Taussig, the film features a rousing story made all the more effective by the presence of actual disabled people. In addition to people in wheelchairs like Madeley and Delp, the cast features people who are blind, deaf, are short-statured, and more. Some of the cast members are professional actors, some aren’t, but they all bring a realism that enhances the story.
Heder and her team underscore the importance of the story by taking their time telling it. That doesn’t just mean giving Madeley and others extra scenes to demonstrate their skills, although the 127-minute film provides plenty of time for that. More pointedly, Heder allows the disabled people to take however long they need to do something, like trying to navigate inaccessible stairways or using a pointer to spell out words. The respect this approach shows the actors brings extra heft to the story they’re trying to tell.
There are multiple moments in the film where audience members may scoff at what’s happening to the disabled people, most notably when they are met with derision by government officials and even regular passers-by. Heder occasionally overplays her hand by either showing Califano as being overly callous or White being supremely helpful, but she mostly plays things straight, allowing the difficulties the protestors face speak for themselves.
Madeley, a veteran actor with over 30 credits to her name, puts in an award-worthy performance. While the reality of her disabled body plays a part in her role, it’s mostly the fieriness and determination that she shows that make it stellar. Others like Delp, Antwan Tolliver, Rio Finnegan, and more prove crucial in supporting roles. Known actors like Ruffalo, O’Brien, and Rob Delaney are fine, but secondary to the main group.
Being Heumann is a great way to honor the legacy of Heumann, who passed away in 2023. There is still work to be done to ensure disabled people are given access and respect in the U.S., but the events in the film show that people like Heumann and the groups they lead have power when they choose to fight.
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Being Heumann is now playing in select theaters and streaming on Apple TV.
