Romance is All Around

9 creative Valentine’s dates around Dallas that don't involve dinner

Valentine's-themed events like a live painting at Samuel Lynne Galleries offer great alternatives for romance-seeking couples.

Photo courtesy of JD Miller

Going out to dinner on Valentine's Day is a tried-and-true tradition, but why deal with the masses - on a Saturday night, no less - when you can spend some quality time with your significant other at a fun event?

We've gathered together nine great Valentine's-themed events taking place on around the actual date to show your partner that you know how to think outside of the box. Click each link for ticket prices, reservations, and more information. (And by the way, if you do want to add dinner to the mix, here is a long list of restaurants doing something special for Valentine's.)

Thursday, February 12

Perot Museum of Nature and Science presents Valentine's on Tap
The Perot Museum of Nature and Science will present a vibrant, Valentine’s-themed night out as a special edition of their "Thursdays on Tap" series. Guests can spend the evening exploring the museum after hours, enjoying live music, food and drinks, sweet treats, and full access to the exhibit halls without the daytime crowds.

Friday, February 13

Tribute Masters presents Sinatra and Bublé
The concert Sinatra and Bublé will be a night of romance, nostalgia, and timeless music as the special Valentine's tribute show features the legendary sounds of Frank Sinatra and Michael Bublé as performed by Dave Halston and Michael Nugent. The show will feature Sinatra's classic hits like "Fly Me to the Moon" and "My Way" and Bublé's modern favorites like "Haven't Met You Yet" and "Everything." The concert takes place at Eisemann Center for Performing Arts in Richardson.

Saturday, February 14

Richardson Community Chorale presents Love Songs
In celebration of Valentine’s Day, the men and women of the Richardson Community Chorale will celebrate romance by sharing some of their favorite songs of love. The afternoon concert will take place at First Presbyterian Church of Richardson.

Samuel Lynne Galleries presents JD Miller's Valentines Day Live Painting
Renowned Reflectionist artist JD Miller will return for the 10th Annual Valentine’s Day Live Painting Event at Samuel Lynne Galleries. Miller will create a live masterpiece beginning at 6:45 pm, reimagining a McShan Florist arrangement into a one-of-a-kind painting, capturing the essence of love through movement, texture, and light.

Grapevine Vintage Railroad presents Sweetheart Wine Train
In celebration of Valentine's Day, Grapevine Vintage Railroad will present the Sweetheart Wine Train, on which guests can celebrate with a leisurely train ride from Grapevine to Fort Worth and back. Two glasses of fine Texas wine will be served in a souvenir wine glass, along with individually portioned savory bites and dessert. All women will receive a single red rose, and additional wine will be available for purchase.

Avant Chamber Ballet presents Rhythm and Romance
Avant Chamber Ballet's Valentine's Day production will feature three inspiring ballets. Valse Fantaisie, choreographed by George Balanchine, is a ballet with a whirl of perpetual motion set to Glinka’s swooning melodies. In Paul Mejia’s hands Astor Piazzolla’s famous tangos come to life in Cafe Victoria, a cheeky, sensual story ballet set in a smokey “barre.” Katie Puder’s Sisterhood closes the evening with a celebration of the bonds of friendship beyond blood and our interwoven community featuring music composed by Dallas native Quinn Mason. There will be performances on February 14 and 15 at Moody Performance Hall.

Timeless Concerts presents Valentines Special and Fundraiser
Timeless Concerts' annual Valentines Special and Fundraiser showcases a variety of music performed by violinists LeeAnne Chenoweth and Keyreel Raskolenko, cellist Alice (Jeong-A) Lee, and pianist Heejung Kang. They will play spicy tango music of Astor Piazzolla of Argentina, plus selections of the great romantics. The hour-long concert at Holt Hickman Center will be followed by a post-concert party with pianist Erik Barnes, who will take requests. Guest can enjoy charcuterie style bites, desserts, wine, and soft drinks.

Uptown Revue presents The Hot Mess Heartbreaker Show
The Hot Mess Heartbreaker Show is a late-night, no-holds-barred popcorn-throwing comedy burlesque variety special crashing into Valentine’s Day, because romance is better after dark and a little unhinged. Guests get automatic entry into a raffle, themed food and drink specials, and popcorn projectile privileges. The performance takes place at Pocket Sandwich Theatre in Carrollton.

Sunday, February 15

Bodies Race Company presents Couple Shuffle
For those who like to work off their Valentine's Day indulgences, the annual Couple Shuffle offers races in 2-mile, 5k, and 10k distances. At the Valentine's themed race, participants will enjoy a course sprinkled with photo ops, and a finish line filled with sweet treats and high-fives. Swag includes a designer shirt & custom medal, chip-timing with live results and awards, and treats. Taking place at Audubon Park in Garland, there will also be a kid's dash, an untimed dash for children ages 10 and under. Registration includes a mini bib, youth-sized shirt, and a specifically crafted medal for kids.

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Movie Review

Andrew Garfield leads peasant rebellion in medieval film The Uprising

Photo by Betina La Plante/Focus Features

Andrew Garfield in The Uprising.

Writer/director Paul Greengrass made his name with a cinéma vérité style of filmmaking that brought immediacy and depth to three Jason Bourne films, United 93, Captain Phillips, and more. In The Uprising, he uses those skills to tell the story of the so-called Peasants’ Revolt in 14th century England.

Greengrass wastes no time starting the main plot as Ploughman (Andrew Garfield) and his fellow villagers object to onerous taxes put on them by the country’s nobility, led by the young King Richard II (Woody Norman), to fund an ongoing war. Ploughman initiates a violent response over the tone-deaf — and unseemly — way the king’s guard go about their business, and the rebellion soon starts to spread across the countryside, with the citizens looking for a degree of autonomy.

The ever-expanding group makes their way toward London to try to make their case to the king himself. Meanwhile, the king’s top advisors, including Archbishop Sudbury (Stephen Dillane) and Treasurer Hales (Tom Hollander), try to usurp power from the inexperienced monarch even as the king’s mother (Katherine Waterston) tries to get him to be more assertive.

The history of the English monarchy is long and lurid, as Shakespeare detailed in multiple plays, including Richard II. Though the events in the film took place almost 650 years ago, it’s easy to see parallels between what the peasants were fighting for and modern-day politics. Greengrass’ storytelling intent is solid, and the righteous anger the citizens feel is initially relatable and palpable.

But the populism theme of the story soon gets bogged down in drudgery and minutiae that is difficult to understand, especially when the details are lost in the thick regional English accents. The leaders of the rebels — including John Ball (Jamie Bell), Wat Tyler (Cosmo Jarvis), and Alyce (Thomasin McKenzie) — are shown doing a lot of planning, but the strong feelings they have about their quest don’t come across well, leaving the audience as passive observers.

When there is action, Greengrass and his team employ a frenetic style that is not great for comprehension. While the gist of what is happening and what side is winning is legible, individual moments go by so quickly so as to be nearly meaningless. Save for Ploughman, any connection that has been made with various characters proves futile, as Greengrass doesn’t seem to have any time for emotion. Scenes that should feel thrilling or heartbreaking instead come off as empty.

Garfield is a two-time Oscar nominee who has done great work across multiple genres. He’s fine in this role, but whether it’s the story, the filmmaking, or something else, he’s not as captivating as usual. The same goes for other strong actors like Bell, McKenzie, Dillane, Hollander, and Waterston, who each seem to be giving their all to their performances but are somehow muted in the process.

Done right, The Uprising could have been a rip-roaring account of people standing up against their oppressors. What Greengrass has made, though, is a film that can’t translate its medieval story for a modern audience and concentrates too much on unexciting elements and too little on thrilling ones.

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The Uprising is now playing in theaters.

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