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    Weekend Event Planner

    These are the 10 best things to do in Dallas this Easter weekend

    Alex Bentley
    Apr 17, 2025 | 6:00 am

    Dallas typically only gets one Broadway tour at a time, but with two premier venues in the city, this Easter weekend will feature a rare double dip. Other choices include three local theater productions, a symphony concert, a stand-up comedy event, a concert celebrating an iconic venue, a beatboxing/popping performance, and a concert featuring the music from a popular anime.

    Below are the best ways to spend your free time this weekend. Want more options? Lucky for you, we have a much longer list of the city's best events, as well as a list of places serving Easter brunch.

    Thursday, April 17

    Soul Rep Theatre Company presents Pretty Fire
    Pretty Fire is a one-woman show that explores beautiful, funny, dark, and exhilarating vignettes tracing the life of playwright Charlayne Woodard from a premature birth to a joyous maturity at 11 years old. It is a powerful exploration of three generations of family love, struggle, and triumph. The production will have three performances through Saturday at Latino Cultural Center.

    Plague Mask Players presents Alice
    Alice by Ara Vito is a movement and storytelling-focused adaptation of Lewis Carroll’s Alice in Wonderland, told through the lens of a female playwright and ensemble cast of all female and non-binary performers. The Texas premiere of the new work, which is part of AT&T Performing Arts Center's Elevator Project, runs through April 27 in Wyly Theatre's Studio Theatre.

    Dallas Symphony Orchestra presents "Mendelssohn’s Scottish Symphony"
    Inspired by seeing the ruins and moors of Scotland, and especially Mary Queen of Scots’s Holyrood Castle on a walking tour, Mendelssohn created his aptly named Third Symphony. Also, the Dallas Symphony Orchestra's principal winds will gather for the world premiere of a concerto commissioned for them from one of the most sought-after American composers, Sean Shepherd. The concert, conducted by Fabio Luisi, will have three performances through Saturday at Meyerson Symphony Center.

    Broadway Dallas presents Mamma Mia!
    Set on a Greek island paradise where the sun always shines, a tale of love, friendship, and identity is told through the timeless hits of ABBA. On the eve of her wedding, a daughter’s quest to discover the father she’s never known brings three men from her mother’s past back to the island they last visited decades ago. The production runs through April 27 at the Music Hall at Fair Park.

    Broadway at the Center presents Mean Girls
    Cady Heron may have grown up on an African savanna, but nothing prepared her for the vicious ways of her strange new home: suburban Illinois. Soon, this naïve newbie falls prey to a trio of lionized frenemies led by the charming but ruthless Regina George. But when Cady devises a plan to end Regina’s reign, she learns the hard way that you can’t cross a Queen Bee without getting stung. The production will have four performances through Saturday at Winspear Opera House.

    Friday, April 18

    Killers of Kill Tony
    Killers of Kill Tony is a standup comedy lineup featuring regulars and fan-favorites from the podcast Kill Tony. Building upon the success and energy of the original podcast, Killers of Kill Tony showcases the diverse talent pool of comedians and their wit, humor, and unique comedic styles. Performers will include Kam Patterson, Ari Matti, David Lucas, and Martin Phillips. There will be two performances at Majestic Theatre.

    Saturday, April 19

    Dallas Children's Theater presents James and the Giant Peach
    Based on the novel by Roald Dahl, young James Henry Trotter's resilience is tested when he is sent off to live with his mean aunts, Spiker and Sponge, after a chain of unfortunate incidents. Life is no fun there until he accidentally spills some tiny green things on a tree, and … voilà, a giant peach. When James and his new oversized friends - Grasshopper, Centipede, Ladybug, Earthworm, and Spider - snip the stem of the peach, the quest for happiness and great adventure lands them in New York City and at the center of attention. The production runs through May 24 at Dallas Children's Theater.

    Longhorn Jubilee featuring St. Paul & the Broken Bones
    To celebrate Longhorn Ballroom’s 75th anniversary, the venue is hosting a series of events to honor the iconic room's past, present, and future. Dubbed the Longhorn Jubilee, the all-genre-encompassing event will unfold both inside the Ballroom and outside in the Courtyard combining music with food trucks, local vendors, and more. This event will feature performances by Saint Paul & The Broken Bones, Abraham Alexander, The Suffers, and more.

    Eisemann Center presents Beatbox Meets Popping featuring Amirah Sackett & Mr MiC
    An internationally recognized hip-hop dancer, choreographer, and teacher, Amirah Sackett explores and embodies her Muslim American identity through combining hip-hop movement and Islamic themes. She is widely known for her creation of the choreography and performance group known as We’re Muslim, Don’t Panic. The performance takes place at Eisemann Center for Performing Arts in Richardson.

    Sunday, April 20

    Attack on Titan: Beyond the Walls World Tour
    Attack on Titan: Beyond the Walls World Tour is a celebration of music and anime, a concert experience that features a fusion of rock and orchestral music, vocal performances, and visuals that transports the audience straight into the heart of the universe of the anime series Attack on Titan. The concert will be performed by rock musicians joined by a symphonic orchestra, accompanied by synchronized scenes from the anime series. It takes place at Texas Trust CU Theatre in Grand Prairie.

    Attack on Titan: Beyond the Walls World Tour
      
    Photo courtesy of La Fee Sauvage

    Attack on Titan: Beyond the Walls World Tour will be at Texas Trust CU Theatre on April 20.

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    Movie Review

    Casting is a strong point in latest Marvel film Thunderbolts*

    Alex Bentley
    May 1, 2025 | 3:08 pm
    Hannah John-Kamen, Lewis Pullman, Wyatt Russell, David Harbour, Florence Pugh, and Sebastian Stan in Thunderbolts*
    Photo by Chuck Zlotnick
    Hannah John-Kamen, Lewis Pullman, Wyatt Russell, David Harbour, Florence Pugh, and Sebastian Stan in Thunderbolts*.

    For the longest time, keeping up with the Marvel Cinematic Universe felt essential for movie lovers, even if not every movie lived up to expectations. But since the end of the MCU’s Phase 3 in 2019 and the ramping up of related TV shows on Disney+, the quality of the films and the disparate nature of the storytelling has vastly brought down how important each new movie felt.

    That disposable nature is on full display in the new Thunderbolts*(the asterisk makes sense by the end), which tries to make hay with a bunch of characters who’ve only been seen briefly before. Yelena Belova (Florence Pugh), John Walker (Wyatt Russell), and Ava Starr, aka Ghost (Hannah John-Kamen) are each mercenaries who work for CIA director Valentina Allegra de Fontaine (Julia Louis-Dreyfus). Caught up in a scandal, de Fontaine attempts to have them eliminate each other, a scheme that results in them teaming up together.

    Plans for revenge, which grow to include Yelena’s father Alexei, aka Red Guardian (David Harbour), and now-Congressman Bucky Barnes (Sebastian Stan), are waylaid by the presence of Bob (Lewis Pullman), who shows up mysteriously during the main trio’s escape attempt. It’s the powers that Bob displays that become the main thrust of the film, with de Fontaine trying to harness them for her own good and the others joining forces to prevent him from doing too much harm.

    Directed by Jake Schreier and written by Eric Pearson and Joanna Calo, Thunderbolts* does what most recent MCU movies have done: intrigue for a while before devolving into a confusing mess of CGI and poor storytelling. The filmmakers try for a light tone, especially through the comedic character of Alexei, but they never seem to find the right wavelength. The film takes a dark turn in its final hour, an interesting development that never reaches its full potential and comes to an abrupt end.

    The collection of characters is as random as they come, with Yelena and Alexei last seen together in 2021’s Black Widow, John Walker last seen in the 2021 TV show The Falcon and the Winter Soldier, and Ghost last seen in Ant-Man and the Wasp in 2018. Bucky, aka The Winter Soldier, is seemingly meant to be the main connective tissue that casual fans will know and enjoy, but his storyline fails to make sense, especially when he shows up out of nowhere at a crucial point in the film.

    Ultimately, the film never makes a case for audiences to care about anything that happens. They throw a bone toward relating it to Captain America: Brave New World, and, of course, hint at upcoming movies, but Phase 5 of the MCU (which started with 2023’s Ant-Man and the Wasp: Quantumania) has been so disjointed that it feels like the majority of it will never be spoken of again. If it doesn’t matter to those making the films, why should the audience invest in anything the characters are doing?

    Despite the subpar nature of the film, it’s cast very well. Pugh is a great actor who far outshines anything she’s asked to do. Harbour hams it up amiably, and Russell finds a way to make the most of his character. John-Kamen doesn’t get as much to do as others, but she has a nice presence to her. Pullman (who, weirdly, played another funnily-named Bob in Top Gun: Maverick) has a tricky role, but he makes it work. And Louis-Dreyfus understands how to toe the line between corrupt and wholly evil.

    If the next phase of the MCU (which starts with the upcoming The Fantastic Four: First Steps) works, then the movies of the past few years will likely fade into oblivion. In the case of Thunderbolts*, it won’t be a big loss, as it showcases characters paired together for no discernible reason with forgettable results.

    ---

    Thunderbolts* opens in theaters on May 2.

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