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    Girls in white dresses

    44 Dallas Symphony debutantes dip and dance at regal Presentation Ball

    Stephanie Allmon Merry
    Feb 19, 2024 | 9:58 am

    Like graceful swans, 44 young women in billowing white ballgowns and long white gloves "Texas dipped" into society at the 38th Annual Dallas Symphony Orchestra League Presentation Ball on February 10 at the Morton H. Meyerson Symphony Center.

    The culmination of nearly a year of parties, philanthropy, and training for the debutantes, DSOL Presentation Ball is one of the most glamorous, formal events in Dallas (including one of the only invitations to request a dress code of black or white tie).

    The presentation of Dallas Symphony debutantes is a time-honored tradition for many of Dallas' most influential and philanthropic families. The debs are of college age and typically are graduates of Dallas-area high schools, but may be attending college out of the area.

    Participation is open to all young women. Much like a sorority, participants pay fees and participate in parties, fundraisers, classes, and other events throughout the year, all leading up to the Presentation Ball.

    The 2024 class was one of DSOL's biggest and most diverse in its nearly four-decade history (there were 26 presented last year). It took place under the guidance of chair Kristin Cordiak and DSOL President Nancy Labadie.

    Honorary chairs were Margaret and Barry Hancock, who have special ties to DSOL: They had met when Margaret made her debut in 1992 and Barry was her Honor Guard escort. All of their children have participated in the Presentation Ball.

    Now, for the most important part. The 2024 debutantes were: Helena Breland Bach; Erika Mae Batson; Mia Lane Blanton; Claire Elise Cahoon; Ellie McClain Gidden; Ripley Elizabeth Cooley; Kennedy Claire Downing; Electra Wallace Ford; Sarah Rose Gambrell; Catherine Lee Grayson; Camille Anne Greening; Meredith Elizabeth Hallam; Grace Soleil Handler; Caroline Parker Hart; Catherine Bradford Hunt; Isabella Ann Jackson; Ashley Elizabeth Jaynes; Ellen Taylor Jones; Minje Kwun; Emannuelle Grace Le Voyer; Claire Michael Levy; Riya Kaur Luthra; Elizabeth Myers Madison; Avery Pilar Moore; Finley Elizabeth Nelson; Day Gilmer Nettle; Lillian Susan Nettle; Mina Hiranmayee Raj; Bailey Erin Robirds; Courtenay Christianson Sands, Kathryn Bunker Sands; Caroline Robertson Smith; Sheridan Michelle Spencer; Caroline Story Stiles; Leslie Katherine Swango; Caroline Parker Teegarden; Payton Grace Thurman; Megan McKamy Dyer Underwood; Lauren Alexis Watkins; Charlotte Nicole Webb; Kelley Caroline Wheeler; Abigail Archer Willingham; Claire Anh Wooley; and Sophia Corina Yung.

    In grand tradition that dates to Britain's Queen Victoria, each young woman was escorted onto the concert stage by her father (or an uncle or family friend) as the Dave Alexander Orchestra played a theme of her choosing - showtunes, pop songs, one proud Dallasite chose the theme song from TV's Dallas, and a University of Texas student went with "The Eyes of Texas." Dads then kissed them on the cheek, stepped to the side, and looked on proudly as the women walked forward.

    Slowly, purposefully, gracefully, each woman curtsied all the way to the ground for her "Texas dip" - arms out, head forward, head bowed, head to the side - all while clutching a floral bouquet. A member of the Honor Guard then assisted her onto her feet and carefully escorted her off stage.

    After all 44 women were presented, the audience headed hastily to the lobby, where trumpeters lined the grand staircase and the women were ushered onto the dance floor for the traditional father-daughter Grand Waltz.

    Patrons found their tables for a sumptuous filet mignon dinner, and wine stewards never let glasses run dry. Then the Limelight Band took the stage, and the dance floor filled for a high-energy after-party.

    The Presentation Ball, which was first held in 1987, is the largest fundraiser for the DSOL. Over $17 million has been raised for the Dallas Symphony Orchestra through the annual black- or white-tie event.

    Founded in 1946, the DSOL's mission is to support the Dallas Symphony Orchestra through service, education and fundraising activities. Since 1998 the League has contributed over $22 million in support of the DSO's many community initiatives.

    DSOL Debutante Presentation Ball 2024

    Photo by James French Photography

    Ripley Cooley

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    Standing Ovation

    Dallas crowd rocks out and raises record-breaking funds at Bravo Gala

    Lindsey Wilson
    Dec 4, 2025 | 1:56 pm
    2025 ATTPAC Bravo Gala
    Photo by Can Turkyilmaz
    Anita N. Martinez Ballet Folklorico.

    It might have been pouring rain on November 20, but that didn't stop more than 300 arts supporters from flocking to the ruby-lit Winspear Opera House for the 2025 AT&T Performing Arts Center's Bravo! Gala.

    Gala co-chairs Alina and Ruben Esquivel and Candice and Adam C. Wright welcomed a crowd that included longtime arts champions, civic leaders, philanthropists, and supporters, among them honorees Shannon and Ted Skokos, whose dedication to the Center’s mission was celebrated throughout the night. Does that name sound familiar? It should if you've ever seen a show at the Winspear — their name is emblazoned on the front of the stage.

    2025 ATTPAC Bravo Gala Texas Ballet Theater and The Dallas Opera performed together during cocktail hour.Photo by Can Turkyilmaz

    The evening unfolded as a journey through the heartbeat of Dallas arts. All five of ATTPAC's resident companies took the stage (the lobby landing) during cocktail hour for spotlight performances that showcased the range and richness of the Center’s artistic ecosystem.

    Guests cheered the vibrant traditions of Anita N. Martinez Ballet Folklorico and the emotional depth of Dallas Black Dance Theatre, and a standout moment came when The Dallas Opera and Texas Ballet Theater united for a gorgeous performance together. Zachary J. Willis, a Diane and Hal Brierley Resident Acting Company member, represented Dallas Theater Center by crooning several jazz standards during dinner on the Winspear stage.

    2025 ATTPAC Bravo Gala Headliner Michael Cavanaugh and honorees Shannon and Ted Skokos.Photo by Can Turkyilmaz

    2025 ATTPAC Bravo Gala

    Photo by Can Turkyilmaz

    Damon and Adrienne Mosley, Shameka and William Matthews.

    But it was the night’s featured performer, Grammy- and Tony-nominated artist Michael Cavanaugh, who brought the house fully to its feet. Handpicked by Billy Joel for the Broadway hit Movin’ Out, Cavanaugh delivered the same electricity as his mentor. His voice channeled the grit and soul of Joel's songbook, along with some of Elton John's biggest hits. As he moved between piano and vocals with magnetic ease, the audience responded exactly as if they were at a rock concert: clapping, cheering, and dancing along.

    That same energy carried seamlessly into the after-party, where DJ EndoLena kept the dance floor packed well past the official end time.

    Spotted mingling throughout the night were ATTPAC president and CEO Warren Tranquada, Deedie Rose (of Potter Rose Performance Hall legacy), Barbara Thomas Lemmon, Hal and Diane Brierley, soon-to-be-retired Arts District executive director Lily Cabatu Weiss and husband Jeff Weiss, Eugene McDermott Foundation's Grace Cook, AT&T's Matt Hickey, Brendan McGuire and Amber Scanlan from PNC, and ATTPAC board chair Jill Louis and board vice-chair Lynn McBee.

    2025 ATTPAC Bravo Gala Dinner was served on the Winspear Opera House stage.Photo by Can Turkyilmaz

    Throughout the night, excitement also swirled around the raffle, with packages that had guests dreaming of future adventures. A luxury Broadway weekend in New York promised first-class travel, a plush hotel stay, and tickets to two shows of the winner’s choosing. A Dallas staycation offered indulgence closer to home with a night at HALL Arts Hotel, dinner at Ellie’s, and box seats to a performance at the Center. Groups of friends imagined piling into a party bus for a Broadway Girls’ Night Out, while others eyed a $2,500 Eiseman Jewels shopping spree or “The Perfect 10,” pairing restaurant gift cards with seats to five Broadway at the Center productions.

    All told, the AT&T Performing Arts Center’s signature event raised a record-breaking $550,000 to fuel the Center’s education, engagement, and free public programming initiatives.

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