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    Parks News

    Expedition to remote Dallas preserve ends on idyllic Bonton Farms lunch

    Stacy Breen
    Aug 28, 2020 | 3:01 pm
    Goat Island Preserve
    The preserve runs deep into the Trinity River.
    All Trails

    Editor's note: Dallas resident Stacy Breen is an intrepid explorer of local culture with an instinct for making nifty discoveries. During August, she's contributing a weekly column on her visits to North Texas parks. This is her final entry.

    Goat Island Preserve is what started my summer 2020 exploration of parks around Dallas. I was at the Lakewood Farmers Market, where I work at the Empire Baking Co. stand selling bread, and this woman came up and was apologizing for being sweaty. She said she'd been hiking in Goat Island, which she said was great "because nobody was there." I said, "Tell me more." My friend and I went down the very next week.

    Like Post Oak Preserve in Seagoville, Goat Island is part of the system set up by Dallas County to preserve natural wildnerness areas. The street address is listed as 2800 Post Oak Rd. in Hutchins, and at 2838 Post Oak Rd., in the southeast corner of the county. It's the second-largest preserve in the system.

    Semi-industrial
    We took Buckner Road all the way south, it jig-jogs into Dowdy Ferry Road. You pass industrial businesses like composting places and a cement mixing plant; there was a lot of construction in the area.

    The name comes from one of two islands located in the Trinity River. It's definitely part of the lower Trinity River area. Some of its trails go right along the river - and in this area, it looks like a real river, not the trickle you see when you cross the bridges downtown.

    The main path included a gravel road and what they call a two-track road, a dirt road where one car can go through, with many smaller trails that extend off into densely wooded areas.

    One odd thing we noticed was that a lot of the trees seemed to have split trunks, where the tree was split into two trees, but with one base. It seemed like something that native people might have done, for markings? They were older, big trees, and there were enough that it seemed like a deliberate thing.

    It had creeks where we saw a lot of run-off, with tires piled up and really weird trash. Large pieces of trash, like a fax machine and a toaster oven, in places too remote for anyone to walk in and dump stuff like that. It seemed like they had to have washed up in a flood.

    DORBA in charge
    In 2013, the County worked out an arrangement with the Dallas Off-Road Bicycle Association to maintain the trails; they get high marks for their mowing and helpful identifying markers.

    While we were there, we coincidentally ran into Joe Johnson, the assistant trail steward from DORBA. You're not supposed to drive a car on the trail, but he had a key to unlock the gate and had his Forerunner parked on the trail. We figured with that kind of access, he must be someone official.

    He told us all about the various trails, and how Goat Island was his passion; that he comes down there all the time, and it's his idea of heaven.

    Lunch at Bonton Farms
    We'd been wanting to visit Bonton Farms, so we went there for lunch. We arrived in the nick of time, just as they were about to close.

    Bonton Farms is the urban farm founded in 2012 by executive director Daron Babcock to restore health and create jobs in South Dallas. Their farmers market, cafe, and coffee house are currently open, but with modified hours and limited capacity due to the coronavirus. They're not allowing indoor seating but they have an outdoor patio, which we had all to ourselves.

    We got a dish called egg pie, but it was really a quiche - a most delicious deep-dish quiche, with well cared for vegetables, meaning that they didn't just throw in raw vegetables, but everything was cooked down properly, then put into the quiche so that it was the right amount of doneness after it was baked.

    For the crust, they used good butter so that it was nice and flaky. And they heated it in an oven, so that when you got it, the crust was just as crispy as if it were just baked. It was a little more eggy than the heavy-cream style you'd expect from a quiche, which is maybe why they call it an egg pie because it's less custardy. It was the most perfect quiche.

    We also got a fried green tomato sandwich, which came with unexpected extras like pimento cheese and arugula.

    We sat and had our lunch sitting underneath a shady tree with a misting fan. We got to see people who worked there sitting down for their employee meal. You could just feel what a positive place it was to be.

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    Soul Searching

    A New York designer's tips for shopping vintage in Round Top this spring

    Emily Cotton
    Mar 19, 2026 | 4:27 pm
    Alfredo Paredes
    Courtesy of Alfredo Paredes
    Designer Alfredo Paredes shopped Round Top for his new store in Hudson, NY.

    The annual Round Top Spring Antiques & Design Show in Round Top, Texas is officially in full-swing for 2026. In recent years, the diversity of vendors has grown from mom-and-pop shops selling classic Texas items to international purveyors of imported European wares with provenance spanning multiple centuries. Whether a shopper partakes of the festival as a mere spectator, or is genuinely seeking an “I’ll know it when I see it” opportunity, the question always remains: what’s worth buying?

    One person who can answer that question is Alfredo Paredes. Known as the interior designer for Houston restaurant Latuli, Paredes served as creative director for Ralph Lauren for three decades, designing all stores, restaurants, and Ralph Lauren Home collections.

    Recently, Paredes traveled to Round Top in search of antique and vintage finds for his private clients as well as his forthcoming store in Hudson, New York. CultureMap tagged along for an afternoon of learning a thing or two about shopping vintage like Ralph Lauren’s right hand man.

    While the jovial Paredes readily acknowledges that he loves items from every corner of the globe, the design guru was particularly drawn to Brutalist wooden consoles, wicker, and organic woven pieces. This is only the second trip to Round Top for Paredes, and certainly not the last.

    “What I’ve started to notice in the last 10 years is — I used to go to Europe a lot, London and the Paris flea market — now a lot of it is here. People are coming now because it’s a more varied experience. It’s not all western, or all cowboy, or all whatever. It’s all eclectic and you never know what you’re going to find, and that’s why it’s more interesting now I think. It’s just interesting that it’s all here — you just have to know where to look.”

    At Market Hill, Paredes found things he couldn’t pass up for his store and for his clients. Bulky wooden pieces, low-slung leather chairs, and paintings showcasing deep umbers and blues seemed to be a draw. Saltillo tile-topped tables received high praise, as did bisque-fired ceramic works and artistic wooden carvings.

    “My eye goes to things that appeal to me. Not necessarily to a client, but just things I’m liking right now,” explains Paredes. “It’s hard to articulate what I’m loving, but I’m drawn to this sort of masculine, French, midcentury country house, but not Parisian [aesthetic]. You know — rugged stuff. I’ve always liked that, but I’m really attracted to it now. It just appeals to me. I like soulful things. I like woods that have patina, woods that have a story. I don’t like things too polished.”

    There is something endearing about witnessing Paredes in action, in his element. When he sees something he likes — say a chair, or a sofa — he makes a beeline for it and plops the seat of his Ralph Lauren vintage label blue-jeans right on it. Next, the hands get going, patting and rubbing the materials. Is it soft, is it sturdy, what are the tactile qualities, is it comfortable; an invisible sea of datapoints striking and firing in a single shot. How to know if it passed his tests? He wants the price.

    The afternoon is spent weaving through the well-organized mess of vendors getting ready for the spring show before it officially opens the next day. Boxes are being broken down and carried off, and telltale terrycloth squares peek out of back pockets — it’s nearly showtime. Paredes is recognized and greeted by vintage vendors he’s known since his days at Ralph Lauren. The genuine warmth of their greetings confirms a suspicion that’s been lingering since lunchtime — he’s the real deal.

    Favorites from the day come from Architectural Anarchy, Alma Gallery, and Amelia Tarbet Studios. Earlier in the day, Kansas City-based vendor Prize was also a great source for the style Paredes is currently curating.

    “I like this sort of — let’s call it ‘Old Hollywood Mogul.’ Something you’d see in Robert Redford’s house or an old movie star’s house; something of a period. I like that. I lean into old movies,” he explains

    Paredes shops with an air of confidence reserved for those who have long since forgotten to second guess themselves, but he remains all too aware that shopping vintage can intimidate the types of people who find solace in the arms of a robust and generous return policy.

    “Getting people to be comfortable with the sort of pace of shopping for vintage, and sort of collecting and owning [is tricky],” says Paredes. “Being okay that this is the one you selected — you know what I mean? If you miss it, you regret it. You need to know it’s a good investment, because you can always sell it. You can always move on. These pieces have been in people’s homes for a long time.”

    With his private clients, Paredes stays hard at work helping people understand the stewardship that goes along with collecting vintage pieces. It’s not about designer names with the things he’s drawn to, it’s about durability and craftsmanship — “artistry,” as he calls it. People shy away from the unfamiliar at times, then once they have had the time to consider rare vintage pieces long enough to fall in love with the idea, the piece is usually gone. And that’s something Paredes finds regrettable.

    “Vintage is a tricky thing for clients because you have to decide. Otherwise, it vanishes and it’s like hunt-and-peck. Then you’re not finished. A lot of people shy away from it because they can’t commit. That’s why you have an empty dining room, because you didn’t commit. We saw 30 tables and you didn’t commit. Missing out on things is a combination. People think they’re getting ripped off, or that it’s not the best one, or it’s ‘Can I see more options [of the same vintage piece]?’ The answer is no, no, and no. This is what it is — it’s collecting!”

    The new store in Hudson will be 60 percent vintage finds and 40 percent items from his private label. His pieces are bench-crafted in North Carolina and are inspired by his vintage finds. He loves that his line is made in the United States and inspired by pieces from across the globe. He doesn’t copy, he just lifts ideas.

    “I see this Parisian Art Deco chair that’s been upholstered in Mohair, and I’ll decide that we need a piece in Mohair. And that’s all I’ll take away from it,” he says.

    Textiles and other tactile materials are a big draw for Paredes, which is how he came to have a line with Kravet Fabrics. The line is mostly made of vintage-inspired patterns in classic, Americana colorways. This makes them easy to pair with vintage frames and materials plucked from anything from vintage fairs like the Round Top show to something inherited from a beloved family member.

    In his book, Alfredo Paredes at Home, he invites readers to explore the interiors of four homes he’s had throughout the years, showcasing his idea that inspired rooms can be built around the love of something as simple — yet unique — as a tassel.

    During his visit to Round Top, Paredes took the time to sign books and visit with vintage enthusiasts at gallerist Shelli Alter’s Round Top pop-up “dinnerpARTy.” Alter finds great success in mixing simplistic contemporary artworks by international artists like Riera Arago with ornate antique frames from the 18th century. The mix and juxtaposition is something very in line with the Paredes aesthetic.

    What’s most important to Paredes is the idea that people should just be having fun, loving the thrill of the hunt, and not putting too much pressure on themselves. As he says: “It’s someone’s own home — they need to enjoy it!”

    Explore the thrill of vintage at these top spots in Round Top

    Market Hill: March 9–29
    The Horseshoe: March 12–28
    Bader Ranch: March 13–28
    Zapp Hall: March 13–28
    Excess Field: March 1
    Blue Hills: March 14–28
    McLaren’s: March 14–28
    The Arbors: March 14–28
    The Compound: March 14–28
    The Halles: March 14–28
    Big Red Barn: March 22–28
    550 Market: March 14–28
    Marburger Farm: March 24–28
    Cisco Village: March 20–April 6

    Alfredo Paredes

    Courtesy of Alfredo Paredes

    Designer Alfredo Paredes shopped Round Top for his new store in Hudson, NY.

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